Staging Philosophy

Staging Philosophy
Author: David Krasner
Publisher: University of Michigan Press
Total Pages: 343
Release: 2010-02-11
Genre: Drama
ISBN: 0472025147

The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship. Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, Staging Philosophy will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance. David Krasner is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 and Renaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910. He is co-editor of the series Theater: Theory/Text/Performance. David Z. Saltz is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. He is coeditor of Theater Journal and is the principal investigator of the innovative Virtual Vaudeville project at the University of Georgia.

Critical Theory and Performance

Critical Theory and Performance
Author: Janelle G. Reinelt
Publisher: University of Michigan Press
Total Pages: 612
Release: 2007
Genre: Theater
ISBN: 9780472068869

Updated and enlarged, this groundbreaking collection surveys the major critical currents and approaches in drama, theater, and performance

The Allure of Things: Process and Object in Contemporary Philosophy

The Allure of Things: Process and Object in Contemporary Philosophy
Author: Roland Faber
Publisher: A&C Black
Total Pages: 263
Release: 2014-05-22
Genre: Philosophy
ISBN: 1472533682

The Allure of Things: Process and Object in Contemporary Philosophy contests the view that metaphysics is something to be overcome. By focusing on process and object oriented ontology (OOO) and rejecting the privileging of human existence over the existence of non-human objects, this collection explores philosophy's concern with things themselves. Interest in Latour, Stengers, Whitehead, Harman and Meillassoux has prompted a resurgence of ontological questions outside the traditional subject-object framework of modern critical thought. This new collection consequently proposes a pragmatic and pluralist approach to 'modes of existence'. Drawing together an international range of leading scholars, The Allure of Things fully covers the similarities between OOO and process philosophy, and is an essential addition to the literature on metaphysics.

Encounters in Performance Philosophy

Encounters in Performance Philosophy
Author: Laura Cull Ó Maoilearca
Publisher: Springer
Total Pages: 308
Release: 2014-10-16
Genre: Performing Arts
ISBN: 1137462728

Encounters in Performance Philosophy is a collection of 14 essays by international researchers which demonstrates the vitality of the field of Performance Philosophy. The essays address a wide range of concerns common to performance and philosophy including: the body, language, performativity, mimesis and tragedy.

The Captive Stage

The Captive Stage
Author: Douglas A. Jones
Publisher: University of Michigan Press
Total Pages: 233
Release: 2014-07-09
Genre: Biography & Autobiography
ISBN: 0472052268

A revealing exploration of Northern proslavery sentiment during the period before the Civil War

Minds on Stage

Minds on Stage
Author: Felix Budelmann
Publisher: Oxford University Press
Total Pages: 282
Release: 2023-05-04
Genre: History
ISBN: 0192888951

Greek tragedy parades, tests, stimulates, and upends human cognition. Characters plot deception, try to fathom elusive gods, and fail to recognise loved ones. Spectators observe the characters' cognitive limitations and contemplate their own, grapple with moral quandaries and emotional breakdown, overlay mythical past and topical present, and all the while imagine that a man with a mask is Helen of Troy. With broad coverage of both plays and cognitive capabilities, Minds on Stage pursues a dual aim: to expand our understanding of Greek tragedy and to use Greek tragedy as a focal point for exploring cognitive thinking about literature. After an introduction that considers questions of methodology, the volume is divided into three parts. Part One examines the dynamics of mind-reading by characters and audience, with articles on Aeschylus, Sophocles, and Euripides. The chapters in Part Two study aspects of the characters' cognitive sense-making, from individual styles of attributing causes and different manners of remembering, to the use of objects as tools for thinking. Finally, Part Three turns to the cognitive dimension of spectating. The articles treat the spectators' generic expectations and different modes of engagement with the fictional worlds of the plays, the joint nature of their attention to the drama, the nexus between aesthetic illusion and the ethics of deception, as well as the situated nature of cognition that helps both audiences and characters make sense of morally complex situations.

Analytic Philosophy and the World of the Play

Analytic Philosophy and the World of the Play
Author: Michael Y. Bennett
Publisher: Routledge
Total Pages: 235
Release: 2017-07-14
Genre: Performing Arts
ISBN: 1315294710

Theatrical characters’ dual existence on stage and in text presents a unique, challenging case for the analytical philosopher. Analytic Philosophy and the World of the Play re-examines the ontological status of theatre and its fictional objects through the "possible worlds" thesis, arguing that theatre is not a mirror of our world, but a re-creation of it. Taking a fresh look at theatre’s key elements, including the hotly contested relationships between character and actor; onstage and offstage "worlds"; and the play-text and performance, Michael Y. Bennett presents a radical new way of understanding the world of the play.

Performance, Cognitive Theory, and Devotional Culture

Performance, Cognitive Theory, and Devotional Culture
Author: J. Stevenson
Publisher: Springer
Total Pages: 272
Release: 2010-05-24
Genre: Literary Criticism
ISBN: 0230109071

In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson s physical encounter with live religious performances, and to argue that laypeople s interactions with other devotional media - such as books and art objects - may also have functioned like performance events. By revealing the remarkable resonance between cognitive science and medieval visual theories, Stevenson demonstrates how understanding medieval culture can enrich the study of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.

Theatre in Theory 1900-2000

Theatre in Theory 1900-2000
Author: David Krasner
Publisher: John Wiley & Sons
Total Pages: 610
Release: 2007-11-28
Genre: Performing Arts
ISBN: 1405140445

Theatre in Theory is the most complete anthology documenting 20th-century dramatic and performance theory to date, offering a rich variety of perspectives from the century’s most prominent playwrights, directors, scholars, and philosophers. Includes major theoretical and critical manifestos, hypotheses, and theories from the field Wide-ranging and broadly constructed, this text has both interdisciplinary and global appeal Includes a thematic index, section introductions, and supporting commentary Helps students, teachers, and practitioners to think critically about the nature of theatre

Performance of Absence in Theatre, Performance and Visual Art

Performance of Absence in Theatre, Performance and Visual Art
Author: Sylwia Dobkowska
Publisher: Routledge
Total Pages: 204
Release: 2021-12-30
Genre: Performing Arts
ISBN: 1000519562

This research project investigates the concepts of absence across the disciplines of theatre, visual art, and performance. Absence in the centre of an ideology frees the reader from the dominant meaning. The book encourages active engagement with theatre theory and performances. Reconsideration of theories and experiences changes the way we engage with performances, as well as social relations and traditions outside of theatre. Sylwia Dobkowska examines and theorises absence and presence through theatre, performance, and visual arts practices. This book will be of great interest to students and scholars of theatre, visual art, and philosophy.