Spectacles of Empire

Spectacles of Empire
Author: Christopher A. Frilingos
Publisher: University of Pennsylvania Press
Total Pages: 194
Release: 2004-10-06
Genre: Religion
ISBN: 0812238222

The author reads the Book of Revelation as a text firmly situated in the world of imperial Roman Asia Minor, where it was written. He argues that Revelation is a Christian version of that world, complete with its own gladiatorial combats and other public spectacles.

Empire of Illusion

Empire of Illusion
Author: Chris Hedges
Publisher: Knopf Canada
Total Pages: 242
Release: 2009-07-28
Genre: Social Science
ISBN: 0307398587

Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.

Empire, Early Photography and Spectacle

Empire, Early Photography and Spectacle
Author: Elisa deCourcy
Publisher: Routledge
Total Pages: 174
Release: 2020-11-23
Genre: Art
ISBN: 1000209873

James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.

Spectacle of Empire

Spectacle of Empire
Author: Marc Lescarbot
Publisher:
Total Pages: 124
Release: 2006
Genre: Drama
ISBN:

Arguably the first North American play, this edition includes the original French script, an extensive historical, critical introduction and more.

Theater and Spectacle in the Art of the Roman Empire

Theater and Spectacle in the Art of the Roman Empire
Author: Katherine M. D. Dunbabin
Publisher:
Total Pages: 0
Release: 2016
Genre: Art and society
ISBN: 9780801456886

Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.

Sport and Spectacle in the Ancient World

Sport and Spectacle in the Ancient World
Author: Donald G. Kyle
Publisher: Wiley-Blackwell
Total Pages: 424
Release: 2006-09-18
Genre: History
ISBN: 063122971X

This is a readable, up-to-date, illustrated introduction to the history of sport and spectacle in the ancient world from the Ancient Near East through Greek and Hellenistic times and into the Roman Empire. Covers athletics, combat sports, chariot racing, beast fights and gladiators. Traces the precursors of Greek and Roman sports and spectacles in the Ancient Near East and the Bronze Age Aegean. Investigates the origins, nature and meaning of sport, covering issues of violence, professionalism, class, gender and eroticism. Challenges the notion that Greek sport and Roman spectacle were polar opposites. Approaches sport and spectacle as overlapping and compatible features of civilized states and empires.

Gladiators and Caesars

Gladiators and Caesars
Author: Eckart Köhne
Publisher: Univ of California Press
Total Pages: 170
Release: 2000-01-01
Genre: Performing Arts
ISBN: 9780520227989

Describes the events and games held in the amphitheaters, cicuses, and theaters in ancient Rome.

Europe, Empire, and Spectacle in Nineteenth-century British Music

Europe, Empire, and Spectacle in Nineteenth-century British Music
Author: Rachel Cowgill
Publisher: Ashgate Publishing, Ltd.
Total Pages: 332
Release: 2006
Genre: Music
ISBN: 9780754652083

This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The volume benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture.