Studies In Late Antique Byzantine And Medieval Western Art Volume 2
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Author | : Ernst Kitzinger |
Publisher | : |
Total Pages | : 0 |
Release | : 2003-12-31 |
Genre | : Art |
ISBN | : 9781904597087 |
This, the second of two volumes containing all of Professor Kitzinger's essays on late antique and medieval art, painting and mosaics, is accompanied by a new preface and a comprehensive index.
Author | : Ernst Kitzinger |
Publisher | : |
Total Pages | : 640 |
Release | : 2002 |
Genre | : Art, Ancient |
ISBN | : |
The two volumes consist of thirty-eight articles previously published by the author from 1938 to 1995.
Author | : Ernst Kitzinger |
Publisher | : |
Total Pages | : 0 |
Release | : 2002-12-31 |
Genre | : Art |
ISBN | : 9781899828845 |
This is the first of two volumes that contains all of Professor Kitzinger's major essays on the art of Late Antiquity, accompanied by a new preface and a comprehensive index.
Author | : Eva R. Hoffman |
Publisher | : John Wiley & Sons |
Total Pages | : 444 |
Release | : 2009-02-09 |
Genre | : Art |
ISBN | : 1405182075 |
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books
Author | : Chris Entwistle |
Publisher | : Oxbow Books |
Total Pages | : 462 |
Release | : 2016-09-28 |
Genre | : Art |
ISBN | : 1785702734 |
The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.
Author | : John Beckwith |
Publisher | : |
Total Pages | : 392 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
This volume bring together John Beckwith's papers on medieval and Byzantine art. They focus on those subjects which the author made his own, Coptic and Byzantine "textiles, Western European and Constantinopolitan ivory carving, and Byzantine metalwork. A final section includes a number of studies on cultural diffusion, from Islam and Byzantium to Western Europe, in the early Middle Ages.
Author | : David Rollason |
Publisher | : Princeton University Press |
Total Pages | : 482 |
Release | : 2016-07-19 |
Genre | : Architecture |
ISBN | : 0691167621 |
This volume explores the nature of power - the power of kings, emperors and popes - through the places that these rulers created or developed, including palaces, cities, landscapes, holy places, inauguration sites and burial places. Ranging across all of Europe from the 1st to the 16th centuries, David Rollason examines how these places conveyed messages of power and what those messages were.
Author | : Vasileios Marinis |
Publisher | : |
Total Pages | : 253 |
Release | : 2021-02-18 |
Genre | : |
ISBN | : 9782503583969 |
The book comprises fourteen essays addressing issues of art and architecture as well as archaeology within the context of sacred space, broadly defined and encompassing a wide range of territories, methodologies, approaches, and scholarly concerns. Our point of departure is the built environment, with all that this encompasses, including religious and political ceremony, painted interiors and illuminated manuscripts, patronage, contested space, structural and environmental concerns, sensory properties, the written word as it pertains to architectural projects, and imagined spaces. In all, the scholars involved in this project find fresh approaches and uncover new meanings and interpretations in the material approached within this volume, including buildings and objects found from Europe to Asia, spanning from Late Antiquity through the end of the Middle Ages.
Author | : Maria Gerolemou |
Publisher | : Bloomsbury Publishing |
Total Pages | : 296 |
Release | : 2020-01-09 |
Genre | : History |
ISBN | : 135010129X |
This volume examines mirrors and mirroring through a series of multidisciplinary essays, especially focusing on the intersection between technological and cultural dynamics of mirrors. The international scholars brought together here explore critical questions around the mirror as artefact and the phenomenon of mirroring. Beside the common visual registration of an action or inaction, in a two dimensional and reversed form, various types of mirrors often possess special abilities which can produce a distorted picture of reality, serving in this way illusion and falsehood. Part I looks at a selection of theory from ancient writers, demonstrating the concern to explore these same questions in antiquity. Part II considers the role reflections can play in forming ideas of gender and identity. Beyond the everyday, we see in Part III how oracular mirrors and magical mirrors reveal the invisible divine – prosthetics that allow us to look where the eye cannot reach. Finally, Part IV considers mirrors' roles in displaying the visible and invisible in antiquity and since.
Author | : Sean V. Leatherbury |
Publisher | : Routledge |
Total Pages | : 424 |
Release | : 2019-07-26 |
Genre | : History |
ISBN | : 1000023338 |
Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.