Stanislavsky In Focus
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| Author | : Sharon Marie Carnicke |
| Publisher | : Routledge |
| Total Pages | : 270 |
| Release | : 2020-12-14 |
| Genre | : Performing Arts |
| ISBN | : 100029949X |
Stanislavsky in Focus brilliantly examines the history and actual premises of Stanislavsky’s 'System', separating myth from fact with forensic skill. The first edition of this now classic study showed conclusively how the 'System' was gradually transformed into the Method, popularised in the 1950s by Lee Strasberg and the Actor’s Studio. It looked at the gap between the original Russian texts and what most English-speaking practitioners still imagine to be Stanislavsky’s ideas. This thoroughly revised new edition also delves even deeper into: the mythical depiction of Stanislavsky as a tyrannical director and teacher yoga, the mind-body-spirit continuum and its role in the ‘System’ how Stanislavsky used subtexts to hide many of his ideas from Soviet censors. The text has been updated to address all of the relevant scholarship, particularly in Russia, since the first edition was published. It also features an expanded glossary on the System's terminology and its historical exercises, as well as more on the political context of Stanislavsky's work, its links with cognitive science, and the System's relation to contemporary developments in actor-training. It will be a vital part of every practitioner's and historian's library.
| Author | : Sharon Marie Carnicke |
| Publisher | : Routledge |
| Total Pages | : 270 |
| Release | : 2008-09-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 1135974497 |
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Sharon Marie Carnicke |
| Publisher | : Routledge |
| Total Pages | : 270 |
| Release | : 2008-09-02 |
| Genre | : Performing Arts |
| ISBN | : 1135974489 |
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Sharon Marie Carnicke |
| Publisher | : Taylor & Francis |
| Total Pages | : 270 |
| Release | : 2009 |
| Genre | : Performing Arts |
| ISBN | : 0415774969 |
First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Sergei Tcherkasski |
| Publisher | : Routledge |
| Total Pages | : 144 |
| Release | : 2016-07-15 |
| Genre | : Health & Fitness |
| ISBN | : 1317228243 |
This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided. The focus of Tcherkasski's research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka's books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles. Among them are: relaxation of muscles (muscular release), communication and prana, emission of rays and reception of rays, beaming of aura, sending of prana, attention, visualizations (mental images). Special attention is paid to the idea of the superconscious in Yoga, and in Ramacharaka's and Stanislavsky's theories. Tcherkasski's wide-ranging analysis has resulted in new and intriguing discoveries about the Russian master. Furthermore, he reveals the extent to which Stanislavsky anticipated modern discoveries in neurobiology and cognitive science. In this book Tcherkasski acts as a researcher, historian, theatre director, and experienced acting teacher. He argues that some forty per cent of basic exercises in any Stanislavsky based actor training program of today are rooted in Yoga. Actors, teachers, and students will find it interesting to discover that they are following in the footsteps of Yoga in their everyday Stanislavsky based training and rehearsals.
| Author | : Stephanie Daventry French |
| Publisher | : Routledge |
| Total Pages | : 632 |
| Release | : 2016-02-11 |
| Genre | : Performing Arts |
| ISBN | : 1136519343 |
This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored. Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting. A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance. The book’s companion website is full of downloadable worksheets and resources for teachers and students. Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.
| Author | : John Gillett |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 321 |
| Release | : 2007-10-29 |
| Genre | : Performing Arts |
| ISBN | : 1408147742 |
"A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don't know what I'm doing' should, with this book, become a thing of the past' Sam West "I'd recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general." Matt Peover, LAMDA trainer and theatre director. "Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner." Simon Dunmore, Editor Actor's Yearbook An inspiring and technically thorough practical book for actors that sets down a systematic and coherent process for organic, experienced acting. The author offers a step-by-step and demystifying Stanislavski-based approach to text, role, rehearsal and performance to be used in everyday work, and gathers together in one volume the essential tools for recreating human experience. A nuts-and-bolts practical guide with exercises for the actor to work through sequentially. Contains a Foreword by Sam West. John Gillett builds on his experience of teaching at drama school level as well as many decades of acting. This book, by an actor for actors, is a comprehensive, clear and inspirational guide to creating a truthful, dynamic and audience-captivating performance.
| Author | : Maria Knebel |
| Publisher | : Routledge |
| Total Pages | : 265 |
| Release | : 2021-12-30 |
| Genre | : Performing Arts |
| ISBN | : 1136448926 |
Active Analysis combines two of Maria Knebel’s most important books, On Active Analysis of the Play and the Role and The Word in the Actor’s Creative Work, in a single edition conceived and edited by one of Knebel's most famous students, the renowned theatre and film director, Anatoli Vassiliev. This is the first English translation of an important and authoritative fragment of the great Stanislavski jigsaw. A landmark publication. This book is an indispensable resource for professional directors, student directors, actors and researchers interested in Stanislavski, directing, rehearsal methods and theatre studies more generally.
| Author | : Sonia Moore |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 212 |
| Release | : 1991 |
| Genre | : Performing Arts |
| ISBN | : 9781557831033 |
Sonia Moore reveals the subtle tissue of ideas behind what Stanislavski regarded as his "major breakthrough," the Method of Physical Actions. Moore's exhaustive analyses of Stanislavski's original texts, letters, journals and production notes have yielded a revised understanding of Stanislavki's method - and his secret of inspiration - the key to spontaneity on the stage and the path to fresh and naturalistic performance.
| Author | : Konstantin Stanislavski |
| Publisher | : Routledge |
| Total Pages | : 963 |
| Release | : 2016-10-04 |
| Genre | : Performing Arts |
| ISBN | : 1315474239 |
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
