Spectres Of Antiquity
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Author | : James Uden |
Publisher | : Oxford University Press |
Total Pages | : 285 |
Release | : 2020-09-10 |
Genre | : Literary Criticism |
ISBN | : 0190910283 |
Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.
Author | : James Uden |
Publisher | : Oxford University Press |
Total Pages | : 285 |
Release | : 2020-09-10 |
Genre | : Literary Criticism |
ISBN | : 0190910291 |
Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.
Author | : Benjamin H. Dunning |
Publisher | : University of Pennsylvania Press |
Total Pages | : 263 |
Release | : 2011-02-07 |
Genre | : Religion |
ISBN | : 0812204352 |
The first Christians operated with a hierarchical model of sexual difference common to the ancient Mediterranean, with women considered to be lesser versions of men. Yet sexual difference was not completely stable as a conceptual category across the spectrum of formative Christian thinking. Rather, early Christians found ways to exercise theological creativity and to think differently from one another as they probed the enigma of sexually differentiated bodies. In Specters of Paul, Benjamin H. Dunning explores this variety in second- and third-century Christian thought with particular attention to the ways the legacy of the apostle Paul fueled, shaped, and also constrained approaches to the issue. Paul articulates his vision of what it means to be human primarily by situating human beings between two poles: creation (Adam) and resurrection (Christ). But within this framework, where does one place the figure of Eve—and the difference that her female body represents? Dunning demonstrates that this dilemma impacted a range of Christian thinkers in the centuries immediately following the apostle, including Clement of Alexandria, Irenaeus of Lyons, Tertullian of Carthage, and authors from the Nag Hammadi corpus. While each of these thinkers attempts to give the difference of the feminine a coherent place within a Pauline typological framework, Dunning shows that they all fail to deliver fully on the coherence that they promise. Instead, sexual difference haunts the Pauline discourse of identity and sameness as the difference that can be neither fully assimilated nor fully ejected—a conclusion with important implications not only for early Christian history but also for feminist and queer philosophy and theology.
Author | : Patrick R. Crowley |
Publisher | : University of Chicago Press |
Total Pages | : 337 |
Release | : 2019-12-10 |
Genre | : Art |
ISBN | : 022664829X |
Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.
Author | : Stephen J. Shoemaker |
Publisher | : OUP Oxford |
Total Pages | : 477 |
Release | : 2003-01-17 |
Genre | : Religion |
ISBN | : 0191530573 |
This is an open access publication distributed under the terms of the Creative Commons Attribution Non Commercial No Derivatives 4.0 International licence (CC BY-NC-ND 4.0), a copy of which is available at http://creativecommons.org/licenses/by-nc-nd/4.0/. The ancient Dormition and Assumption traditions are a collection of over sixty different narratives, preserved in nine ancient languages, that commemorate the end of the Virgin Mary's life. These traditions have long been overlooked by scholars of early Christianity, no doubt largely because this complicated corpus was insufficiently well known. The present study aims to remedy this situation with a detailed analysis of the earliest traditions of Mary's death, including liturgical and archaeological evidence as well as the numerous narrative sources. Several of the most important narratives are translated in appendices, many appearing in English for the first time. The book will be of interest to all scholars of early Christian literature.
Author | : Carl Thompson |
Publisher | : Routledge |
Total Pages | : 284 |
Release | : 2014-05-09 |
Genre | : Literary Criticism |
ISBN | : 1136161538 |
Tales of shipwreck have always fascinated audiences, and as a result there is a rich literature of suffering at sea, and an equally rich tradition of visual art depicting this theme. Exploring the shifting semiotics and symbolism of shipwreck, the interdisciplinary essays in this volume provide a history of a major literary and artistic motif as they consider how depictions have varied over time, and across genres and cultures. Simultaneously, they explore the imaginative potential of shipwreck as they consider the many meanings that have historically attached to maritime disaster and suffering at sea. Spanning both popular and high culture, and addressing a range of political, spiritual, aesthetic and environmental concerns, this cross-cultural, comparative study sheds new light on changing attitudes to the sea, especially in the West. In particular, it foregrounds the role played by the maritime in the emergence of Western modernity, and so will appeal not only to those interested in literature and art, but also to scholars in history, geography, international relations, and postcolonial studies.
Author | : Jerrold E. Hogle |
Publisher | : Edinburgh University Press |
Total Pages | : 344 |
Release | : 2019-03-14 |
Genre | : Gothic fiction (Literary genre) |
ISBN | : 1474427790 |
This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural.
Author | : Alex Callinicos |
Publisher | : John Wiley & Sons |
Total Pages | : 288 |
Release | : 2013-04-18 |
Genre | : Political Science |
ISBN | : 0745658237 |
In Imperialism and Global Political Economy Alex Callinicos intervenes in one of the main political and intellectual debates of the day. The global policies of the United States in the past decade have encouraged the widespread belief that we live in a new era of imperialism. But is this belief true, and what does ‘imperialism’ mean? Callinicos explores these questions in this wide-ranging book. In the first part, he critically assesses the classical theories of imperialism developed in the era of the First World War by Marxists such as Lenin, Luxemburg, and Bukharin and by the Liberal economist J.A. Hobson. He then outlines a theory of the relationship between capitalism as an economic system and the international state system, carving out a distinctive position compared to other contemporary theorists of empire and imperialism such as Antonio Negri, David Harvey, Giovanni Arrighi, and Ellen Wood. In the second half of Imperialism and Global Political Economy Callinicos traces the history of capitalist imperialism from the Dutch East India Company to the specific patterns of economic and geopolitical competition in the contemporary era of American decline and Chinese expansion. Imperialism, he concludes, is far from dead.
Author | : Daniel Ogden |
Publisher | : Oxford University Press, USA |
Total Pages | : 380 |
Release | : 2002 |
Genre | : History |
ISBN | : 9780195151237 |
In a culture where the supernatural possessed an immediacy now strange to us, magic was of great importance both in the literary mythic tradition and in ritual practice. In this book, Daniel Ogden presents 300 texts in new translations, along with brief but explicit commentaries. Authors include the well known (Sophocles, Herodotus, Plato, Aristotle, Virgil, Pliny) and the less familiar, and extend across the whole of Graeco-Roman antiquity.
Author | : Jacques Derrida |
Publisher | : Routledge |
Total Pages | : 281 |
Release | : 2012-10-12 |
Genre | : Philosophy |
ISBN | : 1136758607 |
Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.