Special Collections In The Syracuse University Library
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| Author | : Gayle V. Fischer |
| Publisher | : Kent State University Press |
| Total Pages | : 286 |
| Release | : 2001 |
| Genre | : Design |
| ISBN | : 9780873386821 |
Clothing is often an indication of an individual's status, and gender. By the early nineteenth century clear definitions had developed regarding how American women and men were supposed to appear in public and how they were meant to lead their lives. As men's style of dress moved from the ornate to the moderate, women's fashions continued to be decorative and physically restrictive. This visible separation of the sexes was paralleled in other arenas - social, cultural, and religions. Some women defied this convention and cut their skirts short, abandoned their corsets, and put on trousers. In Pantaloons and Power Gayle V. Fisher shows how the reformers' denouncement of conventional dress highlighted the role of clothing in the struggle of power relations between the sexes.
| Author | : Amaney Jamal |
| Publisher | : Syracuse University Press |
| Total Pages | : 404 |
| Release | : 2008-02-27 |
| Genre | : Social Science |
| ISBN | : 9780815631774 |
Bringing the rich terrain of Arab American histories to bear on conceptualizations of race in the United States, this groundbreaking volume fills a critical gap in the field of U.S. racial and ethnic studies. The articles collected here highlight emergent discourses on the distinct ways that race matters to the study of Arab American histories and experiences and asks essential questions. What is the relationship between U.S. imperialism in Arab homelands and anti-Arab racism in the United States? In what ways have the axes of nation, religion, class, and gender intersected with Arab American racial formations? What is the significance of whiteness studies to Arab American studies? Transcending multiculturalist discourses that have simply added on the category “Arab-American” to the landscape of U.S. racial and ethnic studies after the attacks of September 11, 2001, this volume locates September 11 as a turning point, rather than as a beginning, in Arab Americans’
| Author | : Mary Edwards Walker |
| Publisher | : |
| Total Pages | : 206 |
| Release | : 1871 |
| Genre | : Social problems |
| ISBN | : |
| Author | : Jackie M. Dooley |
| Publisher | : |
| Total Pages | : 153 |
| Release | : 2010 |
| Genre | : Libraries |
| ISBN | : 9781556533877 |
A report of an OCLC Research survey of library special collections holdings and practices at selected institutions in the United States and Canada. Numerous charts and tables summarizing responses are included. Recommendations for best practices are also provided.
| Author | : Kenneth W. Goings |
| Publisher | : |
| Total Pages | : 186 |
| Release | : 1994 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Mammy and Uncle Mose examines the production and consumption of black collectibles and memorabilia from the 1880s to the late 1950s. Black collectibles - objects made in or with the image of a black person - were everyday items such as advertising cards, housewares (salt and pepper shakers, cookie jars, spoon rests, etc.), toys and games, postcards, souvenirs, and decorative knick-knacks. These objects were almost universally derogatory, with racially exaggerated features that helped ""prove"" that African Americans were ""different"" and ""inferior."" These items of material culture were props that helped reinforce the ""new"" racist ideology that began emerging after Reconstruction. Then, as the nation changed, the images created of black people by white people changed. From the 1880s to the 1930s, black people were portrayed as very dark, bug-eyed, nappy-headed, childlike, stupid, lazy, deferential - but happy! From the 1930s to the late 1950s, racial attitudes shifted again: African Americans, while still portrayed as happy servants, had ""brighter"" skin tones, and images of black women were slimmed down. By contextualizing ""black collectibles"" within America's complex social history, Kenneth W. Goings has opened a fascinating perspective on American history.
| Author | : Suzanne M. Stauffer |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 281 |
| Release | : 2021-08-17 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1538118912 |
This is the first book to consider the development of all three cultural heritage institutions – libraries, archives, and museums – and their interactions with society and culture from ancient history to the present day in Western Europe, the United Kingdom, and the United States. The text explores the social and cultural role of these institutions in the societies that created them, as well as the political, economic and social influences on their mission, philosophy, and services and how those changed throughout time. The work provides a thorough background in the topic for graduate students and professionals in the fields of library and information science, archival studies, and museum resource management, preservation, and administration. Arranged chronologically, the story begins with the temple libraries of ancient Sumer, followed the growth and development of governmental and private libraries in ancient Greece and Rome, the influence of Asia and Islam on Western library development, the role of Christianity in the preservation of ancient literature as well as the skills of reading and writing during the Middle Ages, and the coming of the Renaissance and the rise of the university library. It continues by tracing the gradual division between archives and libraries and the growth of governmental and private libraries as independent institutions during and after the Renaissance and through the Enlightenment, and the development of public and private museums from the “cabinets of curiousities” of private collectors beginning in the 17th century. Individual chapters explore the further growth and development of libraries, archives, and museums in the 19th and 20th centuries, exploring the public library and public museum movements of those centuries, as well as the rise of the governmental and institutional archive. The final chapter discusses the growing collaboration between and even convergence of these institutions in the 21st century and the impact of modern information technology, and makes predictions about the future of all three institutions.
| Author | : SAMUEL HOPKINS ADAMS |
| Publisher | : |
| Total Pages | : 364 |
| Release | : 1926 |
| Genre | : |
| ISBN | : |
| Author | : Margaret Bourke-White |
| Publisher | : La Fabrica |
| Total Pages | : 192 |
| Release | : 2013 |
| Genre | : Documentary photography |
| ISBN | : 9788415303961 |
Margaret Bourke-White (1904-1971) is considered one of the first female photojournalists in the history of photography. She was a woman ahead of her time who wanted to break the mould and she achieved objectives that were very difficult for most women and offered the strongest resistance. Bourke-White was the first female photographer on the staff of both Fortune and Life magazines; the first Western photographer allowed to photograph the Soviet Union in 1930 - including both its industries and its people; the first woman photographer to work for the United States Air Force; and the only foreign photographer - male or female - in Moscow when the German bombs began to fall on the city on 19 July. This magnificently illustrated volume offers a fascinating insight into the work of this unique photographer and her "insatiable desire to be on the scene when history was being made."
| Author | : Paul Glassman |
| Publisher | : Facet Publishing |
| Total Pages | : 368 |
| Release | : 2017-10-24 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1783302003 |
The Handbook of Art and Design Librarianship integrates theory and practice to offer guidelines for information professionals working in art and design environments who need to support and anticipate the information needs of artists, designers, architects and the historians who study those disciplines. Since the first edition of this title, the world of art and design libraries has been transformed by rapid advances in technology, an explosion in social media and the release of new standards and guidelines. This new edition, offering mostly entirely new chapters, provides an accessible, fully updated, guide to the world of academic art and design libraries from a range of international experts who reflect current practice at a global level. Coverage includes: case studies and library profiles, providing benchmarks for developing facilitiesteaching and learning, including the ACRL Framework, teaching with specialcollections, meta-literacies, instructional design and cultural differencesdevelopments in institutional repositories, digital humanities and makerspacescontemporary library design, spaces for collaboration and sustainability. This book will be useful reading for students taking library and information science courses in art librarianship, special collections, and archives, as well as practising library and information professionals in art and design school libraries, art museum libraries and public libraries.
| Author | : Margaret Bourke-White |
| Publisher | : Pickle Partners Publishing |
| Total Pages | : 535 |
| Release | : 2016-08-09 |
| Genre | : History |
| ISBN | : 1787200914 |
This is the story of the internationally acclaimed American woman Margaret Bourke-White, who for over thirty years made photographic history: as the first photographer to see the artistic and storytelling possibilities in American industry, as the first to write social criticism with a lens, and as the most distinguished and venturesome foreign correspondent-with-a-camera to report wars, politics and social and political revolution on three continents. In this poignant autobiography, Bourke-White details her fight against Parkinson’s disease, and recounts tales of her struggles to master her art and craft, of photographing Stalin, Gandhi and many other notables, of being torpedoed off North Africa while reporting World War II, of flying combat missions, of photographing the dread murder camps of Nazi Germany, of touring Tobacco Road to produce the book You Have Seen Their Faces with Erskine Caldwell (whom she later married), of adventures—and wonderful picture-taking—in the mines of South Africa, in the frozen North, in war-torn Korea. Illustrated throughout with over 70 of Margaret Bourke-White’s fine photographs, this is the great life story of a great American, greatly yet modestly told.
