Staging Anatomies
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| Author | : Hillary M. Nunn |
| Publisher | : Routledge |
| Total Pages | : 517 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351898302 |
Hillary M. Nunn here traces the connections between the London public's interest in medical dissection and the changing cultural significance of bloodshed on the early Stuart playhouse stage. Considering the playhouses' role within the social world of early modern London, Nunn explores the influence of public dissection upon the presentation of human bodies in well-known plays such as King Lear, as well as in a wide range of often neglected early Stuart tragedies like The Second Maiden's Tragedy and Revenge for Honour. In addition to dramatic texts, the study draws heavily on anatomy treatises and popular pamphlets of the time. Incorporating views of anatomy's significance from a wide range of sources, this study shows the ways in which early Stuart dramatists called upon Londoners' increasing fascination with anatomical dissection to shape the staging of their tragedies.
| Author | : Sara Morrison |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2016-04-01 |
| Genre | : Performing Arts |
| ISBN | : 1317050746 |
Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.
| Author | : Sue Field |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 221 |
| Release | : 2024-05-30 |
| Genre | : Design |
| ISBN | : 1350285579 |
Intersecting art, science and the scenographic mise-en-scène, this book provides a new approach to anatomical drawing, viewed through the contemporary lens of scenographic theory. Sue Field traces the evolution of anatomical drawing from its historical background of hand-drawn observational scientific investigations to the contemporary, complex visualization tools that inform visual art practice, performance, film and screen-based installations. Presenting an overview of traditional approaches across centuries, the opening chapters explore the extraordinary work of scientists and artists such as Andreas Vesalius, Gérard de Lairesse, Santiago Ramón y Cajal and Dorothy Foster Chubb who, through the medium of drawing dissect, dismember and anatomize the human form. Anatomical Drawing examines how forms, fluids and systems are entangled within the labyrinthine two-dimensional drawn space and how the body has been the subject of the spectacle. Corporeal proportions continue to be embodied within the designs of structures, buildings and visual art. Illustrated throughout, the book explores the drawings of 17th-century architect and scenographer Inigo Jones, through to the ghostly, spectral forms illuminated in the present-day X-ray drawings of the artist Angela Palmer, and the visceral and deeply personal works of Kiki Smith. Field analyses the contemporary skeletal manifestations that have been spawned from the medieval Danse Macabre, such as Walt Disney's drawn animations and the theatrical staging, metaphor and allegorical intent in the contemporary drawn artworks of William Kentridge, Peter Greenaway, Mark Dion and Dann Barber. This rigorous study illustrates how the anatomical drawing shapes multiple scenographic encounters, both on a two-dimensional plane and within a three-dimensional space, as the site of imaginative agency across the breadth of the visual and performance arts. These drawings are where a corporeal, spectacularized representation of the human body is staged and performed within an expanded drawn space, generating something new and unforeseen - a scenographic worlding.
| Author | : Jennifer Feather |
| Publisher | : Springer |
| Total Pages | : 400 |
| Release | : 2011-12-22 |
| Genre | : Literary Criticism |
| ISBN | : 113701041X |
By examining these competing depictions of combat that coexist in sixteenth-century texts ranging from Arthurian romance to early modern medical texts, this study reveals both the importance of combat in understanding the humanist subject and the contours of the previously neglected pre-modern subject.
| Author | : Leslie Anne Boldt-Irons |
| Publisher | : Peter Lang |
| Total Pages | : 338 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9781433104220 |
The series is designed to advance the publication of research pertaining to themes and motifs in literature. The studies cover cross-cultural patterns as well as the entire range of national literatures. They trace the development and use of themes and motifs over extended periods, elucidate the significance of specific themes or motifs for the formation of period styles, and analyze the unique structural function of themes and motifs.
| Author | : |
| Publisher | : Elsevier Health Sciences |
| Total Pages | : 2256 |
| Release | : 2015-09-25 |
| Genre | : Medical |
| ISBN | : 0702068519 |
In 1858, Drs. Henry Gray and Henry Vandyke Carter created a book for their surgical colleagues that established an enduring standard among anatomical texts. After more than 150 years of continuous publication, Gray's Anatomy remains the definitive, comprehensive reference on the subject, offering ready access to the information you need to ensure safe, effective practice. This 41st edition has been meticulously revised and updated throughout, reflecting the very latest understanding of clinical anatomy from field leaders around the world. The book's traditional lavish art programme and clear text have been further honed and enhanced, while major advances in imaging techniques and the new insights they bring are fully captured in new state-of-the-art X-ray, CT, MR, and ultrasonic images. - Presents the most detailed and dependable coverage of anatomy available anywhere. - Regional organization collects all relevant material on each body area together in one place, making access to core information easier for clinical readers. - Anatomical information is matched with key clinical information where relevant. - Numerous clinical discussions emphasize considerations that may affect medical care. - Each chapter has been edited by experts in their field, ensuring access to the very latest evidence-based information on that topic. - More than 1,000 completely new photographs, including an extensive electronic collection of the latest X-ray, CT, MR, and histological images. - The downloadable Expert Consult eBook version included with your purchase allows you to search all of the text, figures, references and videos from the book on a variety of devices. - Carefully selected electronic enhancements include additional text, tables, illustrations, labelled imaging and videos – as well as 24 specially invited 'Commentaries' on new and emerging topics related to anatomy.
| Author | : Maaike Bleeker |
| Publisher | : Amsterdam University Press |
| Total Pages | : 271 |
| Release | : 2008 |
| Genre | : Medical |
| ISBN | : 9053565167 |
Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson—the technically precise province of clinical surgeons and medical faculties—hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Live: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head—using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.
| Author | : Gerhild Scholz Williams |
| Publisher | : Routledge |
| Total Pages | : 260 |
| Release | : 2017-09-29 |
| Genre | : Literary Criticism |
| ISBN | : 1351873539 |
Gerhild Scholz Williams's Ways of Knowing in Early Modern Germany: Johannes Praetorius as a Witness to His Time, reviews key discourses in eight of Praetorius's works. She introduces the modern reader to the kinds of subjects, the intellectual and spiritual approaches to them, and the genres that this educated and productive German scholar and polymath presented to his audience in the seventeenth century. By relating these individual works to a number of contemporaneous writings, Williams shows how Praetorius constructed a panorama in print in which wonders, the occult, the emerging scientific way of thinking, family and social mores are recurrent themes. Included in Praetorius's portrait of the mid-seventeenth-century are discussions of Paracelsus's scientific theories and practice; early modern German theories on witchcraft and demonology and their applications in the seventeenth century. Furthermore, we read about the early modern beginnings of ethnography, anthropology, and physical geography; gender theory, early modern and contemporary notions of intellectual property, and competing and sometimes conflicting early modern scientific and theological explanations of natural anomalies. Moreover, throughout his work and certainly in those texts chosen for this study, Praetorius appears before us as an assiduous reporter of contemporary European and pan-European events and scientific discoveries, a critic of common superstitions, as much a believer in occult causes and signs and in God's communication with His people. In his writings, in his way of telling, he offers strategies by which to comprehend the political, social, and intellectual uncertainties of his century and, in so doing, identifies ways to confront the diverse interpretive authorities and the varieties of structures of knowledge that interacted and conflicted with each other in the public arena of knowing.
| Author | : Arielle Saiber |
| Publisher | : Routledge |
| Total Pages | : 401 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351933671 |
Giordano Bruno and the Geometry of Language brings to the fore a sixteenth-century philosopher's role in early modern Europe as a bridge between science and literature, or more specifically, between the spatial paradigm of geometry and that of language. Arielle Saiber examines how, to invite what Bruno believed to be an infinite universe-its qualities and vicissitudes-into the world of language, Bruno forged a system of 'figurative' vocabularies: number, form, space, and word. This verbal and symbolic system in which geometric figures are seen to underlie rhetorical figures, is what Saiber calls 'geometric rhetoric.' Through analysis of Bruno's writings, Saiber shows how Bruno's writing necessitates a crafting of space, and is, in essence, a lexicon of spatial concepts. This study constitutes an original contribution both to scholarship on Bruno and to the fields of early modern scientific and literary studies. It also addresses the broader question of what role geometry has in the formation of any language and literature of any place and time.
| Author | : Lynn M. Maxwell |
| Publisher | : Springer |
| Total Pages | : 231 |
| Release | : 2019-05-21 |
| Genre | : Literary Criticism |
| ISBN | : 3030169324 |
This book explores the role of wax as an important conceptual material used to work out the nature and limits of the early modern human. By surveying the use of wax in early modern cultural spaces such as the stage and the artist’s studio and in literary and philosophical texts, including those by William Shakespeare, John Donne, René Descartes, Margaret Cavendish, and Edmund Spenser, this book shows that wax is a flexible material employed to define, explore, and problematize a wide variety of early modern relations including the relationship of man and God, man and woman, mind and the world, and man and machine.
