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| Author | : Angel Flores |
| Publisher | : Courier Corporation |
| Total Pages | : 500 |
| Release | : 1991-01-01 |
| Genre | : Literary Collections |
| ISBN | : 9780486268989 |
Richly varied collection of 10 plays from 16th through 20th centuries. The Vigilant Sentinel by Miguel de Cervantes; Fuente Ovejuna by Lope de Vega; Life Is a Dream by Pedro Calderon de la Barca; Blood Wedding by Federico García Lorca, 6 more. Preface by John Gassner. Introduction and notes on each play.
| Author | : Angel Flores |
| Publisher | : |
| Total Pages | : 473 |
| Release | : 1962 |
| Genre | : Spanish drama |
| ISBN | : 9780685528402 |
Richly varied collection of ten plays from 16th through 20th centuries. The Vigilant Sentinel, Miguel de Cervantes; Fuente Ovejuna, Lope de Vega; Life Is a Dream, Pedro Calderon de la Barca; Blood Wedding, Federico García Lorca, six more. Preface by John Gassner. Introduction and notes on each play.
| Author | : Robert O'Brien |
| Publisher | : |
| Total Pages | : 82 |
| Release | : 2012-06-01 |
| Genre | : |
| ISBN | : 9781258367176 |
| Author | : Jorge Braga Riera |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 351 |
| Release | : 2009 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027224293 |
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
| Author | : Amanda Giguere |
| Publisher | : McFarland |
| Total Pages | : 185 |
| Release | : 2014-01-10 |
| Genre | : Performing Arts |
| ISBN | : 078646187X |
The seven plays to date of Yasmina Reza, one of France's most prominent female playwrights, are popular both in France and abroad. Despite her commercial success, her plays have often been ignored in academic circles, and few scholars have attempted to explore the mechanics of her playwriting. This text seeks to unpack the essentials of Reza's style and to explore each play as a component of Reza's theatrical oeuvre. The result is a fuller understanding of her theatrical poetics and her development as an artist.
| Author | : Peter France |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 692 |
| Release | : 2000 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780199247844 |
This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).
| Author | : Susan Paun De García |
| Publisher | : Tamesis Books |
| Total Pages | : 328 |
| Release | : 2008 |
| Genre | : Literary Collections |
| ISBN | : 9781855661691 |
"The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be 'faithful'? Which kinds of plays 'work', and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance?Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for 'authenticity' in staging? In this volume, a group of translators, directors, and scholars explores these and related questions."--Jacket
| Author | : Catie Gill |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 200 |
| Release | : 2010 |
| Genre | : Literary Criticism |
| ISBN | : 9781409400578 |
Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Paying special attention to literary innovation and sociopolitical changes, this book is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.
