String Quartet No 15 In G Major Op 3no 3
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| Author | : Michael Talbot |
| Publisher | : Oxford Monographs on Music |
| Total Pages | : 272 |
| Release | : 2001 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
| Author | : Samuel Applebaum |
| Publisher | : Alfred Music |
| Total Pages | : 36 |
| Release | : 1996-08-01 |
| Genre | : Music |
| ISBN | : 9781457453748 |
The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this book, the violin, viola, cello, and bass play together. The book for each instrument, however, is a complete unit and may be used separately for class or individual instruction. In this book, the pupil is carefully taken step by step through the third and fifth positions. The pupil is taught to find each finger, after which simple shifts are introuduced with the same finger, followed by shifts to these positions with different fingers. Each type of shift is presented and developed with interesting melodies. The material in this volume is chosen for its musical interest and its technical value. There are a number of duets which are to be played by either two pupils or with the class divided into two groups. The material in this book is realistically graded so that only a minimum of explanatory material is required. Suggestions for work by rote are presented throughout the book. Published for violin, viola, cello, bass, piano accompaniment, teacher's manual.
| Author | : Suzanne Rozsa-Lovett |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 1988 |
| Genre | : String quartets (Musical groups) |
| ISBN | : |
| Author | : Yoel Greenberg |
| Publisher | : Oxford University Press |
| Total Pages | : 265 |
| Release | : 2022-06-10 |
| Genre | : History |
| ISBN | : 0197526284 |
Traditional approaches to musical form have always adopted a top-down perspective whereby a work's form organizes and unifies the individual parts of the work through an overarching logic. How Sonata Forms turns this view on its head, proposing instead that it was the parts that conditioned and enabled the whole. Relying on a corpus of over a thousand works, author Yoel Greenberg illustrates how the elements of sonata form arose independently of one another, with an overarching idea of form only emerging at the tail end of its formative period during the eighteenth century. Appreciation of the bottom-up nature of sonata form's evolution reveals it not as a stable package of features that all serve a common aesthetic or formal goal, but rather as an unstable collection of disparate and sometimes even contradictory common practices. The resolution of these contradictions presents a challenge to composers, rendering form a creative catalyst in itself, rather than as a compositional convenience. More generally, the deeply diachronic perspective of How Sonata Forms offers an alternative to the traditional synchronic outlook that pervades music theory in general and the study of form in particular. Rather than focus on definitions and taxonomies, How Sonata Forms proposes a focus on the motion of the system of form as a whole, suggesting that it is often more productive to appreciate the dynamics of a system than it is to rigorously define its parts.
| Author | : Alberto Bachmann |
| Publisher | : |
| Total Pages | : 508 |
| Release | : 1925 |
| Genre | : Cellists |
| ISBN | : |
| Author | : James E. Perone |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 196 |
| Release | : 1995-09-30 |
| Genre | : Music |
| ISBN | : 0313033390 |
Presenting detailed information about 14 standard anthologies, this useful music reference tool lists all excerpts and complete compositions, provides information concerning the type of score presented, and includes an index of composers and sources as well as an index of complete compositions and movements. The book is designed primarily for researchers and teachers of music theory to make the search for analytical source material easier and faster than previously possible. The anthologies cited are all currently in print or are generally available in music libraries. The book lists all excerpts, complete compositions, and movements contained in the anthologies, providing information concerning the type of score (full, piano reduction, etc.) employed, source of the excerpt, and specific theoretical topics. This is the only book that details anthologies in a manner that makes a search quick and easy.
| Author | : Library of Congress |
| Publisher | : |
| Total Pages | : 708 |
| Release | : 1972 |
| Genre | : Catalogs, Union |
| ISBN | : |
| Author | : Wise Publications |
| Publisher | : Wise Publications |
| Total Pages | : 130 |
| Release | : 2016-12-06 |
| Genre | : Music |
| ISBN | : 1783239700 |
Everybody's Favorite: Easy Piano Pieces contains 55 notable works by some of the world's best-known composers in the classical tradition. Spanning over 250 years, from Bach to Rachmaninoff, players can enjoy an inspiring journey through the history of classical music whilst learning to play these celebrated compositions. Short biographies are included for selected composers, allowing players to gain further insight into their lives and works. All the pieces in this book have been arranged in Easy Piano format in a considered and thoughtful fashion, retaining as much of the original musical substance as possible. Songlist: C.P.E. Bach - Pastorale J.S. Bach - Minuet in G minor - Sheep may safely graze (from Cantata 208) - Toccata and Fugue in D minor Beethoven - Fidelio - Für Elise - Moonlight Sonata (1st movement) - Pathétique Sonata (2nd movement) - Symphony No. 5 (1st movement) Bizet - The Flower Song (from Carmen) - Prelude in E minor (Op. 2, No. 4) Brahms - Hungarian Dance No. 5 - Symphony No. 3 (2nd movement) - Waltz (Op. 39, No. 15) Chopin - Grande valse bbrillante (Op. 18) - Nocturne in E major (Op. 9, No. 2) - Raindrop Prelude (Op. 28, No. 15) Debussey - Clair de Lune (from Suite Bergamasque) - En Bateau (from Petite Suite) Dvořák - Symphony No. 9 ‘From the New World’ (2nd movement) Fauré - Pie Jesu (from Requiem) Franck - Panis Angelicus Grieg - Morning (from Peer Gynt) - Piano Concerto (1st movement) Handel - The Arrival of the Queen of Sheba - Hornpipe (from Water Music) - Lascia ch’io pianga (from Rinaldo) Haydn - Menuetto con Variazioni (Sonata in D major) - Serenade (from String Quartet Op. 3, No. 5) - Symphony No. 104 ‘London’ (2nd movement) Holst - Jupiter (from The Planets) Liszt -Liebestraum No. 3 Massenet - Méditation (from Thaïs)Mendelssohn - The Hebrides Overture (Fingal’s Cave) Mozart - Là ci darem la mano (from Don Giovanni) - Piano Concerto No. 21 in C major - ‘Elvira Madigan’ (2nd movement) - Sonata in A major (1st movement) Purcell - When I Am Laid In Earth (from Dido and Aeneas) Rachmaninoff - Piano Concerto No. 2 (2nd movement) - Piano Concerto No. 3 (1st movement) Scarlatti - Larghetto Schubert - Ave Maria - Death and the Maiden (String Quartet No. 14 in D minor) - Entr’acte (from Rosamunde) Schumann - Soldier’s March (from Album For The Young) - Träumerei (from Album For The Young) Strauss - Emperor Waltz - Tales from the Vienna Woods Tchaikovsky - Pathétique Symphony (1st movement) - Piano Concerto No. 1 in Bb major(1st movement) - Waltz of the Flowers (from The Nutcracker Suite) Telemann - Danse Galante Verdi - Chorus of the Hebrew Slaves (from Nabucco) - La donna è mobile (from Rigoletto) Vivaldi - Autumn (from The Four Seasons)
| Author | : Tully Potter |
| Publisher | : Boydell & Brewer |
| Total Pages | : 1444 |
| Release | : 2024-04-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 0907689787 |
Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.
| Author | : Paul Paradise |
| Publisher | : Alfred Music |
| Total Pages | : 32 |
| Release | : |
| Genre | : Music |
| ISBN | : 9781457458316 |
Paul Paradise has selected and edited 26 beautiful Strauss waltzes specifically for string quartet or string orchestra. The pieces were chosen to provide each player with a meaningful part, and have been assembled according to level of difficulty and edited with contemporary fingerings and bowings. Contents are: * Tales from the Vienna Woods, Op. 325 -- Waltz No. 1, 2, 3, 4, 5 * Artist's Life, Op. 316 -- Waltz No. 1, 2, 3, 4, 5 * Wine, Woman, and Song, Op. 333 -- Waltz No. 1, 2, 3, 4 * Viennese Blood, Op. 354 -- Waltz No. 1, 2, 3, 4, Coda * Emperor Waltz, Op. 437 -- Waltz No. 1, 2, 3, 4.
