Spectral Justice
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| Author | : J.C. Diem |
| Publisher | : Seize The Night Publishing Agency |
| Total Pages | : 255 |
| Release | : 2022-01-02 |
| Genre | : Fiction |
| ISBN | : |
While testing her skills as a pickpocket, Alex learns she has talents no one could have anticipated. The spells that prevent her from reaching her full potential have an unexpected side effect. While the enchantments are a curse, they’re also proving to be surprisingly useful. The fae emissary they’ve been waiting for finally arrives to whisk Alex and Crowmon to the faery realm. They need to find out all they can about the old gods that they suspect are stirring. Their main goal is to find out where they’re being imprisoned, so they can make sure it’s still secure. If the ancient deities escape, all realms will be in peril. Agent Steel sends two of his colleagues to assess Alex’s new abilities. They will aid the team to solve a mission involving several lone female werewolves who have gone missing. The squad will need to be on full alert with so many enemies lurking around, waiting for the opportunity to strike.
| Author | : Sophie Chao |
| Publisher | : Duke University Press |
| Total Pages | : 191 |
| Release | : 2022-08-29 |
| Genre | : Social Science |
| ISBN | : 147802352X |
What are the possibilities for multispecies justice? How do social justice struggles intersect with the lives of animals, plants, and other creatures? Leading thinkers in anthropology, geography, philosophy, speculative fiction, poetry, and contemporary art answer these questions from diverse grounded locations. In America, Indigenous peoples and prisoners are decolonizing multispecies relations in unceded territory and carceral landscapes. Small justices are emerging in Tanzanian markets, near banana plantations in the Philippines, and in abandoned buildings of Azerbaijan as people navigate relations with feral dogs, weeds, rats, and pesticides. Conflicts over rights of nature are intensifying in Colombia’s Amazon. Specters of justice are emerging in India, while children in Micronesia memorialize extinct bird species. Engaging with ideas about environmental justice, restorative justice, and other species of justice, The Promise of Multispecies Justice holds open the possibility of flourishing in multispecies worlds, present and to come. Contributors. Karin Bolender, Sophie Chao, M. L. Clark, Radhika Govindrajan, Zsuzsanna Dominika Ihar, Noriko Ishiyama, Eben Kirksey, Elizabeth Lara, Jia Hui Lee, Kristina Lyons, Michael Marder, Alyssa Paredes, Craig Santos Perez, Kim TallBear
| Author | : Charles Bambach |
| Publisher | : SUNY Press |
| Total Pages | : 348 |
| Release | : 2013-05-19 |
| Genre | : Philosophy |
| ISBN | : 1438445814 |
A new reading of justice engaging the work of two philosophical poets who stand in conversation with the work of Martin Heidegger. What is the measure of ethics? What is the measure of justice? And how do we come to measure the immeasurability of these questions? Thinking the Poetic Measure of Justice situates the problem of justice in the interdisciplinary space between philosophy and poetry in an effort to explore the sources of ethical life in a new way. Charles Bambach engages the works of two philosophical poets who stand as the bookends of modernityFriedrich Hölderlin (17701843) and Paul Celan (19201970)offering close textual readings of poems from each that define and express some of the crucial problems of German philosophical thought in the twentieth century: tensions between the native and the foreign, the proper and the strange, the self and the other. At the center of this philosophical conversation between Hölderlin and Celan, Bambach places the work of Martin Heidegger to rethink the question of justice in a nonlegal, nonmoral register by understanding it in terms of poetic measure. Focusing on Hölderlins and Heideggers readings of pre-Socratic philosophy and Greek tragedy, as well as on Celans reading of Kabbalah, he frames the problem of poetic justice against the trauma of German destruction in the twentieth century.
| Author | : Akira Lippit |
| Publisher | : Univ of California Press |
| Total Pages | : 202 |
| Release | : 2012-09-30 |
| Genre | : Performing Arts |
| ISBN | : 0520953916 |
What does it mean for film and video to be experimental? In this collection of essays framed by the concept "ex-"—meaning from, outside, and no longer—Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.
| Author | : Bliss Cua Lim |
| Publisher | : Duke University Press |
| Total Pages | : 362 |
| Release | : 2009-09-21 |
| Genre | : Performing Arts |
| ISBN | : 082239099X |
Under modernity, time is regarded as linear and measurable by clocks and calendars. Despite the historicity of clock-time itself, the modern concept of time is considered universal and culturally neutral. What Walter Benjamin called “homogeneous, empty time” founds the modern notions of progress and a uniform global present in which the past and other forms of time consciousness are seen as superseded. In Translating Time, Bliss Cua Lim argues that fantastic cinema depicts the coexistence of other modes of being alongside and within the modern present, disclosing multiple “immiscible temporalities” that strain against the modern concept of homogeneous time. In this wide-ranging study—encompassing Asian American video (On Cannibalism), ghost films from the New Cinema movements of Hong Kong and the Philippines (Rouge, Itim, Haplos), Hollywood remakes of Asian horror films (Ju-on, The Grudge, A Tale of Two Sisters) and a Filipino horror film cycle on monstrous viscera suckers (Aswang)—Lim conceptualizes the fantastic as a form of temporal translation. The fantastic translates supernatural agency in secular terms while also exposing an untranslatable remainder, thereby undermining the fantasy of a singular national time and emphasizing shifting temporalities of transnational reception. Lim interweaves scholarship on visuality with postcolonial historiography. She draws on Henri Bergson’s understanding of cinema as both implicated in homogeneous time and central to its critique, as well as on postcolonial thought linking the ideology of progress to imperialist expansion. At stake in this project are more ethical forms of understanding time that refuse to domesticate difference as anachronism. While supernaturalism is often disparaged as a vestige of primitive or superstitious thought, Lim suggests an alternative interpretation of the fantastic as a mode of resistance to the ascendancy of homogeneous time and a starting-point for more ethical temporal imaginings.
| Author | : Thomas Giddens |
| Publisher | : Routledge |
| Total Pages | : 288 |
| Release | : 2018-04-17 |
| Genre | : Art |
| ISBN | : 1315310112 |
What are the implications of comics for law? Tackling this question, On Comics and Legal Aesthetics explores the epistemological dimensions of comics and the way this once-maligned medium can help think about – and reshape – the form of law. Traversing comics, critical, and cultural legal studies, it seeks to enrich the theorisation of comics with a critical aesthetics that expands its value and significance for law, as well as knowledge more generally. It argues that comics’ multimodality – its hybrid structure, which represents a meeting point of text, image, reason, and aesthetics – opens understanding of the limits of law’s rational texts by shifting between multiple frames and modes of presentation. Comics thereby exposes the way all forms of knowledge are shaped out of an unstructured universe, becoming a mask over this chaotic ‘beyond’. This mask of knowing remains haunted – by that which it can never fully capture or represent. Comics thus models knowledge as an infinity of nested frames haunted by the chaos without structure. In such a model, the multiple aspects of law become one region of a vast and bottomless cascade of perspectives – an infinite multiframe that extends far beyond the traditional confines of the comics page, rendering law boundless.
| Author | : Katy Shaw |
| Publisher | : Springer |
| Total Pages | : 124 |
| Release | : 2018-04-16 |
| Genre | : Literary Criticism |
| ISBN | : 3319749684 |
Post-millennial writings function as a useful prism through which we can understand contemporary English culture and its compulsion to revisit the immediate past. The critical practice of hauntology turns to the past in order to make sense of the present, to understand how we got to this place and how to build a better future. Since the Year 2000, popular culture has been inundated with representations of those who occupy a space between being and non-being and defy ontological criteria. This Pivot explores a range of contemporary English literatures - from the poetry of Simon Armitage and the drama of Jez Butterworth, to the fiction of Zadie Smith and the stories of David Peace - that collectively unite to represent a twenty-first century world full of specters, reminiscence and representations of spectral encounters. These specters become visible and significant as they interact with a range of social, political and economic discourses that continue to speak to the contemporary period. The enduring fascination with the spectral offers valuable insights into a contemporary English culture in which spectral manifestations signal towards larger social anxieties as well as to specific historical events and recurrent cultural preoccupations. The specter confronts the contemporary with the necessity of participation, encouraging the realisation that we must engage with it in order to create meaning. Narrative agency is the primary motivating force of its return, and the repetition of the specter functions to highlight new meanings and perspectives. Harnessing hauntology as a lens through which to consider the specters haunting twenty-first century English writings, this Pivot examines the emergence of a vein of hauntological literature that profiles the pervasive presence of the past in our new millennium.
| Author | : George Lyman Kittredge |
| Publisher | : |
| Total Pages | : 76 |
| Release | : 1907 |
| Genre | : Witchcraft |
| ISBN | : |
| Author | : Philippe Lynes |
| Publisher | : Fordham Univ Press |
| Total Pages | : 474 |
| Release | : 2018-03-27 |
| Genre | : Philosophy |
| ISBN | : 0823279529 |
Eco-Deconstruction marks a new approach to the degradation of the natural environment, including habitat loss, species extinction, and climate change. While the work of French philosopher Jacques Derrida (1930–2004), with its relentless interrogation of the anthropocentric metaphysics of presence, has already proven highly influential in posthumanism and animal studies, the present volume, drawing on published and unpublished work by Derrida and others, builds on these insights to address the most pressing environmental issues of our time. The volume brings together fifteen prominent scholars, from a wide variety of related fields, including eco-phenomenology, eco-hermeneutics, new materialism, posthumanism, animal studies, vegetal philosophy, science and technology studies, environmental humanities, eco-criticism, earth art and aesthetics, and analytic environmental ethics. Overall, eco-deconstruction offers an account of differential relationality explored in a non-totalizable ecological context that addresses our times in both an ontological and a normative register. The book is divided into four sections. “Diagnosing the Present” suggests that our times are marked by a facile, flattened-out understanding of time and thus in need of deconstructive dispositions. “Ecologies” mobilizes the spectral ontology of deconstruction to argue for an originary environmentality, the constitutive ecological embeddedness of mortal life. “Nuclear and Other Biodegradabilities,” examines remains, including such by-products and disintegrations of human culture as nuclear waste, environmental destruction, and species extinctions. “Environmental Ethics” seeks to uncover a demand for justice, including human responsibility for suffering beings, that emerges precisely as a response to original differentiation and the mortality and unmasterable alterity it installs in living beings. As such, the book will resonate with readers not only of philosophy, but across the humanities and the social and natural sciences.
| Author | : Stephen Ross |
| Publisher | : Oxford University Press |
| Total Pages | : 206 |
| Release | : 2023-06-14 |
| Genre | : Literary Criticism |
| ISBN | : 0192888463 |
Spectrality in Modernist Fiction argues that key modernist writers, chiefly Conrad, Forster, Butts, and Bowen, use spectral rhetoric to tackle problems of sex and sexuality, revolution, imperialism, capitalism, and desire all through complicated ethical engagements. These engagements invariably come packaged in, and are shaped by, the language of spectrality. In its capacity to articulate a particular sort of relationship between the past, the present and the future, the spectral concerns the basic question of how to proceed, how to live with-maybe even address-ethical indeterminacy. Whether their spectral rhetoric traces the logics of capitalist possession (Conrad), queer "friendship" and paganized Christianity (Forster), regressive politics haunted by historical traumas (Butts), or the devious passages of perverse desire (Bowen), these writers locate something like hope in their ghosts. The ethical and political impasses they chart through their spectral rhetoric are not final, but temporary, and the drive to overcome them constitutes a tensile optimism.
