Studying The Hurt Locker
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| Author | : Terence McSweeney |
| Publisher | : Liverpool University Press |
| Total Pages | : 113 |
| Release | : 2019-07-02 |
| Genre | : History |
| ISBN | : 1800347219 |
In this vibrant and dynamic book-length study drawing on a broad tapestry of research, Terence McSweeney offers an exploration of The Hurt Locker (2009), its stylistic and narrative devices, its cultural impact, its reception, and its relationship to the genre of the war film. McSweeney places the film in a richly textured historical, political, and industrial context, arguing that The Hurt Locker is part of a long tradition of films about American wars that play a considerable role in how audiences come to understand the conflicts that they depict. Thus, films about a nation’s wars are never “only a movie” but rather should be considered a cultural battleground themselves on which a war of representation is waged.
| Author | : Terence McSweeney |
| Publisher | : Liverpool University Press |
| Total Pages | : 164 |
| Release | : 2019-07-02 |
| Genre | : History |
| ISBN | : 1911325744 |
In this vibrant and dynamic book-length study drawing on a broad tapestry of research, Terence McSweeney offers an exploration of The Hurt Locker (2009), its stylistic and narrative devices, its cultural impact, its reception, and its relationship to the genre of the war film. McSweeney places the film in a richly textured historical, political, and industrial context, arguing that The Hurt Locker is part of a long tradition of films about American wars that play a considerable role in how audiences come to understand the conflicts that they depict. Thus, films about a nation’s wars are never “only a movie” but rather should be considered a cultural battleground themselves on which a war of representation is waged.
| Author | : Graziella Parati |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 345 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 161147566X |
Following the more theoretical first installment of New Perspectives in Italian Cultural Studies devoted to Definitions, Theory, and Accented Practices, the second volume of New Perspectives deals with practicing cultural studies by offering articles that are valuable for both scholars of Italian studies and students interested in a cultural studies approach. Divided in four sections, the articles included offer complex approaches to literature, film, the visual arts, and a particular moment in Italian history with which Italians are still coming to terms, fascism. The essays cover about two hundred years of Italian cultures dealing with the construction of national myths, the role of soccer in contemporary debates, the contemporary success of mystery novels, and issues of race and crime in fascist Italy. Contributors look at film through the lens of fashion history and the particular Italian use of dubbing that continues even today. Place and memory are the topics of a number of essays that also allow for an interpretation of Italian culture inAmericans' imagination. This volume contains a multifaceted representation of Italy and invites additional discussion on the complexity of representing cultures
| Author | : Aa. Vv. |
| Publisher | : Mimesis |
| Total Pages | : 258 |
| Release | : 2015-08-03T00:00:00+02:00 |
| Genre | : Art |
| ISBN | : 8857532097 |
Over the last two decades, discoveries made in the field of cognitive neuroscience have begun to permeate humanities and social sciences. This special issue of Cinéma & Cie focuses on major conceptual and epistemological arguments arising from the dialogue between audiovisual studies and neurosciences. In the context of this intersection, Neurofilmology is an interdisciplinary research program that arises at the encounter between two models of viewer: theviewer-as-mind (deriving from a cognitive/analytical approach) and the viewer-as-body (typical of the phenomenological/continental approach). Accordingly, Neurofilmology focuses on the viewer-as-organism, by investigating with both empirical and speculative epistemological tools the subject of audiovisual experience, postulated as embodied, embedded, enacted, extended, emerging, affective, and relational.
| Author | : Anders Engberg-Pedersen |
| Publisher | : Cambridge University Press |
| Total Pages | : 740 |
| Release | : 2022-12-31 |
| Genre | : Literary Criticism |
| ISBN | : 100905998X |
War and Literary Studies poses two main questions: First, how has war shaped the field of literary studies? And second, when scholars today study the literature of war what are the key concepts in play? Seeking to complement the extant scholarship, this volume adopts a wider and more systematic approach as it directs our attention to the relation between warfare and literary studies as a field of knowledge. What are the key characteristics of the language of war? Of gender in war? Which questions are central to the way we engage with war and trauma or war and sensation? In which ways were prominent 20th century theories such as critical theory, French postwar theory, postcolonial theory shaped by war? How might emergent concepts such as 'revolution,' 'the anthropocene' or 'capitalism' inflect the study of war and literature?
| Author | : Antony Bateman |
| Publisher | : Routledge |
| Total Pages | : 311 |
| Release | : 2011 |
| Genre | : Education |
| ISBN | : 0415613345 |
This full colour, highly illustrated textbook is designed to support students through their WJEC AS in Media Studies. Individual chapters cover the following key areas: Textual Analysis: Visual, Technical and Audio codes Textual Analysis: Narrative and Genre Codes Approaches to Representation Approaches to Audience Response Case Studies on Representation and Audience: Gender, Age, Ethnicity, Identity, Events and Issues Passing MS1: Media Representations and Receptions Production Work, Evaluation and report Specially designed to be user-friendly, AS Media Studies: The Essential Introduction for WJEC includes activities, key terms, case studies and sample exam questions. It introduces the course, tackles useful approaches to study, key content covered in the specification, and guides the student in approaching and planning the exam and production work through analysis, prompts and activities.
| Author | : Cameron White |
| Publisher | : IAP |
| Total Pages | : 217 |
| Release | : 2016-07-01 |
| Genre | : Education |
| ISBN | : 1681234998 |
The book is unique in that it mixes theory and practical applications in rethinking traditional social studies education. It focuses on essays integrating media, popular culture, and alternative texts for teaching and learning in social studies and history education through a social education lens. Social education integrates social studies, media / popular culture, and cultural studies all within a social justice framework. The text provides 20+ curriculum themes with strategies to connect in teaching and learning, along with resources to extend depth of understanding. In addition, the pedagogical philosophy inherent in the essays is student-centered learning focusing on issues, problem, and project-based instruction. Although the themes are generally social studies and history focused, the links to media and popular culture can be integrated in other disciplines.
| Author | : Annette Kuhn |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 530 |
| Release | : 2012-06-21 |
| Genre | : Performing Arts |
| ISBN | : 0199587264 |
This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism.
| Author | : Jeffrey R. Di Leo |
| Publisher | : Routledge |
| Total Pages | : 128 |
| Release | : 2015-11-17 |
| Genre | : Education |
| ISBN | : 1317255593 |
Neoliberalism, Education, Terrorism: Contemporary Dialogues is a collaborative effort among four established public intellectuals who deeply care about the future of education in America and who are concerned about the dangerous effects of neoliberalism on American society and culture. It aims to provide a clear, concise, and thought-provoking account of the problems facing education in America under the dual shadows of neoliberalism and terrorism. Through collaborative and individual essays, the authors provide a provocative account that will be of interest to anyone who concerning with the opportunities and dangers facing the future of education at this critical moment in history.
| Author | : Jill Nelmes |
| Publisher | : Routledge |
| Total Pages | : 1083 |
| Release | : 2012-03-12 |
| Genre | : Performing Arts |
| ISBN | : 1136777148 |
Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with 150 film stills and production shots, in full colour throughout. Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it will be essential reading for any introductory student of film and media studies or the visual arts worldwide. Key features of the fifth edition are: updated coverage of a wide range of concepts, theories and issues in film studies in-depth discussion of the contemporary film industry and technological changes new chapters on Film and Technology and Latin American Cinema new case studies on films such as District 9, Grizzly Man, Amores Perros, Avatar, Made in Dagenham and many others marginal key terms, notes, cross-referencing suggestions for further reading, further viewing and a comprehensive glossary and bibliography a new, improved companion website including popular case studies and chapters from previous editions (including chapters on German Cinema and The French New Wave), links to supporting sites, clips, questions and useful resources. Individual chapters include: The Industrial Contexts of Film Production · Film and Technology · Getting to the Bigger · Picture Film Form and Narrative · Spectator, Audience and Response · Cinematic authorship and the film auteur · Stardom and Hollywood Cinema · Genre, Theory and Hollywood Cinema The Documentary Form · The Language of Animation · Gender and Film · Lesbian and Gay Cinema · Spectacle, Stereotypes and Films of the African Diaspora · British Cinema · Indian Cinema · Latin American Cinema · Soviet Montage Cinema of the 1920s Contributors: Linda Craig, Lalitha Gopalan, Terri Francis, Chris Jones, Mark Joyce, Searle Kochberg, Lawrence Napper, Jill Nelmes, Patrick Phillips, Suzanne Speidel, Paul Ward, Paul Watson, Paul Wells and William Wittington
