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Royal Responsibility in Anglo-Norman Historical Writing
Author | : Emily A. Winkler |
Publisher | : Oxford University Press |
Total Pages | : 350 |
Release | : 2017-10-13 |
Genre | : History |
ISBN | : 0192540424 |
It has long been established that the crisis of 1066 generated a florescence of historical writing in the first half of the twelfth century. Emily A. Winkler presents a new perspective on previously unqueried matters, investigating how historians' individual motivations and assumptions produced changes in the kind of history written across the Conquest. She argues that responses to the Danish Conquest of 1016 and the Norman Conquest of 1066 changed dramatically within two generations of the latter conquest. Repeated conquest could signal repeated failures and sin across the orders of society, yet early twelfth-century historians in England not only extract English kings and people from a history of failure, but also establish English kingship as a worthy office on a European scale. Royal Responsibility in Anglo-Norman Historical Writing illuminates the consistent historical agendas of four historians: William of Malmesbury, Henry of Huntingdon, John of Worcester, and Geffrei Gaimar. In their narratives of England's eleventh-century history, these twelfth-century historians expanded their approach to historical explanation to include individual responsibility and accountability within a framework of providential history. In this regard, they made substantial departures from their sources. These historians share a view of royal responsibility independent both of their sources (primarily the Anglo-Saxon Chronicle) and of any political agenda that placed English and Norman allegiances in opposition. Although the accounts diverge widely in the interpretation of character, all four are concerned more with the effectiveness of England's kings than with the legitimacy of their origins. Their new, shared view of royal responsibility represents a distinct phenomenon in England's twelfth-century historiography.
St. Edmund of Abingdon
Author | : Clifford Hugh Lawrence |
Publisher | : Oxford, Clarendon Press |
Total Pages | : 360 |
Release | : 1960 |
Genre | : |
ISBN | : |
Abingdon lsr copy kept in glass case.
King of All Balloons
Author | : Mark Davies |
Publisher | : Amberley Publishing Limited |
Total Pages | : 513 |
Release | : 2015-11-15 |
Genre | : History |
ISBN | : 1445653095 |
The fascinating world of the first Englishman to fly is a true homage to our national desire to reach for the skies.
Stuff Matters
Author | : Mark Miodownik |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 277 |
Release | : 2014 |
Genre | : History |
ISBN | : 0544236041 |
An eye-opening adventure deep inside the everyday materials that surround us, from concrete and steel to denim and chocolate, packed with surprising stories and fascinating science.
Monsters and their Meanings in Early Modern Culture
Author | : Wes Williams |
Publisher | : OUP Oxford |
Total Pages | : 360 |
Release | : 2011-05-26 |
Genre | : Literary Criticism |
ISBN | : 019161789X |
To call something 'monstrueux' in the mid-sixteenth century is, more often than not, to wonder at its enormous size: it is to call to mind something like a whale. By the late seventeenth 'monstrueux' is more likely to denote hidden intentions, unspoken desires. Several shifts are at work in this word history, and in what Othello calls the 'mighty magic' of monsters; these shifts can be described in a number of ways. The clearest, and most compelling, is the translation or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity. This interdisciplinary study of monsters and their meanings advances by way of a series of close readings supported by the exploration of a wide range of texts and images, from many diverse fields, which all concern themselves with illicit coupling, unarranged marriages, generic hybridity, and the politics of monstrosity. Engaging with recent, influential accounts of monstrosity - from literary critical work (Huet, Greenblatt, Thomson Burnett, Hampton), to histories of science and 'bio-politics' (Wilson, Céard, Foucault, Daston and Park, Agamben) - it focusses on the ways in which monsters give particular force, colour, and shape to the imagination; the image at its centre is the triangulated picture of Andromeda, Perseus and the monster, approaching. The centre of the book's gravity is French culture, but it also explores Shakespeare, and Italian, German, and Latin culture, as well as the ways in which the monstrous tales and images of Antiquity were revived across the period, and survive into our own times.
The Poet's Mistake
Author | : Erica McAlpine |
Publisher | : Princeton University Press |
Total Pages | : 296 |
Release | : 2020-06-09 |
Genre | : Literary Criticism |
ISBN | : 0691203768 |
What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we read Keats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems. Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read.
The University of Oxford
Author | : L. W. B. Brockliss |
Publisher | : Oxford University Press |
Total Pages | : 912 |
Release | : 2016 |
Genre | : Electronic book |
ISBN | : 0199243565 |
This fresh and readable account gives a complete history of the University of Oxford, from its beginnings in the 11th century to the present day - charting Oxford's improbable rise from provincial backwater to modern meritocratic and secular university with an ever-growing commitment to new research.
Oxford
Author | : Geoffrey Tyack |
Publisher | : Oxford University Press, USA |
Total Pages | : 396 |
Release | : 1998 |
Genre | : Architecture |
ISBN | : 9780198174233 |
Few cities have a greater concentration of significant architecture than Oxford, England. This copiously illustrated, chronological guide emphasizes what actually can be seen. Author Geoffrey Tyack suggests a number of walks around Oxford and its immediate environs, providing an ideal companion for the city's visitors and an excellent reference book for architectural enthusiasts. 8 color and 230 bandw plates. 18 plans and maps.
Burning the Books
Author | : Richard Ovenden |
Publisher | : Harvard University Press |
Total Pages | : 321 |
Release | : 2020-10-13 |
Genre | : Literary Criticism |
ISBN | : 0674241207 |
The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia. Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. Burning the Books recounts the history that brought us to this point. Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the UK Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process. More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the US Supreme Court, they support the rule of law. In Burning the Books, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.