Studies In Shakespeare Bibliography And Theatre
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Author | : James G. McManaway |
Publisher | : Associated University Presses |
Total Pages | : 442 |
Release | : 1990 |
Genre | : Literary Criticism |
ISBN | : 9780918016485 |
This volume is designed to pay homage to the scholarship of James G. McManaway, and at the same time to make the best of that scholarship available to a wider audience. Twenty-one essays testify to the distinguished career of this editor, scholar, and teacher. Illustrated.
Author | : Peter Thomson |
Publisher | : Routledge |
Total Pages | : 221 |
Release | : 2013-06-17 |
Genre | : Performing Arts |
ISBN | : 1136113568 |
Reviews of the First Edition `...valuable and enjoyable reading for all studying Shakespeare's plays.' Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS '`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies `Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies
Author | : Margaret Jane Kidnie |
Publisher | : Cambridge University Press |
Total Pages | : 483 |
Release | : 2015-11-12 |
Genre | : Literary Criticism |
ISBN | : 1107023742 |
A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to Shakespeare's texts.
Author | : Terence Schoone-Jongen |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 276 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : 9780754690108 |
Focusing on the often neglected 1580s and 1590s, this study considers the plausibility of various biographers' claims about Shakespeare's involvement with different London acting companies. It considers 11 different acting companies, with six chapters on their activities, & the arguments for Shakespeare's involvement in them.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 1176 |
Release | : 1865 |
Genre | : |
ISBN | : |
Author | : Michael LoMonico |
Publisher | : Career Press |
Total Pages | : 232 |
Release | : 2001 |
Genre | : Drama |
ISBN | : 9781564145246 |
Catalogs Shakespeare's life, his times, his use of language and choice of words, the best and most insulting lines from his plays and poems, the actors who have performed his plays, the theaters where they have been performed, and the videos, films, and spin-offs of his works.
Author | : Joel Berkowitz |
Publisher | : University of Iowa Press |
Total Pages | : 305 |
Release | : 2005-04 |
Genre | : History |
ISBN | : 1587294087 |
The professional Yiddish theatre started in 1876 in Eastern Europe; with the assassination of Tsar Alexander II in 1881, masses of Eastern European Jews began moving westward, and New York—Manhattan’s Bowery and Second Avenue—soon became the world’s center of Yiddish theatre. At first the Yiddish repertoire revolved around comedies, operettas, and melodramas, but by the early 1890s America's Yiddish actors were wild about Shakespeare. In Shakespeare on the American Yiddish Stage, Joel Berkowitz knowledgeably and intelligently constructs the history of this unique theatrical culture. The Jewish King Lear of 1892 was a sensation. The year 1893 saw the beginning of a bevy of Yiddish versions of Hamlet; that year also saw the first Yiddish production of Othello. Romeo and Juliet inspired a wide variety of treatments. The Merchant of Venice was the first Shakespeare play published in Yiddish, and Jacob Adler received rave reviews as Shylock on Broadway in both 1903 and 1905. Berkowitz focuses on these five plays in his five chapters. His introduction provides an orientation to the Yiddish theatre district in New York as well as the larger picture of Shakespearean production and the American theatre scene, and his conclusion summarizes the significance of Shakespeare’s plays in Yiddish culture.
Author | : Katherine Scheil |
Publisher | : Berghahn Books |
Total Pages | : 140 |
Release | : 2020-09-01 |
Genre | : Literary Criticism |
ISBN | : 9781789209044 |
From Shakespeare’s religion to his wife to his competitors in the world of early modern theatre, biographers have approached the question of the Bard’s life from numerous angles. Shakespeare & Biography offers a fresh look at the biographical questions connected with the famous playwright’s life, through essays and reflections written by prominent international scholars and biographers.
Author | : Peter Happe |
Publisher | : Routledge |
Total Pages | : 190 |
Release | : 2018-10-08 |
Genre | : Literary Criticism |
ISBN | : 131787112X |
English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Author | : Richard Wilson |
Publisher | : Manchester University Press |
Total Pages | : 337 |
Release | : 2024-06-04 |
Genre | : Literary Criticism |
ISBN | : 152618415X |
Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies.