Studies in Indian Art
Author | : Vasudeva Sharana Agrawala |
Publisher | : |
Total Pages | : 326 |
Release | : 2003 |
Genre | : Art, Indic |
ISBN | : |
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Author | : Vasudeva Sharana Agrawala |
Publisher | : |
Total Pages | : 326 |
Release | : 2003 |
Genre | : Art, Indic |
ISBN | : |
Author | : Bill Holm |
Publisher | : University of Washington Press |
Total Pages | : 145 |
Release | : 2014-12-01 |
Genre | : Art |
ISBN | : 0295999500 |
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Author | : Ratan Parimoo |
Publisher | : |
Total Pages | : 524 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
The Essays Here, Challenging The Boundaries And Assumptions Of Mainstream Art History, Question Many Preconceived Notions About Meaning In Representations Artistic And Art Historical. Emphasizing On Specific Visual Cultures Within The Dynamics Of Historical Processes, They Raise Critical Issues Of Art Production, Circulation And Consumption And Attempt To Rescue Traditional Arts From A Past That Is Hermetically Sealed Off From The Present.
Author | : Laura Brueck |
Publisher | : University of Michigan Press |
Total Pages | : 339 |
Release | : 2020-05-14 |
Genre | : Social Science |
ISBN | : 0472054341 |
From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.
Author | : Rochona Majumdar |
Publisher | : Columbia University Press |
Total Pages | : 222 |
Release | : 2021-10-12 |
Genre | : Performing Arts |
ISBN | : 0231553900 |
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Author | : Arindam Chakrabarti |
Publisher | : Bloomsbury Publishing |
Total Pages | : 445 |
Release | : 2016-02-25 |
Genre | : Philosophy |
ISBN | : 1472524306 |
The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.
Author | : Polly Schaafsma |
Publisher | : UNM Press |
Total Pages | : 420 |
Release | : 1986 |
Genre | : Art |
ISBN | : 9780826309136 |
The comprehensive book on Indian petroglyphs in the Southwest.
Author | : Parul Pandya Dhar |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9788124605974 |
Papers presented at the Seminar "Historiography of Indian Art : Emergent Methodological Concerns", held at New Delhi during 19-21 September 2006.
Author | : Anand Amaladass |
Publisher | : Manohar |
Total Pages | : 428 |
Release | : 2012 |
Genre | : Christian art and symbolism |
ISBN | : 9788173049453 |
This book is a pioneering work presenting Christian themes in Indian art from the beginnings of Christianity in India till today. The authors have, in the main, dealt with paintings and sculptures, but have supplemented this with one chapter on architecture, particularly that of church buildings, and one on popular art, including stamps. Over 1,100 rare coloured illustrations make this publication a unique reference book. It is the first complex treatment of the theme done in the last 25 years. Special emphasis is given to artists who as Hindus, Muslims and Parsees have chosen to paint Biblical themes. Already in the 16th century the encouraging and surprising encounter between European Christian prints and Indian miniature paintings took place. The Muslim Emperor Akbar invited three Jesuit missions from Goa to the Mogul court. Fascinated by European Madonnas and engravings, especially with Christian themes, he ordered his paintings to copy them in various ways. This was the start of a revolutionary fusion in Indian miniatures.