Author:
Publisher: Juan Higuera M.
Total Pages: 343
Release:
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Evidentiality and Epistemological Stance

Evidentiality and Epistemological Stance
Author: Ilana Mushin
Publisher: John Benjamins Publishing
Total Pages: 638
Release: 2001-01-01
Genre: Language Arts & Disciplines
ISBN: 9781588110336

This book explores the discourse pragmatics of reportive evidentiality in Macedonian, Japanese and English through an empirical study of evidential strategies in narrative retelling. The patterns of evidential use (and non-use) found in these languages are attributed to contextual, cultural and grammatical factors that motivate the adoption of an 'epistemological stance' - a concept that owes much to recent trends in Cognitive Linguistics. The patterns of evidential strategies found in the three languages provide a fine illustration of the balancing act between speakers' expressions of their own subjectivity, their motivations to tell a coherent and exciting story, and their motivations to be faithful retellers of someone elses' story. These pressures are further complicated by the grammatical and pragmatic conventions that are particular to each language. Evidentiality and Epistemological Stance: narrative retelling will appeal to those interested in evidentiality, grammar and pragmatics, cross-linguistics discourse analysis, linguistic subjectivity and narrative.

Las mujeres y la ópera

Las mujeres y la ópera
Author: Hélène Seydoux
Publisher: Editorial Almuzara
Total Pages: 343
Release: 2011-11
Genre: Biography & Autobiography
ISBN: 8483566532

Hélène Seydoux establece brillantemente cómo en la ópera, más que en otras formas artísticas –literatura, teatro o cine–, las mujeres reciben el máximo privilegio al otorgar a las cantantes el mayor espacio lírico. Seydoux analiza las grandes óperas de los grandes compositores y trata de buscar un modelo emblemático femenino que sirva como referente común en el ámbito del bel canto, mientras trata de buscar paralelismos con la época, la sociedad, el momento en el que las óperas fueron creadas intentando establecer hasta que punto estas son reflejo de esas condiciones. Porque la ópera también es una interpretación del mundo. La autora, se aleja de la tesis de la musicología y ayuda al lector a descubrir (o a redescubrir) los placeres de la tragedia lírica, la comedia bufa o el drama jocular.