String Quartet 10 Eb Major Harp Op74
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| Author | : Ludwig van Beethoven |
| Publisher | : Performer's Edition |
| Total Pages | : 342 |
| Release | : 2009-12-30 |
| Genre | : Music |
| ISBN | : 1450518125 |
Beethoven followed in the footsteps of Haydn, father of the string quartet, and created what is now regarded as one of the finest collections of masterworks in the string quartet genre. From the early quartets, reminiscent of some of Mozart's quartets, to the soaring and emotional late quartets, these works have become favorites of both performers and audiences around the world. This collections includes the full scores for all 16 string quartets as well as the Grosse Fuge. Early String Quartets: String Quartet No. 1 in F Major (Op. 18, No. 1) String Quartet No. 2 in G Major (Op. 18, No. 2) String Quartet No. 3 in D Major (Op. 18, No. 3) String Quartet No. 4 in C minor (Op. 18, No 4) String Quartet No. 5 in A Major (Op. 18, No. 5) String Quartet No. 6 in Bb Major (Op. 18, No. 6) Middle String Quartets: String Quartet No. 7 in F Major (Op. 59, No. 1) String Quartet No. 8 in E minor (Op. 59, No. 2) String Quartet No. 9 in C Major (Op. 59, No. 3) String Quartet No. 10 in Eb Major "Harp" (Op. 74) String Quartet No. 11 in F minor "Serioso" (Op. 95) Late String Quartets: String Quartet No. 12 in Eb Major (Op. 129) String Quartet No. 13 in Bb Major (Op. 130) String Quartet No. 14 in C# minor (Op. 131) String Quartet No. 15 in A minor (Op. 132) String Quartet No. 16 in F Major (Op. 135) Grosse Fuge (Op. 133)
| Author | : Benedict Taylor |
| Publisher | : Cambridge University Press |
| Total Pages | : 133 |
| Release | : 2023-11-30 |
| Genre | : Music |
| ISBN | : 131651384X |
Explores the unique qualities of Fanny Hensel's String Quartet and how it sits within wider scholarly discussion about female composers.
| Author | : Ludwig van Beethoven |
| Publisher | : |
| Total Pages | : 134 |
| Release | : 1955 |
| Genre | : String quartets |
| ISBN | : |
| Author | : Markand Thakar |
| Publisher | : University Rochester Press |
| Total Pages | : 229 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 1580463460 |
This book is a philosophical tour through the experience of beauty: what it is, and how the composer, performer, and listener all contribute. It explores -- with insight, patience, and humor -- profound issues at the essence of our experience. A student performance of Beethoven's String Quartet No. 10 in E-Flat Major, known as the "Harp," serves as a point of departure and a recurring theme. For the layperson the core of the book is five dialogues between Icarus, an inquiring student intensely concerned with fulfilling his highest potential as a musician, and Daedalus, a curmudgeonly, iconoclastic teacher who guides Icarus's search. Three technical articles, geared to the music professional and academic, treat the issues in greater depth. Supplementary online audio files and musical examples. Markand Thakar is Music Director of the Baltimore Chamber Orchestra, and a member of the graduate conducting faculty at the Peabody Conservatory of the Johns Hopkins University.
| Author | : Ning Zhang |
| Publisher | : Fulton Books, Inc. |
| Total Pages | : 139 |
| Release | : 2024-05-17 |
| Genre | : Music |
| ISBN | : 1639851291 |
This is a monograph on Western classical music written by a Chinese American. It contains the results of the author's years of work, i.e., more than two hundred thousand words of Beethoven-themed essays in the form of poems, essays, prose, and reviews. The book covers all aspects of the great composer Beethoven's life and career from his birth experience to his emotional life, from the background of the times to his ideology, from the review of his works to the analysis of music appreciation. The book is rich in historical information, rigorous in argumentation, incisive in commentary, and fluent in sentiment and reason. As a nonacademic scholar of Beethoven, this book is characterized by a distinctive personality, free from the constraints of traditional rules and regulations. Based on a comprehensive and profound understanding of the historical figure and his works, the author presents his original arguments and opinions on some important professional topics and fields.
| Author | : Ludwig van Beethoven |
| Publisher | : Courier Corporation |
| Total Pages | : 144 |
| Release | : 2001-01-01 |
| Genre | : Music |
| ISBN | : 9780486419053 |
"An unabridged republication of five works from Volumes 1 and 2 of Serie 6: Quartette feur 2 Violinen, Bratsche und Violoncell of Ludwig van Beethoven's Werke. Vollsteandige kritisch durchgesehene euberall berechtigte Ausgabe. Mit Genehmigung aller Originalverleger, originally published by Breitkopf & Heartel, Leipzig, [1864-90]."
| Author | : Angus Watson |
| Publisher | : Boydell Press |
| Total Pages | : 322 |
| Release | : 2012 |
| Genre | : Music |
| ISBN | : 1843837161 |
A noted violinist and conductor, Watson is particularly well suited for his chosen task: outlining the historical context and character of more than 50 of the chamber works that Beethoven composed during his years in Vienna. Avoiding the pitfalls of becoming too critical or "academic," the author characterizes each composition in general terms only, and does not discuss changing styles of performance. Instead, Watson provides information on a work's historical background and character, and on the musical points of interest in each movement. He pays special attention to the influence of Beethoven's large-scale compositions on his chamber music, and on the composer's increasing mastery of improvisation. Filling a hole in scholarship on Beethoven's compositions, this book will be greatly appreciated by professional and amateur musicians.
| Author | : |
| Publisher | : |
| Total Pages | : 1106 |
| Release | : 1926 |
| Genre | : |
| ISBN | : |
| Author | : Nancy November |
| Publisher | : Cambridge University Press |
| Total Pages | : 297 |
| Release | : 2014-01-09 |
| Genre | : Music |
| ISBN | : 1107512425 |
Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character.
| Author | : Michael Baumgartner |
| Publisher | : Oxford University Press |
| Total Pages | : 521 |
| Release | : 2022 |
| Genre | : Motion picture music |
| ISBN | : 0190497157 |
"This monograph explores the under-researched use of music in Jean-Luc Godard's films and video essays from the early 1960s to the late 1990s. While Godard is largely hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, his achievements as a leading pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image have been mainly overlooked. On these soundtracks, music assumes the unique role of metafilm music. Metafilm music self-consciously refers to its own role as film music and disrupts the primary function of film music as an essential filmic device creating cinematic illusion. The concept of metafilm music describes how Godard thinks with film music about film music. Metafilm music manifests itself in Godard's work in four distinct manners: as fragmentized musical cues; as the same fragment verbatim repeated several times; as extrapolated, short excerpts from classical or popular music; and as music mixed unusually loudly into the soundtrack. With a detailed analysis of these parameters, the book explores fragmented and repeated music as Godard's critique of the leitmotif technique. Godard further self-reflexively investigates genre-specific music in musical comedies, films noir, and melodramas, as well as prototypical film music as arguably its own musical genre. His last foray into metafilm music entails music-making as a metaphor for filmmaking. By thinking with music about the function of film music, Godard has created throughout his career multi-layered soundtracks which challenge the conventional norms of film music and sound"--
