Romantic Violin Performing Practices
Author | : David Milsom |
Publisher | : Boydell & Brewer |
Total Pages | : 337 |
Release | : 2020 |
Genre | : Music |
ISBN | : 1783275278 |
What are the key topics that define Romantic violin playing?
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Author | : David Milsom |
Publisher | : Boydell & Brewer |
Total Pages | : 337 |
Release | : 2020 |
Genre | : Music |
ISBN | : 1783275278 |
What are the key topics that define Romantic violin playing?
Author | : Benedict Taylor |
Publisher | : Cambridge University Press |
Total Pages | : 133 |
Release | : 2023-11-30 |
Genre | : Music |
ISBN | : 131651384X |
Explores the unique qualities of Fanny Hensel's String Quartet and how it sits within wider scholarly discussion about female composers.
Author | : David Dubal |
Publisher | : Macmillan |
Total Pages | : 796 |
Release | : 2003-10-24 |
Genre | : Music |
ISBN | : 9780865476646 |
Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.
Author | : Giacomo Meyerbeer |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 732 |
Release | : 1999 |
Genre | : Biography & Autobiography |
ISBN | : 9780838638453 |
Volume 4 is devoted to the last years (1857-64); while age and declining health saw a waning of the composer's personal optimism. It contains a series of glossaries listing his compositions and the musical and theatrical works he attended throughout his life, as well as a bibliography.
Author | : Ning Zhang |
Publisher | : Fulton Books, Inc. |
Total Pages | : 139 |
Release | : 2024-05-17 |
Genre | : Music |
ISBN | : 1639851291 |
This is a monograph on Western classical music written by a Chinese American. It contains the results of the author's years of work, i.e., more than two hundred thousand words of Beethoven-themed essays in the form of poems, essays, prose, and reviews. The book covers all aspects of the great composer Beethoven's life and career from his birth experience to his emotional life, from the background of the times to his ideology, from the review of his works to the analysis of music appreciation. The book is rich in historical information, rigorous in argumentation, incisive in commentary, and fluent in sentiment and reason. As a nonacademic scholar of Beethoven, this book is characterized by a distinctive personality, free from the constraints of traditional rules and regulations. Based on a comprehensive and profound understanding of the historical figure and his works, the author presents his original arguments and opinions on some important professional topics and fields.
Author | : Robin Wallace |
Publisher | : University of Chicago Press |
Total Pages | : 294 |
Release | : 2021-10-06 |
Genre | : Biography & Autobiography |
ISBN | : 0226815366 |
We're all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethoven's response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethoven's music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, at the age of forty-four, Wallace's late wife, Barbara, found she couldn't hear out of her right ear-the result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didn't overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didn't do those things, either. Rather than heroically overcoming his deafness, as we're commonly led to believe, Beethoven accomplished something even more difficult and challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Creating music became for Beethoven a visual and physical process, emanating from visual cues and from instruments that moved and vibrated. His deafness may have slowed him down, but it also led to works of unsurpassed profundity.
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.