Stravinsky The Rite Of Spring
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Author | : Gillian Moore |
Publisher | : Bloomsbury Publishing |
Total Pages | : 237 |
Release | : 2019-01-10 |
Genre | : Music |
ISBN | : 1786696819 |
The story behind the scandalous first performance of one of the most influential works in the history of music, as part of the stunning Landmark Library series. On 29 May 1913, at the Théâtre des Champs-Elysées in Paris, a new ballet by Diaghilev's Ballets Russes, choreographed by Vaslav Nijinsky, received its premiere. Many of the cultural big names of Paris were there, or were rumoured to have been there: Debussy, Ravel, Proust, Gertrude Stein, Picasso. When the curtain rose on a cast of frenziedly stamping dancers, a near-riot ensued, ensuring the evening would enter the folklore of modernism. While it was the dancing that triggered the mayhem, Stravinsky's score contained shocks enough, with its innovations in form, rhythm, dissonance and its sheer sonic power. The Rite of Spring would achieve recognition in its own right as a concert piece, and is now seen as one of the most influential works of the 20th century. Gillian Moore explores the cultural climate that created The Rite, tells the story of the creation of the music and the ballet and provides a guide to the music itself, showing how a scandalous novelty of 1913 became a 21st-century concert staple. As well as considering its influence on 20th-century classical composers, she probes The Rite's impact on film music (including scores for Star Wars and Jaws); its extensive influence on jazz musicians (including Charlie Parker) and by artists as diverse as Weather Report, Joni Mitchell, Frank Zappa and The Pet Shop Boys.
Author | : Pieter C. Van den Toorn |
Publisher | : |
Total Pages | : 221 |
Release | : 1987 |
Genre | : |
ISBN | : 9780193153318 |
This is a broad, comprehensive study of Stravinsky's famous ballet.
Author | : John Reef |
Publisher | : Indiana University Press |
Total Pages | : 551 |
Release | : 2017-05-15 |
Genre | : Music |
ISBN | : 0253027357 |
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
Author | : Joseph N. Straus |
Publisher | : Cambridge University Press |
Total Pages | : 284 |
Release | : 2004-03-25 |
Genre | : Music |
ISBN | : 9780521602884 |
The first book to be devoted to the music of Stravinsky's last compositional period.
Author | : Peter Hill |
Publisher | : Cambridge University Press |
Total Pages | : 190 |
Release | : 2000-11-23 |
Genre | : Music |
ISBN | : 9780521627146 |
The Rite of Spring is Stravinsky's most revolutionary work. This important new book provides a comprehensive guide to the work, telling in vivid detail the story of its inception and composition, of the stormy rehearsals which led to the scandalous premiere on 29 May 1913, and of Stravinsky's later betrayal of the ballet's first choreographer, Vaslav Nijinsky. At the same time, in a radical reassessment of the work's musical values, Peter Hill probes beneath the surface of the music to reveal an architectural conception of unsuspected guile and subtlety. A feature of the book is a detailed discussion of the work in performance, drawing on recordings by the Rite's greatest interpreters, Stravinsky himself included. Finally, the significance of the Rite is thoroughly reviewed in a hard-hitting conclusion which poses a radical challenge to the orthodox view of the work.
Author | : Lauren Stringer |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 37 |
Release | : 2013 |
Genre | : Juvenile Nonfiction |
ISBN | : 0547907257 |
Composer Igor Stravinsky and choreographer Vaslav Nijinsky, Russian comrades, worked together to bring a very different and new ballet to a Parisian audienceN"The Rite of Spring"Nand rioting filled the streets! Full color.
Author | : Igor Stravinsky |
Publisher | : Courier Corporation |
Total Pages | : 178 |
Release | : 2000-01-01 |
Genre | : Music |
ISBN | : 0486411745 |
With this brilliant and uncompromising work perhaps the most famous musical work of the twentieth century Stravinsky changed the course of modern music forever. Discarding conventional harmonies for bizarrely dissonant chords, and uniform metrics for harshly jarring beat patterns, he created a sensational theater piece that, at the work's 1931 premier, caused the music world's most talked-about riot. "Every law of musical syntax, every canon of harmony seems to have been violated, every limit of rhythmic perversity and eccentricity of orchestration exceeded in this tumultuous cataclysm of sound," says "Grove's"; "yet with all its deliberate crudity and violence the 'Rite' is a clearly planned and perfectly controlled and coordinated piece of music [that] has long been accepted universally as a masterpiece and is in the repertory of every large symphony orchestra." Reproduced here from an authoritative edition, the score is ideal for study in the classroom, at home, or in the concert hall. This affordable, durable, and portable volume will be the edition of choice for music students and music lovers alike."
Author | : Alex Ross |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 706 |
Release | : 2007-10-16 |
Genre | : Music |
ISBN | : 1429932880 |
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author | : Igor Stravinsky |
Publisher | : Alfred Music |
Total Pages | : 144 |
Release | : 1999-08-26 |
Genre | : Music |
ISBN | : 9781457468339 |
Expertly arranged Full Orchestra Miniature Score by Igor Stravinsky from the Kalmus Edition series. This is from the 20th Century era.
Author | : Thomas Forrest Kelly |
Publisher | : Yale University Press |
Total Pages | : 420 |
Release | : 2000-01-01 |
Genre | : Music |
ISBN | : 9780300091052 |
This lively book takes us back to the first performances of five famous musical compositions: Monteverdi's Orfeo in 1607, Handel's Messiah in 1742, Beethoven's Ninth Symphony in 1824, Berlioz's Symphonie fantastique in 1830, and Stravinsky's Sacre du printemps in 1913. Thomas Forrest Kelly sets the scene for each of these premieres, describing the cities in which they took place, the concert halls, audiences, conductors, and musicians, the sound of the music when it was first performed (often with instruments now extinct), and the popular and critical responses. He explores how performance styles and conditions have changed over the centuries and what music can reveal about the societies that produce it. Kelly tells us, for example, that Handel recruited musicians he didn't know to perform Messiah in a newly built hall in Dublin; that Beethoven's Ninth Symphony was performed with a mixture of professional and amateur musicians after only three rehearsals; and that Berlioz was still buying strings for the violas and mutes for the violins on the day his symphony was first played. Kelly's narrative, which is enhanced by extracts from contemporary letters, press reports, account books, and other sources, as well as by a rich selection of illustrations, gives us a fresh appreciation of these five masterworks, encouraging us to sort out our own late twentieth-century expectations from what is inherent in the music.