Stefan Zweig The World Of Yesterdays Humanist Today Proceedings Of The Stefan Zweig Symposium
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| Author | : Stefan Zweig Symposium (1981: Fredonia, N.Y.) |
| Publisher | : SUNY Press |
| Total Pages | : 412 |
| Release | : 1983-01-01 |
| Genre | : Psychology |
| ISBN | : 9780873955997 |
France (1837) was the third volume published in Cooper's Gleanings in Europe series, but first in the chronology of his European experience. Less sequential than his other travel narratives, France distills his impressions of French and European culture during his first two years abroad. Exhibiting many qualities of the familiar essay, it considers a wide range of topics of interest to Cooper, his friends, and potential readers in the United States. As a celebrity thoroughly at home in the brilliant society of Bourbon Paris, Cooper was able to provide fascinating glimpses of personalities, spectacles, institutions, and manners--from his distinctly American perspective. Indeed, as Professor Philbrick remarks, "No other of Cooper's works, perhaps, brings us closer to his speaking voice or puts us more directly in contact with the man himself, with all his idiosyncratic preoccupations, his quick resentments, his restless curiosity, his surprising humor, and his nobility of principle." The reader of this edition is brought even closer to Cooper in the draft of a hitherto unpublished letter, probably intended for this book, which illustrates Cooper's grasp of the still finer points of French customs and attitudes.
| Author | : Marion Sonnenfeld |
| Publisher | : State University of New York Press |
| Total Pages | : 388 |
| Release | : 1984-06-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1438420676 |
Fifty years ago, Stefan Zweig, who committed suicide in 1942, was the most widely read and translated living writer in the world. Zweig's Vienna was a world of bright, brittle superficialities, in which the bourgeoisie "gradually elevated the eternal business of seeing and being seen to the purpose of the existence." To break through the facades of this society, Zweig developed a remarkable literary and psychological method. In The World of Yesterday's Humanist Today, thirty scholars of history, literature, and music share their studies of Zweig and their insight into his works.
| Author | : Friderike Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 234 |
| Release | : 2019-08-15 |
| Genre | : Biography & Autobiography |
| ISBN | : |
An essential companion piece to Stefan Zweig's classic The World of Yesterday, this memoir addresses many of the questions that this internationally celebrated author raised but did not answer. A professional journalist and researcher in her own right who first encountered Zweig in 1908, Friderike threads her story between what Zweig called the Scylla of "exaggerated candor" and the Charybdis of self-love. She paints a detailed portrait of her famous husband from his birth into a wealthy Jewish family in late 19th century Vienna to his suicide (with his second wife) in Brazil in 1942. Married to Stefan Zweig, first published in 1946 under the title Stefan Zweig, provides a thorough overview of the writer's poems, plays, stories, biographies, essays and articles, his work habits, and his relations with editors, publishers, friends, mentors and protégés. Friderike also illuminates facets of the tumultuous context of political and social upheaval in which Zweig worked during his years in Salzburg and London. Married to Stefan Zweig is among the very small number of women’s memoirs from 20th century Central Europe and an unusual portrait of a marriage anywhere, anytime.
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 522 |
| Release | : 2019-08-09 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Originally published in 1932 and for decades since one of Stefan Zweig’s most popular biographies, this “portrait of an average woman,” betrothed at fourteen, crowned queen at nineteen, and beheaded at thirty-seven, aimed “not to deify, but to humanize.” Supplementing library and archival research with psychological insight,Marie Antoinette: The Portrait of an Average Woman is a vivid narrative of France’s most famous queen, her relations with her mother Empress Maria Theresa, her husband Louis XVI, and her lover Swedish Count von Fersen, set against the backdrop of the French and Austrian courts of the ancien régime, the French Revolution and the Terror. “... the biography to end all biographies on Marie Antoinette ... [Zweig's book] possesses all the qualities of the excellent biography — directness, frankness, full exposition, picturesqueness, characterization, color and delectable readableness.” —The New York Times “Powerful, magnificent, poignant…” — The New Republic “A stupendous and superb piece of work.” — Chicago Daily Tribune
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 221 |
| Release | : 2019-08-16 |
| Genre | : Biography & Autobiography |
| ISBN | : |
In these early 20th century literary essays, Stefan Zweig offers a Central European view of the writers he believed to be the “three greatest novelists” of the 19th century: Balzac, Dickens, and Dostoevsky. In Zweig’s view, Balzac set out to emulate his childhood hero Napoleon. Writing 20 hours a day, Balzac’s literary ambition was “tantamount to monomania in its persistence, its intensity, and its concentration.” His characters, each similarly driven by one desperate urge, were more vital to Balzac than people in his daily life. In Zweig’s reading, Dickens embodied Victorian England and its “bourgeois smugness”. His characters aspire to “A few hundred pounds a year, an amiable wife, a dozen children, a well-appointed table and succulent meats to entertain their friends with, a cottage not too far from London, the windows giving a view over the green countryside, a pretty little garden, and a modicum of happiness.” The ideal of middle-class respectability suffuses Dickens’ fiction. Dostoevsky drew on the struggles of his own life to illuminate the contradictions of the human soul. In Zweig’s view, his heroes had no desire to be citizens or ordinary human beings. While Balzac’s heroes “would gladly have subjugated the world, Dostoevsky’s heroes wished to transcend it.”
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 450 |
| Release | : 2019-08-09 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Zweig devoted ten years of research and writing to Balzac, which he regarded as his crowning achievement. This late work reads like a picaresque novel, with Balzac’s quest for “a woman with a fortune” and recurrent episodes of the author chasing an elusive pot of gold driving the story. This biography of one classic author by another is filled with Zweig’s characteristic psychological insights. He portrays the energy and “exuberance of imagination” that produced some two thousand characters in La comédie humaine, as well as the daily details of the coffee-chugging writer’s life, his manic writing schedule, method of correcting proofs, dealing with publishers and reviewers, signing contracts, doing marketing and publicity. Balzac blends biography and literary history in a highly readable volume that will teach you French cultural history as you laugh out loud. “[Balzac] is sure to entertain, instruct and charm ... It is a work of art, ... alive with the teeming life of its model ... It is true both to facts and to the more elusive psychological and spiritual truth of a man who ... has remained one of the most mysterious of great creators.” – Henri Peyre, Sterling professor of French Literature, Yale University, The New York Times
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 105 |
| Release | : 2019-08-10 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Stefan Zweig's Amerigo: A Comedy of Errors in History is the Austrian writer's account of how America got its name. This short, late work describes how Amerigo Vespucci, “a man of medium caliber [who] had never been entrusted with a fleet” gave his name to the New World because “of a combination of circumstances — through error, accident, and misunderstanding.” Zweig was living in exile in Brazil when he wrote Amerigo, shortly before committing suicide in despair over Hitler's conquest of Europe. “The paradox that Columbus discovered America but failed to recognize it, while Vespucci did not discover it but was the first to recognize it as a new continent,” he wrote, illustrates how “history will not be reasoned with.”
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 265 |
| Release | : 2019-08-15 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Stefan Zweig’s literary portraits of three tormented giants of German literature, Friedrich Hölderlin, Heinrich von Kleist, and Friedrich Nietzsche, contrasts them with Goethe who was anchored in place by profession, home and family. For Zweig, “everyone whose nature excels the commonplace, everyone whose impulses are creative, wrestles inevitably with his daemon” which Zweig describes as “the incorporation of that tormenting leaven which impels our being ... towards danger, immoderation, ecstasy, renunciation and even self-destruction.” In these essays, Zweig depicts the tragic and sublime lifelong struggle by three great creative minds with their respective daemons.
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 342 |
| Release | : 2019-08-16 |
| Genre | : Body, Mind & Spirit |
| ISBN | : |
This Plunkett Lake Press eBook is produced by arrangement with Viking, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. “Health is natural; sickness is unnatural: at least so it seems to man,” is how Stefan Zweig begins his fascinating, often entertaining examinations of Franz Anton Mesmer, Mary Baker Eddy, and Sigmund Freud. “Bodily suffering is not assuaged by technical manipulation but through an act of faith.” Mental Healers is dedicated to Albert Einstein, the scientist who had won the Nobel Prize for Physics in 1921. It first appeared in 1931 as Die Heilung durch den Geist, orHealing Through the Spirit, a title that anticipates our current interest in alternative medicine and the placebo effect. Zweig’s first healer, Franz Anton Mesmer (1734-1815), was a German physician who introduced “animal magnetism” to the world. Viewed by many as a charlatan, he died an outcast before he could properly understand and explain his discovery. Zweig’s second healer, Mary Baker Eddy (1821-1910), was a New England matron who found her vocation only in middle age. She established Christian Science, an American Protestant system of religious practice that rejects medical intervention, when she was almost 60. Zweig’s third healer, Sigmund Freud (1856-1939), was the Viennese Jewish physician who founded psychoanalysis. Zweig, who knew Freud and delivered a eulogy at his funeral, describes Freud’s then-new ideas with the insight of an artist who lived in the same time and place. Fluently written and psychologically astute, Mental Healers is compelling cultural history and a valuable window onto the genesis of new ideas in healing. “Mesmer, Eddy and Freud were critical figures alerting the modern world to the influences of the mental and emotional on health and illness. Their impact was tremendous and Zweig's classic study provides a wonderful opportunity to engage with these significant innovators.” — Ted Kaptchuk, Professor of Medicine, Harvard Medical School, Director, Program in Placebo Studies & Therapeutic Encounter
| Author | : Stefan Zweig |
| Publisher | : Plunkett Lake Press |
| Total Pages | : 312 |
| Release | : 2019-08-16 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Written in the 1920s, Zweig's work of literary criticism and biography might today be titled Masters of Memoir. In it, Stefan Zweig – one of the 20th century’s most widely-published writers – describes the creative process and work of authors for whom no subject is as compelling as the material of their own lives. Adepts in Self-Portraiture examines the lives and work of three men who represent, in Zweig's view, three levels of development in autobiographical writing. The first and most basic level is evinced by Giacomo Casanova, the Venetian womanizer who records his sexual and social conquests, adventures and escapes, without attempting to analyze or even reflect on them. The second level of self-portraiture is exemplified by Stendhal, the French pioneer of psychological fiction, who kept voluminous notebooks on his own experience of life and on whom no nuance of feeling seems to have been lost. Russian master Leo Tolstoy represents the third and highest level of autobiographical writing in which the psychological is imbued with the spiritual and ethical. In Adepts in Self-Portraiture, Stefan Zweig examines the impulses that give rise to life writing and anticipates the current popularity of the memoir form.
