Streichquartett String Quartet Op 3
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Works for string quartet
Author | : Alban Berg |
Publisher | : Courier Corporation |
Total Pages | : 66 |
Release | : 2005-01-01 |
Genre | : Music |
ISBN | : 0486442926 |
This impressive volume brings together three major 20th-century chamber works: Berg's String Quartet No. 1, Op. 3; Stravinsky's Three Pieces for String Quartet; and Webern's Five Movements for String Quartet. Heavily influenced by the works of Arnold Schoenberg, Alban Berg’s String Quartet No. 1 brought its composer into the musical vanguard. Schoenberg declared himself astonished by the "fullness and unconstraint of its musical language, the strength and sureness of its presentation, its careful working and significant originality." Stravinsky recognized his Three Pieces for String Quartet as marking an important change in his art, and this turning point can be regarded as an experiment in new stylistic possibilities. The first piece features a mechanical repetition of a musical figure; the second is highly atonal; and the final piece introduces the austere style to which the composer later returned. Like Berg, Webern was a student of Schoenberg, and the Five Movements for String Quartet both reflects the master's teachings and extends beyond them. Departing from traditional thematic composition and form, these gemlike miniatures anticipate the development of the twelve-tone method.
String quartets, op. 17
Author | : Joseph Haydn |
Publisher | : Courier Corporation |
Total Pages | : 131 |
Release | : 2000-01-01 |
Genre | : Music |
ISBN | : 0486413942 |
In the course of a 50-year period, Haydn composed some 80 string quartets, whose range and variety of structural invention rank second only to those of Beethoven. This fine new anthology consists of the six pieces known collectively as Op. 17: String Quartet in E Major, Op. 17, No. 1; String Quartet in F Major, Op. 17, No. 2; String Quartet in E-flat Major, Op. 17, No. 3, and three other pieces.
Three String Quartets, Op. 150
Author | : Ferdinand Ries |
Publisher | : A-R Editions, Inc. |
Total Pages | : 191 |
Release | : |
Genre | : Music |
ISBN | : 1987208307 |
Though often remembered primarily for his published recollections about his famous teacher Beethoven, Ferdinand Ries (1784–1838) was an accomplished composer in his own right. Among his many works are twenty-seven string quartets composed between the years of 1795 and 1834. His Three String Quartets, Op. 150, first published by Nikolaus Simrock in Bonn in 1828, evince his considerable imagination and skill. While these quartets borrow elements from the then-popular quatuor brillant style, Ries’s careful attention to motivic organization and polyphonic writing elevates these works to a higher level of artistic sophistication. While technically brilliant writing for the first violin remains at the forefront in Quartet no. 3, Quartets nos. 1 and 2 reveal more complex formal processes and better integration of their virtuosic first violin parts. In this volume, Quartets nos. 1 and 3 have been carefully edited based on the composer’s autographs, while Quartet no. 2, the autograph of which is now lost, is based on the original Simrock print.
String Quartet No. 77 in C Major, Opus 76, No. 3
Author | : Franz Joseph Haydn |
Publisher | : Alfred Music |
Total Pages | : 36 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457468384 |
Franz Joseph Haydn's String Quartet No 77 in C Major, Op. 76, No. 3 is composed for string quartet.
String Quartets, Volume III, Op. 127, 130, 131,132, 133, 135
Author | : Ludwig van Beethoven |
Publisher | : Alfred Music |
Total Pages | : 312 |
Release | : |
Genre | : Music |
ISBN | : 9781457472305 |
Expertly arranged String Quartets by Ludwig van Beethoven from the Kalmus Edition series. This is from the Romantic and Classical eras.
Complete String Quartets
Author | : Ludwig van Beethoven |
Publisher | : Performer's Edition |
Total Pages | : 342 |
Release | : 2009-12-30 |
Genre | : Music |
ISBN | : 1450518125 |
Beethoven followed in the footsteps of Haydn, father of the string quartet, and created what is now regarded as one of the finest collections of masterworks in the string quartet genre. From the early quartets, reminiscent of some of Mozart's quartets, to the soaring and emotional late quartets, these works have become favorites of both performers and audiences around the world. This collections includes the full scores for all 16 string quartets as well as the Grosse Fuge. Early String Quartets: String Quartet No. 1 in F Major (Op. 18, No. 1) String Quartet No. 2 in G Major (Op. 18, No. 2) String Quartet No. 3 in D Major (Op. 18, No. 3) String Quartet No. 4 in C minor (Op. 18, No 4) String Quartet No. 5 in A Major (Op. 18, No. 5) String Quartet No. 6 in Bb Major (Op. 18, No. 6) Middle String Quartets: String Quartet No. 7 in F Major (Op. 59, No. 1) String Quartet No. 8 in E minor (Op. 59, No. 2) String Quartet No. 9 in C Major (Op. 59, No. 3) String Quartet No. 10 in Eb Major "Harp" (Op. 74) String Quartet No. 11 in F minor "Serioso" (Op. 95) Late String Quartets: String Quartet No. 12 in Eb Major (Op. 129) String Quartet No. 13 in Bb Major (Op. 130) String Quartet No. 14 in C# minor (Op. 131) String Quartet No. 15 in A minor (Op. 132) String Quartet No. 16 in F Major (Op. 135) Grosse Fuge (Op. 133)
Three String Quartets, Op. 2
Author | : Andreas Romberg |
Publisher | : A-R Editions, Inc. |
Total Pages | : 183 |
Release | : |
Genre | : Music |
ISBN | : 1987208404 |
The German composer and violin virtuoso Andreas Romberg (1767–1821) wrote extensively for the string quartet beginning in the 1790s. His earliest forays into the genre were greeted with enthusiastic approval from Joseph Haydn, to whom Romberg dedicated his Three String Quartets, Op. 2, composed between 1797 and 1799 and first published in 1802. Featuring extensive employment of contrapuntal writing and flexible handling of musical function, these quartets reveal Romberg to be a masterful and imaginative composer deserving of rediscovery. The original notation in these quartets has been carefully edited in this volume to encourage modern performers to exercise freedom in their interpretation of ornamentation, dynamics, and articulation. This edition is based on the composer’s autographs of Quartets nos. 1 and 3 and the original Simrock print of Quartet no. 2, the autograph of which is now lost.