Faerie Queene. Edited by J. C. Smith

Faerie Queene. Edited by J. C. Smith
Author: Edmund Spenser
Publisher: Hardpress Publishing
Total Pages: 554
Release: 2012-08-01
Genre:
ISBN: 9781290803786

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Books IV-VII

Books IV-VII
Author: Edmund Spenser
Publisher:
Total Pages: 512
Release: 1909
Genre: Fine books
ISBN:

Spenser: The Faerie Queene

Spenser: The Faerie Queene
Author: A. C. Hamilton
Publisher: Routledge
Total Pages: 2078
Release: 2014-06-11
Genre: Literary Criticism
ISBN: 1317865634

The Faerie Queene is a scholarly masterpiece that has influenced, inspired, and challenged generations of writers, readers and scholars since its completion in 1596. Hamilton's edition is itself, a masterpiece of scholarship and close reading. It is now the standard edition for all readers of Spenser. The entire work is revised, and the text of The Faerie Queene itself has been freshly edited, the first such edition since the 1930s. This volume also contains additional original material, including a letter to Raleigh, commendatory verses and dedicatory sonnets, chronology of Spenser's life and works and provides a compilation of list of characters and their appearances in The Faerie Queene.

Spenser's Faerie Queene and the Cult of Elizabeth

Spenser's Faerie Queene and the Cult of Elizabeth
Author: Robin Headlam Wells
Publisher: Taylor & Francis
Total Pages: 198
Release: 2023-12-01
Genre: Literary Criticism
ISBN: 1003835848

First published in 1983, Spenser’s Faerie Queene and the Cult of Elizabeth presents The Faerie Queene as a central document in the cult of Elizabeth. It shows how Spenser combines the resources of medieval iconography and Renaissance rhetoric in celebrating the Queen as the predestined ruler of an elect nation. In its introductory discussion of Renaissance poetics, the book emphasises the contemporary belief in the moral function of praise. Particular attention is given to the popular identification of Elizabeth with the Virgin Mary. If Elizabeth’s gender created problems for a poet writing in the heroic mode, at the same time it made available to him a form of praise that no secular poet had been able to use before. While the book contains material of interest to the Renaissance specialist, its lucid style and the valuable background material it provides will appeal to undergraduates reading Spenser for the first time.