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| Author | : Ricardo Cortez Cruz |
| Publisher | : University of Alabama Press |
| Total Pages | : 130 |
| Release | : 1992 |
| Genre | : Fiction |
| ISBN | : 9780932511614 |
Follows the lives of two friends, Rooster and Clive-nem, as they try to cope with drugs, gangs, and women, while growing up in an L.A. ghetto.
| Author | : Antoine Carraby |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 2021-06-15 |
| Genre | : |
| ISBN | : |
You're now about to witness the story of a little boy who was born and raised in Compton, California. His journey began as a young man who grew up poor but would eventually evolve to become part of the "World's Most Dangerous Group." They would be known as one of the most influential groups in the history of hip-hop music. What's their name? N.W.A. His life would take him to the highest of heights in music to the Rock and Roll Hall of Fame. His story will take you on a rollercoaster ride, starting from the beginning of his music career to the rise and breakup of the group. He will also share some of his private moments in the final years of the life of his friend, Eazy-E. This is the untold story of Antoine "DJ Yella" Carraby, who's coming...Straight Outta Compton.
| Author | : Jerry Heller |
| Publisher | : Simon and Schuster |
| Total Pages | : 338 |
| Release | : 2007-08 |
| Genre | : Sound recording executives and producers |
| ISBN | : 1416917942 |
The maverick music mogul who put rap on the map recounts his riveting career comprising delirious highs and shocking lows, cocaine-fueled mega-deals, brutal wranglings, and the uncanny insight that made a middle-aged, Jewish white guy the most successful record company executive of the rap era.
| Author | : Gerrick D. Kennedy |
| Publisher | : Simon and Schuster |
| Total Pages | : 288 |
| Release | : 2017-12-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1501134930 |
Experience the stunning rise, fall, and legacy of N.W.A. and how they put their stamp on pop culture, black culture, and hip-hop music forever in this “incredibly vivid look at one of music’s most iconic groups” (Associated Press). In 1986, a group was formed that would establish the foundation of gangsta rap and push the genre forward, electrifying fans with their visceral and profane lyrics that glorified the dark ways of street life and brazenly challenged the police system. Eazy-E, Dr. Dre, Ice Cube, MC Ren, and DJ Yella caused a seismic shift in hip-hop when they decided to form N.W.A in 1986. With their hard-core image, bombastic sound, and lyrics that were equal parts poetic, lascivious, conscious, and downright in-your-face, N.W.A spoke the truth about life on the streets of Compton, California—then a hotbed of poverty, drugs, gangs, and unemployment. Going beyond the story portrayed in the 2015 blockbuster movie Straight Outta Compton, through firsthand interviews, extensive research, and top-notch storytelling, Los Angeles Times music reporter Gerrick Kennedy transports you back in time and offers a front-row seat to N.W.A’s early days and the drama and controversy that followed the incendiary group as they rose to become multiplatinum artists. Kennedy leaves nothing off the table in his pursuit of the full story behind the group’s most pivotal moments, such as Ice Cube’s decision to go solo after their debut studio album became a smash hit; their battle with the FBI over inflammatory lyrics; incidents of physical assault; Dr. Dre’s departure from the group to form Death Row Records with Suge Knight; their impact on the 1992 L.A. riots; Eazy-E’s battle with AIDS; and much more. A bold, riveting, “non-stop, can’t-put-it-down ride” (Library Journal), Parental Discretion Is Advised unveils the true and astonishing history of one of the most transcendent and controversial musical groups of the 1980s and 1990s.
| Author | : Loren Kajikawa |
| Publisher | : Univ of California Press |
| Total Pages | : 221 |
| Release | : 2015-03-07 |
| Genre | : Music |
| ISBN | : 0520959663 |
As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond.
| Author | : Johnny Walker |
| Publisher | : Harper Collins |
| Total Pages | : 234 |
| Release | : 2014-02-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 0062267574 |
In this unforgettable memoir, the Navy SEALs’ most trusted translator—a man who is credited with saving countless American lives and became a legend in the special-ops community—tells his inspiring story for the first time. As the insurgency in Iraq intensified following the American invasion, U.S. Navy SEALs were called upon to root terrorists from their lairs. Unsure of the local neighborhoods and unable to speak the local languages, they came to rely on one man to guide them and watch their backs. He was a "terp"—an interpreter—with a job so dangerous they couldn't even use his real name. They named him Johnny Walker. They soon called him brother. Over the course of eight years, the Iraqi native traveled around the country with nearly every SEAL and special operations unit deployed there. He went on thousands of missions, saved dozens of SEAL and other American lives, and risked his own daily. Helped to the U.S. by the SEALs he protected, Johnny Walker's life is so remarkable that his tale reads like fiction. But every word of it is true. For the first time ever, a "terp" tells what it was like in Iraq during the American invasion and the brutal insurgency that followed. With inside details on SEAL operations and a humane understanding of the tragic price paid by ordinary Iraqis, Code Name: Johnny Walker reveals a side of the war that has never been told before.
| Author | : Soren Baker |
| Publisher | : Abrams |
| Total Pages | : 636 |
| Release | : 2018-10-02 |
| Genre | : Music |
| ISBN | : 1683352351 |
Journalist Soren Baker’sThe History of Gangster Rap takes a deep dive into this fascinating music subgenre. Foreword by Xzibit Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and beyond, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon. “History has so often been written by the victors, that you very rarely ever get the real story behind anything. So it’s really important to hear from the people that were there, which is exactly what Soren Baker shares in this book. He writes about it and he’s honest about it.” —The D.O.C.
| Author | : Bryan J. McCann |
| Publisher | : University of Alabama Press |
| Total Pages | : 209 |
| Release | : 2017-06-06 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0817319484 |
Illustrates the ways that the “war on crime” became conjoined—aesthetically, politically, and rhetorically—with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. At the center of this era—when politicians sought to prove their “tough-on-crime” credentials—was the mark of criminality, a set of discourses that labeled members of predominantly poor, urban, and minority communities as threats to the social order. Through their use of the mark of criminality, public figures implemented extremely harsh penal polices that have helped make the United States the world’s leading jailer of its adult population. At the same time when politicians like Ronald Reagan, George H. W. Bush, and Bill Clinton and television shows such as COPS and America’s Most Wanted perpetuated images of gang and drug-filled ghettos, gangsta rap burst out of the hip-hop nation, emanating mainly from the predominantly black neighborhoods of South Central Los Angeles. Groups like NWA and solo artists (including Dr. Dre, Snoop Dogg, and Tupac Shakur) became millionaires by marketing the very discourses political and cultural leaders used to justify their war on crime. For these artists, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Furthermore, by underscoring the nimble rhetorical character of criminality, we can learn lessons that may inform efforts to challenge our nation’s failed policies of mass incarceration.
