Stage Directions And Shakespearean Theatre
Download Stage Directions And Shakespearean Theatre full books in PDF, epub, and Kindle. Read online free Stage Directions And Shakespearean Theatre ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Gillian Woods |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 370 |
| Release | : 2017-12-14 |
| Genre | : Drama |
| ISBN | : 1474257496 |
What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direction' helpful or misleading? Do these 'directions' provide evidence of Renaissance playhouse practice? What happens when we put them at the centre of literary close readings of early modern plays? Stage Directions and Shakespearean Theatre investigates these problems through innovative research by a range of international experts. This collection of essays examines the creative possibilities of stage directions and and their implications for actors and audiences, readers and editors, historians and contemporary critics. Looking at the different ways stage directions make meaning, this volume provides new insights into a range of Renaissance plays.
| Author | : Mariko Ichikawa |
| Publisher | : Cambridge University Press |
| Total Pages | : 237 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 1107020352 |
The Shakespearean Stage Space explores the original staging of plays by Shakespeare and his contemporaries in Renaissance playhouses.
| Author | : Stephen Peithman |
| Publisher | : Heinemann Drama |
| Total Pages | : 140 |
| Release | : 2000 |
| Genre | : Drama |
| ISBN | : |
The Stage Directions Guide to Shakespeare offers sane, sensible advice on reasons to do (or not to do) Shakespeare, assessing your theatre group abilities, selecting a play, casting, making costume and set decisions, the special demands of directing and playing Shakespeare and publicity.
| Author | : Hardin L. Aasand |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 242 |
| Release | : 2003 |
| Genre | : Drama |
| ISBN | : 9780838639467 |
The subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a rigorous examination in the fifteen essays contained in this collection. This volume encompasses essays that are guardedly inductive in their critical approaches, as well as those that critique modern productions that attempt to achieve Shakespearean effect through a modern aesthetic. The volume also includes essays that enunciate the production of stage business as a cultural interplay between productions and social agencies outside the theater.
| Author | : Gillian Woods |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 369 |
| Release | : 2017-12-14 |
| Genre | : Drama |
| ISBN | : 1474257488 |
What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direction' helpful or misleading? Do these 'directions' provide evidence of Renaissance playhouse practice? What happens when we put them at the centre of literary close readings of early modern plays? Stage Directions and Shakespearean Theatre investigates these problems through innovative research by a range of international experts. This collection of essays examines the creative possibilities of stage directions and and their implications for actors and audiences, readers and editors, historians and contemporary critics. Looking at the different ways stage directions make meaning, this volume provides new insights into a range of Renaissance plays.
| Author | : William Shakespeare |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 216 |
| Release | : 2013-04-01 |
| Genre | : Drama |
| ISBN | : 1623160332 |
(Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.
| Author | : Hugh Macrae Richmond |
| Publisher | : A&C Black |
| Total Pages | : 590 |
| Release | : 2004-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780826477767 |
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
| Author | : Peter Thomson |
| Publisher | : Routledge |
| Total Pages | : 221 |
| Release | : 2013-06-17 |
| Genre | : Performing Arts |
| ISBN | : 1136113568 |
Reviews of the First Edition `...valuable and enjoyable reading for all studying Shakespeare's plays.' Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS '`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies `Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies
| Author | : Bill Cain |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 131 |
| Release | : 2014 |
| Genre | : Drama |
| ISBN | : 0822225913 |
"England, 1605: A terrorist plot to assassinate King James I and blow Parliament to kingdom come with 36 barrels of devilish gunpowder! Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by Robert Cecil, the prime minister, to write the "true historie" of the plot. And it must have witches! The King wants witches! But as Shag and the acting company of the Globe, under the direction of the great Richard Burbage, investigate the plot, they discover that the King's version of the story might, in fact, be a cover-up. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power-and perhaps lose their heads? Or take the money and lie? Is there a third option-equivocation? A high-stakes political thriller with contemporary resonances, EQUIVOCATION gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and-ultimately-human mystery." - from publisher's website.
| Author | : Mariko Ichikawa |
| Publisher | : |
| Total Pages | : 238 |
| Release | : 2014-05-14 |
| Genre | : English drama |
| ISBN | : 9781139840200 |
How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities.
