Studies Of Passive Clauses
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| Author | : Paul Martin Postal |
| Publisher | : SUNY Press |
| Total Pages | : 290 |
| Release | : 1986-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780887060830 |
In this work, Paul M. Postal supports the universalist theory of language by examining passive clauses. Contrary to a skeptical tradition, Postal argues that passive clauses are cross-linguistically identifiable and characterizable. This study proposes refinements of the analysis of the natural language grammatical category Passive Clause. These refinements include an account of the notion 'dummy nominal,' central to the analysis of impersonal passive clauses; additions permitting a proper typology of the major known subtypes of Passive Clause; a generalization permitting application to clauses whose subjects are not earlier level direct objects; and, construction of precise rule concepts to represent restrictions on passive clauses. The passive domain supports the universalist approach in three distinguishable ways: (1) by permitting formulation of otherwise apparently unstatable lawful characteristics of all passive structures; (2) by facilitating statement of language-specific passive constraints holding in diverse languages; and, (3) by allowing uniform statement in grammars of recurrent constraints on passives. Each mode of support is applied to actual cases based on material from more than a dozen languages from English and French to Quiche (Mayan) and Chi-Mwi:ni (Bantu).
| Author | : Masayoshi Shibatani |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 720 |
| Release | : 1988-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027286132 |
This volume brings together 18 original papers dealing with voice-related phenomena.The languages dealt with represent both typological and geographic diversity, ranging from accusative-type languages to ergative-type and Philippine-type languages, and from Australia to Africa and Siberia. The studies presented here open up many possibilities for theorizing and offer data inviting formal treatments, but the most important contribution they make is in terms of the insights they offer for a better understanding of the fundamentals of voice phenomena.
| Author | : Anja Wanner |
| Publisher | : Walter de Gruyter |
| Total Pages | : 241 |
| Release | : 2009-07-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110199211 |
This book analyzes the form and function of the English passive from a verb-based point of view. It takes the position that the various surface forms of the passive (with or without thematic subject, with or without object, with or without by-phrase, with or without auxiliary) have a common source and are determined by the interplay of the syntactic properties of the verb and general syntactic principles. Each structural element of the passive construction is examined separately, and the participle is considered the only defining component of the passive. Special emphasis is put on the existence of an implicit argument (ususally an agent) and its representation in the passive. A review of data from syntax, language acquisition, and psycholinguistics shows that the implicit agent is not just a conceptually understood argument. It is argued that it is represented at the level of argument structure and that this is what sets the passive apart from other patient-subject constructions. A corpus-based case study on the use of the passive in academic writing analyzes the use of the passive in this particular register. One of the findings is that about 20-25% of passives occur in constructions that do not require an auxiliary, a result that challenges corpus studies on the use of the passive that only consider full be-passives. It is also shown that new active-voice constructions have emerged that compete with the passive without having a more visible agent. The emergence of these constructions (such as "This paper argues...") is discussed in the context of changes in the rhetoric of scientific discourse. The book is mainly of interest to linguists and graduate students in the areas of English syntax, semantics, and pragmatics.
| Author | : Joachim Remak |
| Publisher | : Holt Rinehart & Winston |
| Total Pages | : 162 |
| Release | : 1967 |
| Genre | : World War, 1914-1918 |
| ISBN | : 9780030828393 |
| Author | : J. Toyota |
| Publisher | : Springer |
| Total Pages | : 305 |
| Release | : 2008-11-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0230594654 |
In this coherent historical development of the passive voice in English, the main argument deals not only with the passive per se, but also with its related constructions, which can play vital parts in identifying both functional and structural motivations for creating the passive.
| Author | : Werner Abraham |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 566 |
| Release | : 2006-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027229805 |
Is the passive a unified universal phenomenon? The claim derived from this volume is that the passive, if not universal, has become unified according to function. Language as a means of communication needs the passive, or passive-like constructions, and sooner or later develops them based on other voices (impersonal active, middle, reflexive), specific semantic meanings such as adversativity, or tense-aspect categories (stative, perfect, preterit). Certain contributors review the passives in various languages and language groups, including languages rarely discussed. Another group of contributors takes a novel theoretical approach toward passivization within a broad typological perspective. Among the languages discussed are Vedic, Irish, Mandarin Chinese, Thai, Lithuanian, Mordvin, and Nganasan, next to almost all European languages. Various theoretical frameworks such as Optimality Theory, modern structuralist approaches, Role and Reference Grammar, cognitive semantics, Distributed Morphology, and case grammar have been applied by the different authors.
| Author | : Nicklas N. Bahrt |
| Publisher | : Language Science Press |
| Total Pages | : 340 |
| Release | : |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3961103194 |
This book provides a comprehensive typological account of voice syncretism, focusing on resemblance in formal verbal marking between two or more of the following seven voices: passives, antipassives, reflexives, reciprocals, anticausatives, causatives, and applicatives. It covers voice syncretism from both synchronic and diachronic perspectives, and has been structured in a manner that facilitates convenient access to information about specific patterns of voice syncretism, their distribution and development. The book is based on a survey of voice syncretism in 222 geographically and genealogically diverse languages, but also thoroughly revisits previous research on the phenomenon. Voice syncretism is approached systematically by establishing and exploring patterns of voice syncretism that can logically be posited for the seven voices of focus in the book: 21 simplex patterns when one considers two of the seven voices sharing the same marking (e.g. reflexive-reciprocal syncretism), and 99 complex patterns when one considers more than two of the voices sharing the same marking (e.g. reflexive-reciprocal-anticausative syncretism). In a similar vein, 42 paths of development can logically be posited if it is assumed that voice marking in each of the seven voices can potentially develop one of the other six voice functions (e.g. reflexive voice marking developing a reciprocal function). This approach enables the discussion of both voice syncretism that has received considerable attention in the literature (notably middle syncretism involving the reflexive, reciprocal, anticausative and/or passive voices) and voice syncretism that has received little or not treatment in the past (including seemingly contradictory patterns such as causative-anticausative and passive-antipassive syncretism). In the survey almost all simplex patterns are attested in addition to seventeen complex patterns. In terms of diachrony, evidence is presented and discussed for twenty paths of development. The book strives to highlight the variation found in voice syncretism across the world’s languages and encourage further research into the phenomenon.
| Author | : Annika Onken |
| Publisher | : GRIN Verlag |
| Total Pages | : 33 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 3638893340 |
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Linguistics, grade: 1,3, University of Münster, 9 entries in the bibliography, language: English, abstract: 1Introduction In order to learn more about the English language and how it is actually used by the native speaker community I am going to investigate the occurrence of bare passives as modifiers and of relative clauses in be-passive form which can be compared to the former in its function as modifier. With help of the queries I will find out how many of these constructions exist in The Penn Treebank and then take a closer look at the beginning of sentences. Which of these two grammatical phenomenon is more frequent at the beginnings of sentences and why? Firstly in this term paper, I will introduce the grammatical phenomenon of the passive voice with its variants 'be-passive', 'get-passive' and 'bare passive' by contrasting it to the active voice. Furthermore I will explain the development of the different queries needed for the research whose findings will be discussed subsequent to that.
| Author | : Paul Martin Postal |
| Publisher | : |
| Total Pages | : 286 |
| Release | : 1971 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
| Author | : George Orwell |
| Publisher | : Renard Press Ltd |
| Total Pages | : |
| Release | : 2021-01-01 |
| Genre | : Literary Collections |
| ISBN | : 1913724271 |
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
