Spenser's Supreme Fiction

Spenser's Supreme Fiction
Author: Jon A. Quitslund
Publisher: University of Toronto Press
Total Pages: 406
Release: 2001-01-01
Genre: Literary Criticism
ISBN: 9780802035059

In Spenser's Supreme Fiction, Jon A. Quitslund offers a rich analysis of The Faerie Queene and of several texts contributing to the revival of Platonism stimulated by Marsilio Ficino's labours as a translator and interpreter of Plato and the ancient Neoplatonists. To the old issue of the scope and character of Spenser's Platonism, Quitslund brings fresh insights from contemporary views on gender and identity, intertextuality, and the centrality of fiction within all aspects of Renaissance culture. He argues that Spenser sought authority for his poem by grounding its narrative in a divinely ordained natural order, intelligible in terms derived from the ancient sources of poetry and philosophy. Passages central to the poet's world-making project are shown to be intertextually linked to Book VI of the AeneidM and to Plato's Symposium, regarded in the commentaries of Landino and Ficino as explanations of the gentile prisca theologia, a cosmology parallel to the tenets of Christianity. The first half of the book examines Spenser's representation of the macrocosm and its replication in human nature's lesser world in the light of divergent tendencies within humanism. The legacy of Plato is shown to be especially important in the esoteric tradition, which made the province of natural philosophy part of the soul's itinerary back to its otherworldly origins. In the second half, The Faerie Queene is interpreted as an unfolding pattern: the dynamic order of nature is flawed but not fallen, and seen against that background, human culture contains in its myths and images both corruptions of natural impulses and aspirations to transcend the limits imposed by mortality.

The Culture of Equity in Early Modern England

The Culture of Equity in Early Modern England
Author: Mark Fortier
Publisher: Routledge
Total Pages: 226
Release: 2016-03-16
Genre: Literary Criticism
ISBN: 1317036670

Elizabeth and James, Sidney, Spenser, and Shakespeare, Bacon and Ellesmere, Perkins and Laud, Milton and Hobbes-this begins a list of early modern luminaries who write on 'equity'. In this study Mark Fortier addresses the concept of equity from early in the sixteenth century until 1660, drawing on the work of lawyers, jurists, politicians, kings and parliamentarians, theologians and divines, poets, dramatists, colonists and imperialists, radicals, royalists, and those who argue on gender issues. He examines how writers in all these groups make use of the word equity and its attendant notions. Equity, he argues, is a powerful concept in the period; he analyses how notions of equity play a prominent part in discourses that have or seek to have influence on major social conflicts and issues in early modern England. Fortier here maps the actual and extensive presence of equity in the intellectual life of early modern England. In so doing, he reveals how equity itself acts as an umbrella term for a wide array of ideas, which defeats any attempt to limit narrowly the meaning of the term. He argues instead that there is in early modern England a distinct and striking culture of equity characterized and strengthened by the diversity of its genealogy and its applications. This culture manifests itself, inter alia, in the following major ways: as a basic component, grounded in the old and new testaments, of a model for Christian society; as the justification for a justice system over and above the common law; as an imperative for royal prerogative; as a free ranging subject for poetry and drama; as a nascent grounding for broadly cast social justice; as a rallying cry for revolution and individual rights and freedoms. Working from an empirical account of the many meanings of equity over time, the author moves from a historical understanding of equity to a theorization of equity in its multiplicity. A profoundly literary study, this book also touches on matters of legal an

Homer and the Question of Strife from Erasmus to Hobbes

Homer and the Question of Strife from Erasmus to Hobbes
Author: Jessica Wolfe
Publisher: University of Toronto Press
Total Pages: 624
Release: 2015-09-15
Genre: Literary Criticism
ISBN: 1442622687

From antiquity through the Renaissance, Homer’s epic poems – the Iliad, the Odyssey, and the various mock-epics incorrectly ascribed to him – served as a lens through which readers, translators, and writers interpreted contemporary conflicts. They looked to Homer for wisdom about the danger and the value of strife, embracing his works as a mythographic shorthand with which to describe and interpret the era’s intellectual, political, and theological struggles. Homer and the Question of Strife from Erasmus to Hobbes elegantly exposes the ways in which writers and thinkers as varied as Erasmus, Rabelais, Spenser, Milton, and Hobbes presented Homer as a great champion of conflict or its most eloquent critic. Jessica Wolfe weaves together an exceptional range of sources, including manuscript commentaries, early modern marginalia, philosophical and political treatises, and the visual arts. Wolfe’s transnational and multilingual study is a landmark work in the study of classical reception that has a great deal to offer to anyone examining the literary, political, and intellectual life of early modern Europe.

Shakespeare and Spenser

Shakespeare and Spenser
Author: J. B. Lethbridge
Publisher: Manchester University Press
Total Pages: 459
Release: 2013-07-19
Genre: Literary Criticism
ISBN: 1847797431

Shakespeare and Spenser: Attractive opposites is a much-needed volume that brings together ten original papers by experts on the relations between Spenser and Shakespeare. There has been much noteworthy work on the linguistic borrowings of Shakespeare from Spenser, but the subject has never before been treated systematically, and the linguistic borrowings lead to broader-scale borrowings and influences which are treated here. An additional feature of the book is that for the first time a large bibliography of previous work is offered which will be of the greatest help to those who follow up the opportunities offered by this collection. Shakespeare and Spenser: Attractive opposites presents new approaches, heralding a resurgence of interest in the relations between two of the greatest Renaissance English poets to a wider scholarly group and in a more systematic manner than before. This will be of interest to Students and academics interested in Renaissance literature.

Edmund Spenser and the romance of space

Edmund Spenser and the romance of space
Author: Tamsin Badcoe
Publisher: Manchester University Press
Total Pages: 404
Release: 2019-07-30
Genre: Literary Criticism
ISBN: 1526139693

Edmund Spenser and the romance of space seeks to gauge the roles that aesthetic subjectivity and the imagination play in early modern spatial and textual practices.

Renaissance Papers 2021

Renaissance Papers 2021
Author: Jim Pearce
Publisher: Boydell & Brewer
Total Pages: 171
Release: 2022-11-29
Genre:
ISBN: 164014143X

Essays on a wide range of topics including the role of early modern chess in upholding Aristotelian virtue; readings of Sidney, Wroth, Spenser, and Shakespeare; and several topics involving the New World.

Spenser's Ruins and the Art of Recollection

Spenser's Ruins and the Art of Recollection
Author: Rebeca Helfer
Publisher: University of Toronto Press
Total Pages: 409
Release: 2006-01-01
Genre: Literary Criticism
ISBN: 0802090672

Beginning with the origins of mnemonic strategies in epic tales, Helfer examines how the art of memory speaks to debates about poetry and its place in culture from Plato to Spenser's present day.

Spenser's Narrative Figuration of Women in The Faerie Queene

Spenser's Narrative Figuration of Women in The Faerie Queene
Author: Judith H Anderson
Publisher: Medieval Institute Publications
Total Pages: 210
Release: 2018-03-31
Genre: Literary Criticism
ISBN: 1580443184

Concentrating on major figures of women in The Faerie Queene, together with the figures constellated around them, Anderson's Narrative Figuration explores the contribution of Spenser's epic romance to an appreciation of women's plights and possibilities in the age of Elizabeth. Taken together, their stories have a meaningful tale to tell about the function of narrative, which proves central to figuration in the still moving, metamorphic poem that Spenser created.

Spenser's ethics

Spenser's ethics
Author: Andrew Wadoski
Publisher: Manchester University Press
Total Pages: 261
Release: 2022-06-28
Genre: Literary Criticism
ISBN: 1526165422

Spenser’s ethics offers a novel account of Edmund Spenser as a moral theorist, situating his ethics at the nexus of moral philosophy’s profound transformation in the early modern era, and the English colonisation of Ireland in the turbulent 1580’s and 90’s. It revises a scholarly narrative describing Spenser’s ethical thinking as derivative, nostalgic, or inconsistent with one that contends him to be one of early modern England’s most original and incisive moral theorists, placing The Faerie Queene at the centre of the contested discipline of moral philosophy as it engaged the social, political, and intellectual upheavals driving classical virtue ethics’ unravelling at the threshold of early modernity.

Edmund Spenser

Edmund Spenser
Author: Andrew Hadfield
Publisher: OUP Oxford
Total Pages: 3216
Release: 2012-06-28
Genre: Biography & Autobiography
ISBN: 0191650218

Edmund Spenser's innovative poetic works have a central place in the canon of English literature. Yet he is remembered as a morally flawed, self-interested sycophant; complicit in England's ruthless colonisation of Ireland; in Karl Marx's words, 'Elizabeth's arse-kissing poet'-- a man on the make who aspired to be at court and who was prepared to exploit the Irish to get what he wanted. In his vibrant and vivid book, the first biography of the poet for 60 years, Andrew Hadfield finds a more complex and subtle Spenser. How did a man who seemed destined to become a priest or a don become embroiled in politics? If he was intent on social climbing, why was he so astonishingly rude to the good and the great - Lord Burghley, the earl of Leicester, Sir Walter Ralegh, Elizabeth I and James VI? Why was he more at home with 'the middling sort' -- writers, publishers and printers, bureaucrats, soldiers, academics, secretaries, and clergymen -- than with the mighty and the powerful? How did the appalling slaughter he witnessed in Ireland impact on his imaginative powers? How did his marriage and family life shape his work? Spenser's brilliant writing has always challenged our preconceptions. So too, Hadfield shows, does the contradictory relationship between his between life and his art.