Stanley Cavell, Literature, and Film

Stanley Cavell, Literature, and Film
Author: Andrew Taylor
Publisher: Routledge
Total Pages: 255
Release: 2013
Genre: Biography & Autobiography
ISBN: 0415509645

This book offers a thorough examination of the relationship that Stanley Cavell's celebrated philosophical work has to the ways in which the United States has been imagined and articulated in its literature, highlighting how literature and philosophy are conjoined in the ethical and political project of national self-definition.

The World Viewed

The World Viewed
Author: Stanley Cavell
Publisher: Harvard University Press
Total Pages: 284
Release: 1979-01-01
Genre: Performing Arts
ISBN: 0674253353

Stanley Cavell looks closely at America's most popular art and our perceptions of it. His explorations of Hollywood's stars, directors, and most famous films—as well as his fresh look at Godard, Bergman, and other great European directors—will be of lasting interest to movie-viewers and intelligent people everywhere.

Cavell on Film

Cavell on Film
Author: Stanley Cavell
Publisher: SUNY Press
Total Pages: 432
Release: 2005-04-21
Genre: Social Science
ISBN: 9780791464328

Stanley Cavell's most important writings on cinema, collected together for the first time in one volume.

Stanley Cavell and the Magic of Hollywood Films

Stanley Cavell and the Magic of Hollywood Films
Author: Daniel Shaw
Publisher: Edinburgh University Press
Total Pages: 176
Release: 2019-08-05
Genre: Performing Arts
ISBN: 1474455727

One of America's most important contemporary thinkers, Stanley Cavell's remarkable film philosophy proposed that the greatest Hollywood films reflect the struggle to become who we really are - a struggle that is foregrounded in the characteristically American theory of Emersonian perfectionism. Focusing on his account of what makes Hollywood movies so magical, Dan Shaw draws on Cavell's theories to interpret a range of classic and contemporary dramas, including Mr Smith Goes to Washington (1939), Boys Don't Cry (1999) and The Hurt Locker (2008). Pairing of these analyses with discussions of Cavell's precursors, including Emerson, Nietzsche and Mill, the book explores a distinctively American philosophical foundation for the study of Hollywood film.

Pursuits of Happiness

Pursuits of Happiness
Author: Stanley Cavell
Publisher: Harvard University Press
Total Pages: 300
Release: 1981
Genre: Performing Arts
ISBN: 9780674739062

Looks at seven classic romantic comedies of the thirties and forties, and compares what each film expresses about marriage, interdependence, equality, and sexual roles.

Stanley Cavell and Literary Skepticism

Stanley Cavell and Literary Skepticism
Author: Michael Fischer
Publisher: University of Chicago Press
Total Pages: 180
Release: 1989-04-24
Genre: Literary Criticism
ISBN: 0226251411

Cavell is read avidly by students of film, television, painting, and music, but especially by students of literature, for whom he offers major readings of Thoreau. Fischer (English, U. of New Mexico) shows why Cavell's work is also of particular relevance to the controversies surrounding poststructuralist literary theory. Paper edition (0-226-25141-1) is available for $10.95. Annotation copyrighted by Book News, Inc., Portland, OR

Stanley Cavell and the Education of Grownups

Stanley Cavell and the Education of Grownups
Author: Naoko Saito
Publisher: Fordham Univ Press
Total Pages: 275
Release: 2012
Genre: Education
ISBN: 0823234738

What could it mean to speak of philosophy as the education of grownups? This book takes Cavell's enigmatic phrase as a provocation to explore the themes of education that run throughout his work-from his response to Wittgenstein, Austin, and ordinary-language philosophy, to his readings of Thoreau and of the moral perfectionism he identifies with Emerson, to his discussions of literature and film. Hilary Putnam has described Cavell as not only one of the most creative thinkers of today but as one of the few contemporary philosophers to explore philosophy as education. Cavell's sustained examination of the nature of philosophy cannot be separated from his preoccupation with what it is to teach and to learn. This is the first book to address theimportance of education in Cavell's work and its essays are framed by two new pieces by Cavell himself.Together these texts combine to show what it means to read Cavell, and simultaneously what it means to read philosophically, in itself a part of our education as grownups.

Contesting Tears

Contesting Tears
Author: Stanley Cavell
Publisher: University of Chicago Press
Total Pages: 278
Release: 1996
Genre: Drama
ISBN: 9780226098142

A Note on the Captions Preface Introduction 1: Naughty Orators: Negation of Voices in Gaslight 2: Psychoanalysis and Cinema: Moments of Letter from an Unknown Woman3: Ugly Duckling, Funny Butterfly: Bette Davis and Now, Voyager 4: Postscript: To Whom It May Concern 5: Stella's Taste: Reading Stella Dallas Notes Bibliography Filmography Index Copyright © Libri GmbH. All rights reserved.

Philosophy the Day After Tomorrow

Philosophy the Day After Tomorrow
Author: Stanley Cavell
Publisher: Harvard University Press
Total Pages: 332
Release: 2005
Genre: Philosophy
ISBN: 9780674022324

Seeking for philosophy the same spirit and assurance conveyed by artists like Fred Astaire, Cavell presents essays exploring the meaning of grace and gesture in film and on stage, in language and in life. Critical to the renaissance in American thought Cavell hopes to provoke is the recognition of the centrality of the “ordinary” to American life.

Stanley Cavell, Literature, and Film

Stanley Cavell, Literature, and Film
Author: Andrew Taylor
Publisher: Routledge
Total Pages: 255
Release: 2013-01-04
Genre: Literary Criticism
ISBN: 113615633X

This is the first book to offer a thorough examination of the relationship that Stanley Cavell’s celebrated philosophical work has to the ways in which the United States has been imagined and articulated in its literature. Establishing the contours of Cavell’s most significant readings of American philosophical and cultural activity, the volume explores how his philosophy and the kind of reading it demands have an important relation to broader considerations of the American national imaginary. Focused, coherent, and original essays from a wide range of philosophers and critics consider how his investigations of Henry David Thoreau and Ralph Waldo Emerson, for example, represent a sustained engagement with the ways in which philosophy might provide us with new ways of thinking and of living. This is the first detailed and comprehensive treatment of "America" as a category of enquiry in Cavell’s writing, engaging with the terms of Cavell’s various configurations of the nation and offering readings of American texts that illustrate the possibilities that Cavell’s work has, in turn, for literary and film criticism. This study of the role played by philosophy in the articulation of the American self-imaginary highlights the ways in which the reading of literature, and the practice of philosophy, are conjoined in the ethical and political project of national self-definition.