Steal This Music
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| Author | : Joanna Teresa Demers |
| Publisher | : University of Georgia Press |
| Total Pages | : 194 |
| Release | : 2010-01-25 |
| Genre | : Law |
| ISBN | : 0820330752 |
Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of Joanna Demers’s timely look at how overzealous intellectual property (IP) litigation both stifles and stimulates musical creativity. A musicologist, industry consultant, and musician, Demers dissects works that have brought IP issues into the mainstream culture, such as DJ Danger Mouse’s “Grey Album” and Mike Batt’s homage-gone-wrong to John Cage’s silent composition “4’33.” Demers also discusses such artists as Ice Cube, DJ Spooky, and John Oswald, whose creativity is sparked by their defiant circumvention of licensing and copyright issues. Demers is concerned about the fate of transformative appropriation—the creative process by which artists and composers borrow from, and respond to, other musical works. In the United States, only two elements of music are eligible for copyright protection: the master recording and the composition (lyrics and melody) itself. Harmony, rhythm, timbre, and other qualities that make a piece distinctive are virtually unregulated. This two-tiered system had long facilitated transformative appropriation while prohibiting blatant forms of theft. The advent of digital file sharing and the specter of global piracy changed everything, says Demers. Now, record labels and publishers are broadening the scope of IP “infringement” to include allusive borrowing in all forms: sampling, celebrity impersonation—even Girl Scout campfire sing-alongs. Paying exorbitant licensing fees or risking even harsher penalties for unauthorized borrowing have become the only options for some musicians. Others, however, creatively sidestep not only the law but also the very infrastructure of the music industry. Moving easily between techno and classical, between corporate boardrooms and basement recording studios, Demers gives us new ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom.
| Author | : Mitchell Sigman |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 156 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 1423492811 |
A single-volume guide to recreating 100 top-selected synthesizer sounds from hit songs provides illustrated two-page spreads that list details about how the sound was originally created on professional-grade synthesizers and how to create the same sounds today using modern plug-ins and readily available software instruments. Original.
| Author | : Abbie Hoffman |
| Publisher | : Da Capo Press |
| Total Pages | : 352 |
| Release | : 2002-02-25 |
| Genre | : Political Science |
| ISBN | : 9781568582177 |
A handbook of survival and warfare for the citizens of Woodstock Nation A classic of counterculture literature and one of the most influential--and controversial--documents of the twentieth century, Steal This Book is as valuable today as the day it was published. It has been in print continuously for more than four decades, and it has educated and inspired countless thousands of young activists. Conceived as an instruction manual for radical social change, Steal This Book is divided into three sections--Survive! Fight! and Liberate! Ever wonder how to start a guerilla radio station? Or maybe you want to brush up on your shoplifting techniques. Perhaps you're just looking for the best free entertainment in New York City. (The Frick Collection--"Great when you're stoned.") Packed with information, advice, and Abbie's unique outlaw wisdom ("Avoid all needle drugs--the only dope worth shooting is Richard Nixon."), Steal This Book is a timeless reminder that, no matter what the struggle, freedom is always worth fighting for. "All Power to the Imagination was his credo. Abbie was the best."--Studs Terkel
| Author | : Gene Lees |
| Publisher | : U of Nebraska Press |
| Total Pages | : 292 |
| Release | : 2004-01-01 |
| Genre | : Music |
| ISBN | : 9780803280342 |
You Can?t Steal a Gift is about the impact of American racism on America?s greatest gift to the world of music?jazz. In a work that combines memoir, oral history, and commentary, Gene Lees has crafted minibiographies of four great black musicians whom he knew well?Dizzy Gillespie, Clark Terry, Milt Hinton, and Nat ?King? Cole. Lees writes of them, ?All are men who had every reason to embrace bitterness . . . and didn?t.? When Lees left Montreal to become the music and drama critic of the Louisville Times in 1955, he was shocked by the racism and segregation he found in the United States. In jazz he found a community of like-minded souls who freely shared their gifts with all lovers of music, regardless of race and condition.
| Author | : Michael Port |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 274 |
| Release | : 2015 |
| Genre | : Business & Economics |
| ISBN | : 054455518X |
A powerful way to master every performance in your career and life, from presentations and sales pitches to interviews and tough conversations, drawing on the methods the author applied as a working actor and has honed over a decade of coaching salespeople, marketers, managers, and business owners.
| Author | : Kembrew McLeod |
| Publisher | : U of Minnesota Press |
| Total Pages | : 418 |
| Release | : 2007 |
| Genre | : Law |
| ISBN | : 9780816650316 |
In 1998 the author, a professional prankster, trademarked the phrase "freedom of expression" to show how the expression of ideas was being restricted. Now he uses intellectual property law as the focal point to show how economic concerns are seriously eroding creativity and free speech.
| Author | : Stephen Witt |
| Publisher | : Penguin |
| Total Pages | : 306 |
| Release | : 2015 |
| Genre | : Computer file sharing |
| ISBN | : 0525426612 |
"Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet."--
| Author | : Robert Shore |
| Publisher | : Laurence King Publishing |
| Total Pages | : 0 |
| Release | : 2017-10-24 |
| Genre | : Art |
| ISBN | : 9781780679464 |
"Art is theft," Picasso once proclaimed, and much of the best and most "original" new art involves an act or two of unequivocal, overt theft. Paradoxically, the law relating to artistic borrowing has grown more restrictive. "The plagiarism and copyright trials of the twenty-first century are what the obscenity trials were to the twentieth century," Kenneth Goldsmith, has observed. "These are really the issues of our time." Beg, Steal and Borrow offers a comprehensive and provocative survey of a complex subject that is destined to grow in relevance and importance. It traces an artistic lineage of appropriation from Michelangelo to Jeff Koons, and examines the history of its legality from the sixteenth century to now.
| Author | : Wally Wang |
| Publisher | : |
| Total Pages | : 388 |
| Release | : 2003 |
| Genre | : Computers |
| ISBN | : 9781593270001 |
Describes how computer viruses are created and spred, and discusses computer harassment, online con artists, protection data with encryption, and general computer security issues.
| Author | : Michael D. Smith |
| Publisher | : MIT Press |
| Total Pages | : 229 |
| Release | : 2017-08-25 |
| Genre | : Business & Economics |
| ISBN | : 0262534525 |
How big data is transforming the creative industries, and how those industries can use lessons from Netflix, Amazon, and Apple to fight back. “[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it. Their book should be required for anyone who wishes to believe that nothing much has changed.” —The Wall Street Journal “Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires.” —Financial Times Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice. In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries—and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music. We're living through a period of unprecedented technological disruption in the entertainment industries. Just about everything is affected: pricing, production, distribution, piracy. Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content. To survive and succeed, businesses have to adapt rapidly and creatively. Smith and Telang explain how. How can companies discover who their customers are, what they want, and how much they are willing to pay for it? Data. The entertainment industries, must learn to play a little “moneyball.” The bottom line: follow the data.
