Studies In Latin Literature And Its Tradition
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Author | : J. Diggle |
Publisher | : Cambridge Philological Society |
Total Pages | : 232 |
Release | : 2020-08-30 |
Genre | : Literary Criticism |
ISBN | : 1913701212 |
This collection of essays was published in 1989 in celebration of C. O. Brink, formerly Kennedy Professor of Latin at Cambridge University. Ten leading scholars of contribute papers on Latin literature, Roman history and the manuscript tradition.
Author | : Carl Deroux |
Publisher | : |
Total Pages | : 560 |
Release | : 1979 |
Genre | : Latin literature |
ISBN | : |
Author | : J. W. Mackail |
Publisher | : Good Press |
Total Pages | : 242 |
Release | : 2019-11-29 |
Genre | : History |
ISBN | : |
This book offers an overview of the development of Latin literature from its origins in the Roman Republic to the beginning of the Middle Ages. In this book, Mackail traces the evolution of Latin literature, which was heavily influenced by Greek literature, and covers a range of genres including epic, tragedy, comedy, and lyric poetry. The book also highlights key figures of Latin literature, such as Virgil, Horace, and Cicero, and explores the social and cultural contexts that shaped their works.
Author | : Joseph Farrell |
Publisher | : Cambridge University Press |
Total Pages | : 170 |
Release | : 2001-02-15 |
Genre | : Foreign Language Study |
ISBN | : 9780521776639 |
A examination of stereotypical ideas about Latin and their effect on how Latin literature is read.
Author | : Kenneth Quinn |
Publisher | : Routledge |
Total Pages | : 265 |
Release | : 2014-06-17 |
Genre | : Foreign Language Study |
ISBN | : 1317745876 |
Latin Explorations, first published in 1963, offers a fresh approach to Roman poetry from Catullus to Ovid. Traditionally, the period is divided for specialist studies – Lyric, Epic and Elegy. In each of them, techniques of interpretation prevail, isolated from contemporary ideas about poetry and dominated by barriers between ‘textual’, ‘exegetical’ and ‘aesthetic’ criticism. Kenneth Quinn discerns in Roman poetry of this period the adolescence, maturity and decay of a single coherent tradition whose internal unity surpasses differences of form. His argument attempts to reverse the dissociation of purely academic research from appreciative criticism, whilst also incorporating the work of textual scholars. Each chapter is supported by a detailed analysis of the texts: nearly 700 lines of poetry are discussed and translated. Latin Explorations will be of significant value not only to students of the Classics, but also to the ‘Latinless’ general reader who is interested in Roman literature.
Author | : Richard Hunter |
Publisher | : Cambridge University Press |
Total Pages | : 523 |
Release | : 2015-11-26 |
Genre | : History |
ISBN | : 1316558762 |
This is a series of innovative studies in the textual and literary criticism of Latin literature, exploring how these two branches of the discipline are mutually supportive. The contributors include many leading scholars in the field. Individual essays are devoted to Catullus, Cicero, Horace, Lucretius, Ovid, Tacitus and Virgil, and there are also essays on the Renaissance reception of Virgil and on principles of editorial practice. The collection celebrates the extraordinary contribution which Michael Reeve has made and continues to make to Latin studies.
Author | : Garth Tissol |
Publisher | : Peter Lang |
Total Pages | : 382 |
Release | : 2005 |
Genre | : Foreign Language Study |
ISBN | : 9780820478296 |
The Roman confrontation and assimilation of Greek literature entailed a scrutiny, critique, and adaptation of generic assumptions. This book considers the ways in which major genres - among them comedy, lyric, elegy, epic, and the novel - were redefined to accommodate Roman concerns and the ways in which gender plays a role in generic definition and authorial self-definition. Both of these areas of research have been important to William S. Anderson throughout his career. This collection of essays by his students helps readers to understand the nature of Roman literary self-definition, as it honors Professor Anderson's own achievements in this field.
Author | : Barbara K. Gold |
Publisher | : SUNY Press |
Total Pages | : 348 |
Release | : 1997-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780791432457 |
Examines interrelated topics in Medieval and Renaissance Latin literature: the status of women as writers, the status of women as rhetorical figures, and the status of women in society from the fifth to the early seventeenth century.
Author | : Stephen J. Harrison |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 497 |
Release | : 2018-10-08 |
Genre | : Literary Criticism |
ISBN | : 311061023X |
Recent years have witnessed an increased interest in classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interaction between various parts of the same text or body of texts within the overall production of a single author, namely intratextuality. Taking off from the seminal volume on Intratextuality: Greek and Roman Textual Relations, edited by A. Sharrock / H. Morales (Oxford 2000), which largely sets the theoretical framework for such internal associations within classical texts, this collective volume brings together twenty-seven contributions, written by an international team of experts, exploring the evolution of intratextuality from Late Republic to Late Antiquity across a wide range of authors, genres and historical periods. Of particular interest are also the combined instances of intra- and intertextual poetics as well as the way in which intratextuality in Latin literature draws on reading practices and critical methods already theorized and operative in Greek antiquity.
Author | : Sebastian Matzner |
Publisher | : Oxford University Press |
Total Pages | : 335 |
Release | : 2018-10-25 |
Genre | : Literary Criticism |
ISBN | : 0192543784 |
This volume investigates an important and surprisingly widespread phenomenon in Latin literature, which has to date received little sustained discussion: the deliberate assumption of a weaker voice by speakers who in fact hold sufficient status not to be forced into this position. Though often associated with the markers of imperial hegemony and elite speech, Latin literature evinces a remarkably broad range of strategies designed to enable the adoption of a markedly disempowered voice- from topoi such as recusatio (professing a lack of ability to write in status-conforming, superior genres) and rhetorical devices such as prosopopoeia (artfully and strategically adopting a persona to garner favour, even when this means temporarily forfeiting one's higher status and discursive privileges), to the long-silenced female heroines of Ovid's Heroides and satire's irreverent take on the great and the good by framing its narratives as being articulated 'from below'. Even large-scale cultural self-positionings fall within this scope, be they expressions of Roman cultural inferiority vis-à-vis classical Greece or the tensions that arise between humble (yet spiritually superior) Christian writers and their grand, canonical, and classical (yet pagan) predecessors. The intersecting case studies offered in Complex Inferiorities examine this phenomenon in a wide range of genres, periods, and authors. By demonstrating that re-negotiating alleged weakness constitutes a central activity in Latin literature, this volume reveals the extent of the literary and cultural-political possibilities opened up by assuming and speaking in voices of weakness and inferiority. Authored by experts in their fields, the individual chapters explore the crucial role of the 'weaker voice' in establishing, perpetuating, and challenging hierarchies and values in a wide range of contexts- from poetics and choices of genre, to social status and intra- and intercultural relations- thereby offering invaluable insights not only for the study of classics, but for literary and cultural studies across the humanities.