Streetfighter in the Courtroom
Author | : Charles R. Garry |
Publisher | : Dutton Adult |
Total Pages | : 306 |
Release | : 1977 |
Genre | : Biography & Autobiography |
ISBN | : |
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Author | : Charles R. Garry |
Publisher | : Dutton Adult |
Total Pages | : 306 |
Release | : 1977 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Joe Street |
Publisher | : University of Georgia Press |
Total Pages | : 382 |
Release | : 2024-11-01 |
Genre | : History |
ISBN | : 082036696X |
Black Revolutionaries is an accessible yet rigorously argued history of the Black Panther Party (BPP), one of the emblematic organizations of the 1960s. Joe Street highlights the complexity of the BPP’s history through three key themes: the BPP’s intellectual history, its political and social activism, and the persecution its members endured. Together, these themes confirm the BPP’s importance in understanding Black America’s response to white oppression in the 1960s and 1970s. Based on a wealth of archival material, Black Revolutionaries reveals the enduring importance of leftist political philosophy to 1960s and 1970s radicalism, and how the BPP helps us to understand more deeply the role of public space and public protest in the 1960s.Street shows how the BPP were key to the transformation of political activism in the post-civil rights era. As the BPP faced the psychological and organizational impacts of FBI surveillance, police repression, and imprisonment, Street examines how these negative forces helped to shape and destroy the BPP. Most significantly, Black Revolutionaries demonstrates that an understanding of African American grassroots politics and protest, racial injustice, and police brutality in the post-civil rights era is only comprehensible through engagement with the BPP’s history.
Author | : Tim Reiterman |
Publisher | : Penguin |
Total Pages | : 689 |
Release | : 2008-11-13 |
Genre | : History |
ISBN | : 1440634467 |
The basis for the upcoming HBO miniseries and the "definitive account of the Jonestown massacre" (Rolling Stone) -- now available for the first time in paperback. Tim Reiterman’s Raven provides the seminal history of the Rev. Jim Jones, the Peoples Temple, and the murderous ordeal at Jonestown in 1978. This PEN Award–winning work explores the ideals-gone-wrong, the intrigue, and the grim realities behind the Peoples Temple and its implosion in the jungle of South America. Reiterman’s reportage clarifies enduring misperceptions of the character and motives of Jim Jones, the reasons why people followed him, and the important truth that many of those who perished at Jonestown were victims of mass murder rather than suicide. This widely sought work is restored to print after many years with a new preface by the author, as well as the more than sixty-five rare photographs from the original volume.
Author | : Bill V. Mullen |
Publisher | : Fordham Univ Press |
Total Pages | : 231 |
Release | : 2024-09-03 |
Genre | : Social Science |
ISBN | : 1531508472 |
A revealing exploration of domestic fascism in the United States from the 1930s to the January 6th insurrection in Washington, D.C. In 1951, the Civil Rights Congress presented to the United Nations We Charge Genocide, a more than two-hundred-page petition that held the United States accountable for genocide against African Americans. This landmark text represented the dawn of Black Lives Matter and is as relevant today as it was then, as evidenced by the rise of white supremacist groups across the nation, and the January 6th Capitol riot which disclosed the specter of a fascist revival in the U.S. Tracing this specter to its roots, We Charge Genocide! provides an original interpretation of American fascism as a permanent and longstanding current in U.S. politics dating to the origins of U.S. settler-colonialism. Picking up where Angela Davis’s 1971 essay, “Political Prisoners, Prisons, and Black Liberation,” left off, We Charge Genocide! reveals how the United States legal system has contributed to the growth of fascist states and fascist movements domestically and internationally. American Studies scholar Bill V. Mullen contends that the preservation of a white supremacist world order—and the prevention of revolutionary threats to that order—structure the discourse and practice of U.S. fascism. He names this fascist modality the “counterrevolution of law” in tribute to the radicals on the American Left, such as George Jackson, Angela Davis, Herbert Marcuse, and the Black Panther Party, who perceived the American state’s destruction of revolutionary groups and ideas as a distinctive form of American fascism. Mullen argues that U.S. law, particularly U.S. “race law,” has been an enabling mechanism for modalities of fascist rule that have locked historic blocs of non-white populations into an iron cage of legal and extralegal violence. To this end We Charge Genocide! offers a legal historiography of U.S. fascism rooted in law’s capacity to legitimate and sustain racial domination. By recovering the legacy of important organizations, such as the Civil Rights Congress and Black Panther Party, which have both theorized and resisted American legal fascism, Mullen demonstrates how their work and critical theorists like Davis, Marcuse, Jackson, Walter Benjamin and Ernst Fraenkel illuminate the threat of American legal fascism to its most vulnerable racialized victims of state violence in our time, including gender and transgender violence.
Author | : M. Marable |
Publisher | : Springer |
Total Pages | : 367 |
Release | : 2007-09-03 |
Genre | : Social Science |
ISBN | : 0230607349 |
African Americans today face a systemic crisis of mass underemployment, mass imprisonment, and mass disfranchisement. This comprehensive reader makes clear to students the mutual constitution of these three crises.
Author | : Peniel E. Joseph |
Publisher | : Macmillan |
Total Pages | : 442 |
Release | : 2007-07-10 |
Genre | : History |
ISBN | : 9780805083354 |
A history of the Black Power movement in the United States traces the origins and evolution of the influential movement and examines the ways in which Black Power redefined racial identity and culture. With the rallying cry of "Black Power!" in 1966, a group of black activists, including Stokely Carmichael and Huey P. Newton, turned their backs on Martin Luther King's pacifism and, building on Malcolm X's legacy, pioneered a radical new approach to the fight for equality. [This book] is a history of the Black Power movement, that storied group of men and women who would become American icons of the struggle for racial equality. In the book, the author traces the history of the men and women of the movement, many of them famous or infamous, others forgotten. It begins in Harlem in the 1950s, where, despite the Cold War's hostile climate, black writers, artists, and activists built a new urban militancy that was the movement's earliest incarnation. In a series of character driven chapters, we witness the rise of Black Power groups such as the Student Nonviolent Coordinating Committee and the Black Panthers, and with them, on both coasts of the country, a fundamental change in the way Americans understood the unfinished business of racial equality and integration. The book invokes the way in which Black Power redefined black identity and culture and in the process redrew the landscape of American race relations.
Author | : Luca Falciola |
Publisher | : UNC Press Books |
Total Pages | : 413 |
Release | : 2022-09-15 |
Genre | : Law |
ISBN | : 1469670305 |
As protest movements took to the streets during the 1960s and 1970s, a group of lawyers joined forces with America's most confrontational activists. In pursuit of radical change themselves, these militant attorneys went beyond providing mere representation. They identified with their clients, defied the habits of a conservative profession, and formulated a corrosive critique of the legal system, questioning the neutrality and transformative power of law. While exploiting the courtrooms as political forums, they developed aggressive litigation strategies and became involved with the organization of protest. Drawing on extensive archival research and interviews, historian Luca Falciola reconstructs this largely unmapped phenomenon and challenges the reader to think anew about the pivotal role of lawyers in social movements. At the heart of this book is the story of the National Lawyers Guild. Founded in 1937, the Guild represented the first integrated and progressive bar association of America. The Guild returned to prominence in the early 1960s, at the vanguard providing legal aid to civil rights workers in the South. Since then, leftist students, disobedient soldiers, rebellious inmates, radical minorities, and revolutionary groups such as the Black Panther Party and the Weather Underground have relied on this cadre of sympathetic lawyers to defend and empower them.
Author | : Cary Cordova |
Publisher | : University of Pennsylvania Press |
Total Pages | : 337 |
Release | : 2017-05-04 |
Genre | : Social Science |
ISBN | : 0812294149 |
An illustrated, in-depth examintion of the avant-garde and politically radical Latino art of San Francisco's Mission District In The Heart of the Mission, Cary Cordova combines urban, political, and art history to examine how the Mission District, a longtime bohemian enclave in San Francisco, has served as an important place for an influential and largely ignored Latino arts movement from the 1960s to the present. Well before the anointment of the "Mission School" by art-world arbiters at the dawn of the twenty-first century, Latino artists, writers, poets, playwrights, performers, and filmmakers made the Mission their home and their muse. The Mission, home to Chileans, Cubans, Guatemalans, Mexican Americans, Nicaraguans, Puerto Ricans, and Salvadorans never represented a single Latino identity. In tracing the experiences of a diverse group of Latino artists from the 1940s to the turn of the century, Cordova connects wide-ranging aesthetics to a variety of social movements and activist interventions. The book begins with the history of the Latin Quarter in the 1940s and the subsequent cultivation of the Beat counterculture in the 1950s, demonstrating how these decades laid the groundwork for the artistic and political renaissance that followed. Using oral histories, visual culture, and archival research, she analyzes the Latin jazz scene of the 1940s, Latino involvement in the avant-garde of the 1950s, the Chicano movement and Third World movements of the 1960s, the community mural movement of the 1970s, the transnational liberation movements in Nicaragua and El Salvador, and the AIDS activism of the 1980s. Through these different historical frames, Cordova links the creation of Latino art with a flowering of Latino politics.
Author | : Vincent Terrace |
Publisher | : McFarland |
Total Pages | : 1331 |
Release | : 2014-01-10 |
Genre | : Performing Arts |
ISBN | : 0786486414 |
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.
Author | : Alison Dundes Renteln |
Publisher | : |
Total Pages | : 422 |
Release | : 2005 |
Genre | : Law |
ISBN | : 9780195154030 |
Publisher's description: In a trial in California, Navajo defendants argue that using the hallucinogen peyote to achieve spiritual exaltation is protected by the Constitution's free exercise of religion clause, trumping the states' right to regulate them. An Ibo man from Nigeria sues Pan American World Airways for transporting his mother's corpse in a cloth sack. Her arrival for the funeral face down in a burlap bag signifies death by suicide according to the customs of her Ibo kin, and brings great shame to the son. In Los Angeles, two Cambodian men are prosecuted for attempting to eat a four month-old puppy. The immigrants' lawyers argue that the men were following their own "national customs" and do not realize their conduct is offensive to "American sensibilities." What is the just decision in each case? When cultural practices come into conflict with the law is it legitimate to take culture into account? Is there room in modern legal systems for a cultural defense? In this remarkable book, Alison Dundes Renteln amasses hundreds of cases from the U.S. and around the world in which cultural issues take center stage-from the mundane to the bizarre, from drugs to death. Though cultural practices vary dramatically, Renteln demonstrates that there are discernible patterns to the cultural arguments used in the courtroom. The regularities she uncovers offer judges a starting point for creating a body of law that takes culture into account. Renteln contends that a systematic treatment of culture in law is not only possible, but ultimately more equitable. A just pluralistic society requires a legal system that can assess diverse motivations and can recognize the key role that culture plays in influencing human behavior. The inclusion of evidence of cultural background is necessary for the fair hearing of a case.