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| Author | : Avraham Oz |
| Publisher | : University of Delaware Press |
| Total Pages | : 324 |
| Release | : 1998 |
| Genre | : Drama |
| ISBN | : 9780874135978 |
"This volume, containing a representative, yet somewhat diffused gathering of Israeli Shakespearean criticism, attests to the cultural pluralism constituting the elusive construct of modern Israeli culture, still struggling for self-definition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : David Mitchell |
| Publisher | : Random House |
| Total Pages | : 489 |
| Release | : 2024-10-01 |
| Genre | : History |
| ISBN | : 0593728505 |
INSTANT #1 SUNDAY TIMES BESTSELLER • A rollicking history of England’s kings and queens from Arthur to Elizabeth I, a tale of power, glory, and excessive beheadings by award-winning British actor and comedian David Mitchell “Clever, amusing, gloriously bizarre and razor sharp. Mitchell [is] a funny man and a skilled historian.”―The Times Think you know the kings and queens of England? Think again. In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits. Taking us back to King Arthur (spoiler: he didn’t exist), Mitchell tells the founding story of post-Roman England up to the reign of Elizabeth I (spoiler: she dies). It’s a tale of narcissists, inadequate self-control, middle-management insurrection, uncivil wars, and a few Cnuts, as the English evolved from having their crops stolen by the thug with the largest armed gang to bowing and paying taxes to a divinely anointed king. How this happened, who it happened to, and why the hell it matters are all questions that Mitchell answers with brilliance, wit, and the full erudition of a man who once studied history—and won’t let it off the hook for the mess it’s made. A funny book that takes history seriously, Unruly is for anyone who has ever wondered how the British monarchy came to be—and who is to blame.
| Author | : William Shakespeare |
| Publisher | : |
| Total Pages | : 2562 |
| Release | : 2007 |
| Genre | : Drama |
| ISBN | : 0679642951 |
An authoritative, modernized edition of the complete works of the great Elizabethan dramatist offers the complete texts of every comedy, tragedy, and history play, along with key facts about each work, a plot summary, major roles, sources, textual history, glossaries, and other helpful textual notes.
| Author | : L. H. LaRue |
| Publisher | : Penn State Press |
| Total Pages | : 172 |
| Release | : 2010-11-01 |
| Genre | : Law |
| ISBN | : 0271039272 |
| Author | : Richard Dutton |
| Publisher | : Oxford University Press |
| Total Pages | : 334 |
| Release | : 2016-04-08 |
| Genre | : Literary Criticism |
| ISBN | : 0191083313 |
Shakespeare, Court Dramatist centres around the contention that the courts of both Elizabeth I and James I loomed much larger in Shakespeare's creative life than is usually appreciated. Richard Dutton argues that many, perhaps most, of Shakespeare's plays have survived in versions adapted for court presentation, where length was no object (and indeed encouraged) and rhetorical virtuosity was appreciated. The first half of the study examines the court's patronage of the theatre during Shakespeare's lifetime and the crucial role of its Masters of the Revels, who supervised all performances there (as well as censoring plays for public performance). Dutton examines the emergence of the Lord Chamberlain's Men and the King's Men, to whom Shakespeare was attached as their 'ordinary poet', and reviews what is known about the revision of plays in the early modern period. The second half of the study focuses in detail on six of Shakespeare's plays which exist in shorter, less polished texts as well as longer, more familiar ones: Henry VI Part II and III, Romeo and Juliet, Henry V, Hamlet, and The Merry Wives of Windsor. Dutton argues that they are not cut down from those familiar versions, but poorly reported originals which Shakespeare revised for court performance into what we know best today. More localized revisions in such plays as Titus Andronicus, Richard II, and Henry IV Part II can also best be explained in this context. The court, Richard Dutton argues, is what made Shakespeare Shakespeare.
| Author | : Michael Dobson |
| Publisher | : Oxford University Press |
| Total Pages | : 1630 |
| Release | : 2015-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 0191058157 |
The Oxford Companion to Shakespeare is the most comprehensive reference work available on Shakespeare's life, times, works, and his 400-year global legacy. In addition to the authoritative A-Z entries, it includes nearly 100 illustrations, a chronology, a guide to further reading, a thematic contents list, and special feature entries on each of Shakespeare's works. Tying in with the 400th anniversary of Shakespeare's death, this much-loved Companion has been revised and updated, reflecting developments and discoveries made in recent years and to cover the performance, interpretation, and the influence of Shakespeare's works up to the present day. First published in 2001, the online edition was revised in 2011, with updates to over 200 entries plus 16 new entries. These online updates appear in print for the first time in this second edition, along with a further 35,000 new and revised words. These include more than 80 new entries, ranging from important performers, directors, and scholars (such as Lucy Bailey, Samuel West, and Alfredo Michel Modenessi), to topics as diverse as Shakespeare in the digital age and the ubiquity of plants in Shakespeare's works, to the interpretation of Shakespeare globally, from Finland to Iraq. To make information on Shakespeare's major works easier to find, the feature entries have been grouped and placed in a centre section (fully cross-referenced from the A-Z). The thematic listing of entries - described in the press as 'an invaluable panorama of the contents' - has been updated to include all of the new entries. This edition contains a preface written by much-lauded Shakespearian actor Simon Russell Beale. Full of both entertaining trivia and scholarly detail, this authoritative Companion will delight the browser and reward students, academics, as well as anyone wanting to know more about Shakespeare.
| Author | : Ailsa Grant Ferguson |
| Publisher | : Routledge |
| Total Pages | : 212 |
| Release | : 2016-06-23 |
| Genre | : Literary Criticism |
| ISBN | : 1135041857 |
Addressing for the first time Shakespeare’s place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new theories on the nature and application of Shakespearean appropriations in the light of postmodern modes of representation. The book considers the nature of the Shakespearean inter-text in subcultural political contexts concerning the politicized aesthetics of a Shakespearean ‘body in pieces,’ the carnivalesque, and notions of Shakespeare as counter-hegemonic weapon or source of empowerment. Representative films use Shakespeare (and his accompanying cultural capital) to challenge notions of capitalist globalization, dominant socio-cultural ideologies, and hegemonic modes of expression. In response to a post-modern culture saturated with logos and semiotic abbreviations, many such films play with the emblematic imagery and references of Shakespeare’s texts. These curious appropriations have much to reveal about the elusive nature of intertextuality in late postmodern culture and the battle for cultural ownership of Shakespeare. As there has yet to be a study that isolates and theorizes modes of Shakespearean production that specifically demonstrate resistance to the social, political, ideological, aesthetic, and cinematic norms of the Western world, this book expands the dialogue around such texts and interprets their patterns of appropriation, adaptation, and representation of Shakespeare.
