Stigmatics And Visual Culture In Late Medieval And Early Modern Italy
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Author | : Cordelia Warr |
Publisher | : |
Total Pages | : |
Release | : 2022-08-24 |
Genre | : |
ISBN | : 9789463724562 |
This book places the discourse surrounding stigmata within the visual culture of the late medieval and early modern periods, with a particular focus on Italy and on female stigmatics. Echoing, and to a certain extent recreating, the wounds and pain inflicted on Christ during his passion, stigmata stimulated controversy. Related to this were issues that were deeply rooted in contemporary visual culture such as how stigmata were described and performed and whether, or how, it was legitimate to represent stigmata in visual art. Because of the contested nature of stigmata and because stigmata did not always manifest in the same form - sometimes invisible, sometimes visible only periodically, sometimes miraculous, and sometimes self-inflicted - they provoked complex questions and reflections relating to the nature and purpose of visual representation. Dr Cordelia Warr is Senior Lecturer in Art History, University of Manchester, UK.
Author | : Cordelia Warr |
Publisher | : Boydell & Brewer |
Total Pages | : 212 |
Release | : 2023-07-04 |
Genre | : Antiques & Collectibles |
ISBN | : 1783275987 |
The essays here take us from the twelfth century, with an exploration of an inventory of Mediterranean textiles from an Ifriqiyan Church, into an examination and reconstruction of an extant thirteenth-century sleeve in France which provides a rare and early example of medieval quilted armour, and finally on to late medieval Sweden and the reconstruction of gilt-leather intarsia coverlets. A study of construction techniques and the evolution of form of gable and French hoods in the late medieval and the early modern periods follows; and the volume alos includes a study of how underwear for depicted in Renaissance paintings and manuscript illuminations serves as a marker of class.
Author | : Carolyn Muessig |
Publisher | : Oxford University Press |
Total Pages | : 307 |
Release | : 2020-02-06 |
Genre | : Religion |
ISBN | : 0192515136 |
Francis of Assisi's reported reception of the stigmata on Mount La Verna in 1224 is almost universally considered to be the first documented account of an individual miraculously and physically receiving the five wounds of Christ. The early thirteenth-century appearance of this miracle, however, is not as unexpected as it first seems. Interpretations of Galatians 6:17—I bear the marks of the Lord Jesus Christ in my body—had been circulating since the early Middle Ages in biblical commentaries. These works perceived those with the stigmata as metaphorical representations of martyrs bearing the marks of persecution in order to spread the teaching of Christ in the face of resistance. By the seventh century, the meaning of Galatians 6:17 had been appropriated by bishops and priests as a sign or mark of Christ that they received invisibly at their ordination. Priests and bishops came to be compared to soldiers of Christ, who bore the brand (stigmata) of God on their bodies, just like Roman soldiers who were branded with the name of their emperor. By the early twelfth century, crusaders were said to bear the actual marks of the passion in death and even sometimes as they entered into battle. The Stigmata in Late Medieval and Early Modern Europe traces the birth and evolution of religious stigmata and particularly of stigmatic theology, as understood through the ensemble of theological discussions and devotional practices. Carolyn Muessig assesses the role stigmatics played in medieval and early modern religious culture, and the way their contemporaries reacted to them. The period studied covers the dominant discourse of stigmatic theology: that is, from Peter Damian's eleventh-century theological writings to 1630 when the papacy officially recognised the authenticity of Catherine of Siena's stigmata.
Author | : Fredrika H. Jacobs |
Publisher | : Cambridge University Press |
Total Pages | : 265 |
Release | : 2013-10-07 |
Genre | : Art |
ISBN | : 1107023041 |
This book traces the origins and development of the use of votive panel paintings in Italy in the fifteenth and sixteenth centuries.
Author | : Heather Graham |
Publisher | : BRILL |
Total Pages | : 407 |
Release | : 2021-08-24 |
Genre | : Art |
ISBN | : 9004464689 |
A study into the role of visual and material culture in shaping early modern emotional experiences, c. 1450–1800
Author | : Tine Van Osselaer |
Publisher | : Numen Book |
Total Pages | : 470 |
Release | : 2021 |
Genre | : History |
ISBN | : 9789004439191 |
"In the nineteenth century a new type of mystic emerged in Catholic Europe. While cases of stigmatisation had been reported since the thirteenth century, this era witnessed the development of the 'stigmatic': young women who attracted widespread interest thanks to the appearance of physical stigmata. To understand the popularity of these stigmatics we need to regard them as the 'saints' and religious 'celebrities' of their time. With their 'miraculous' bodies, they fit contemporary popular ideas (if not necessarily those of the Church) of what sanctity was. As knowledge about them spread via modern media and their fame became marketable, they developed into religious 'celebrities'"--
Author | : Dr Helen Rees Leahy |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 341 |
Release | : 2012-11-01 |
Genre | : Art |
ISBN | : 1409484165 |
Museum Bodies provides an account of how museums have staged, prescribed and accommodated a repertoire of bodily practices, from their emergence in the eighteenth century to the present day. As long as museums have existed, their visitors have been scrutinised, both formally and informally, and their behaviour calibrated as a register of cognitive receptivity and cultural competence. Yet there has been little sustained theoretical or practical attention given to the visitors' embodied encounter with the museum. In Museum Bodies Helen Rees Leahy discusses the politics and practice of visitor studies, and the differentiation and exclusion of certain bodies on the basis of, for example, age, gender, educational attainment, ethnicity and disability. At a time when museums are more than ever concerned with size, demographic mix and the diversity of their audiences, as well as with the ways in which visitors engage with and respond to institutional space and content, this wide-ranging study of visitors' embodied experience of the museum is long overdue.
Author | : Jeremy Black |
Publisher | : Yale University Press |
Total Pages | : 505 |
Release | : 2014-01-14 |
Genre | : History |
ISBN | : 0300167954 |
A thought-provoking analysis of how the acquisition and utilization of information has determined the course of history over the past five centuries and shaped the world as we know it todaydiv /DIV
Author | : Michael P. Carroll |
Publisher | : JHU Press |
Total Pages | : 254 |
Release | : 2007-11-12 |
Genre | : Religion |
ISBN | : 1421401991 |
Michael P. Carroll argues that the academic study of religion in the United States continues to be shaped by a "Protestant imagination" that has warped our perception of the American religious experience and its written history and analysis. In this provocative study, Carroll explores a number of historiographical puzzles that emerge from the American Catholic story as it has been understood through the Protestant tradition. Reexamining the experience of Catholicism among Irish immigrants, Italian Americans, Acadians and Cajuns, and Hispanics, Carroll debunks the myths that have informed much of this history. Shedding new light on lived religion in America, Carroll moves an entire academic field in new, exciting directions and challenges his fellow scholars to open their minds and eyes to develop fresh interpretations of American religious history.
Author | : S. Biernoff |
Publisher | : Springer |
Total Pages | : 251 |
Release | : 2002-07-01 |
Genre | : History |
ISBN | : 0230508359 |
This book breaks new ground by bringing postmodern writings on vision and embodiment into dialogue with medieval texts and images: an interdisciplinary strategy that illuminates and complicates both cultures. This is an invaluable reference work for anyone interested in the history and theory of visuality, and it is essential reading for scholars of art, science or spirituality in the medieval period.