Spalliera Paintings Of Renaissance Tuscany
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| Author | : Anne B. Barriault |
| Publisher | : Penn State University Press |
| Total Pages | : 250 |
| Release | : 1994 |
| Genre | : Architecture |
| ISBN | : |
Spalliera Paintings of Renaissance Tuscany defines and characterizes cycles of panel paintings that decorated patrician residences in Tuscany. It takes a fresh approach to the paintings, placing them not only in the context of Renaissance art but also in the context of the society for which they were made. It contributes to our understanding of the formal conventions of the pictures as narrative paintings designed to be seen in specific spaces within bedchambers and studies; their function, integrated with the woodwork and furniture of those spaces; and their social role, often commissioned in honor of weddings to reinforce values of patrimony, civic-mindedness, and familial duty. Spalliera painting flourished between 1470 and 1520, with artists such as Botticelli, Ghirlandaio, Piero di Cosimo, Pontormo, and Andrea del Sarto translating the histories, poems, and tales of Livy, Ovid, Petrarch, and Boccaccio, among others, into colorful didactic sequences that demonstrate ancient and exemplary standards of conduct. An analysis of the typologies of the heroes and heroines in these paintings, and the meanings that their stories may have had for the patrons who commissioned them, also sheds light on social mores, expectations, and issues of gender in the patrician society of Renaissance Tuscany.
| Author | : Paola Tinagli |
| Publisher | : Manchester University Press |
| Total Pages | : 226 |
| Release | : 1997-06-15 |
| Genre | : Art |
| ISBN | : 9780719040542 |
This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
| Author | : Maria DePrano |
| Publisher | : |
| Total Pages | : 453 |
| Release | : 2018-02-22 |
| Genre | : Art |
| ISBN | : 1108416055 |
This book examines a Renaissance Florentine family's art patronage, even for women, inspired by literature, music, love, loss, and religion.
| Author | : Patricia Lee Rubin |
| Publisher | : Yale University Press |
| Total Pages | : 456 |
| Release | : 2007-01-01 |
| Genre | : Art |
| ISBN | : 9780300123425 |
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
| Author | : Luba Freedman |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2011-06-30 |
| Genre | : Art |
| ISBN | : 1107001196 |
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
| Author | : F. W. Kent |
| Publisher | : JHU Press |
| Total Pages | : 280 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780801886270 |
"Historian F.W. Kent offers a new look at Lorenzo's relationship to the arts, aesthetics, collecting, and building - especially in the context of his role as the political boss (maestro della bottega) of republican Florence and a leading player in Renaissance Italian diplomacy. Kent's approach reveals Lorenzo's activities as an art patron as far more extensive and creative than previously thought. Known as "the Magnificent," Lorenzo was broadly interested in the arts and supported efforts to beautify Florence and the many Medici lands and palaces. His expertise was well regarded by guildsmen and artists, who often turned to him for advice as well as for patronage.
| Author | : Gabriele Neher |
| Publisher | : Routledge |
| Total Pages | : 185 |
| Release | : 2017-11-22 |
| Genre | : History |
| ISBN | : 1351739727 |
This title was first published in 2000: Michelangelo gave his painting of "Leda and the Swan" to an apprentice rather than hand it over to the emissary of the Duke of Ferrar, who had commissioned it. He was apparently disgusted by the failure of the emissary - who was probably more used to buying pigs than discussing art - to accord the picture and the artist the value they deserved. Any discussion of works of art and material culture implicitly assigns them a set of values. Whether these values be monetary, cultural or religious, they tend to constrict the ways in which such works can be discussed. The variety of potential forms of valuation becomes particularly apparent during the Italian Renaissance, when relations between the visual arts and humanistic studies were undergoing rapid changes against an equally fluid social, economic and political background. In this volume, 13 scholars explicitly examine some of the complex ways in which a variety of values might be associated with Italian Renaissance material culture. Papers range from a consideration of the basic values of the materials employed by artists, to the manifestation of cultural values in attitudes to dress and domestic devotion. By illuminating some of the ways in which values were constructed, they provide a broader context within which to evaluate Renaissance material culture.
| Author | : Konrad Eisenbichler |
| Publisher | : Routledge |
| Total Pages | : 294 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351545175 |
Eleonora di Toledo was a powerful and influential woman who, over the course of nearly a quarter century (1539-62), contributed profoundly to the cultural flowering of ducal Florence. Her patronage of some of the leading artists of the time, her support of newly arrived Jesuit preachers, her involvement in charitable activities, her unfailing devotion to her husband and his policies, not to mention her successful farming and business ventures are only some of the areas where her influence was unambiguously exercised and felt. She also provided the House of Medici with a full stable of children to re-invigorate the failing family line, ensure male succession even in the face of unexpected calamities, and provide enough females to establish marriage connections with a variety of noble and ruling houses in Italy. In spite of all these contributions, Eleonora has attracted little attention from scholars. This apparent disinterest may be a factor of Eleonora's personal style, or of the bad press that, as a Spanish noblewoman, she quickly received from her Florentine subjects, or of modern antipathy for some of the basic characteristics of ducal Florence. An examination of her impact on Tuscany is long overdue. In fact, a fuller, more nuanced understanding of the duchess can shed a more profound light not only on her as a person, or on her impact on Tuscan culture in the sixteenth century, but also on the contribution of female consorts to the vitality of a successful early-modern state. The essays collected here bring together a variety of scholars working in various disciplines. While many of the articles take their cue from art history (a natural reflection of the innovative research recent art historians have carried out on the duchess), they also reach out towards other disciplines - political history, literature, spectacle, and religion to mention just a few. In so doing, they expand our understanding of Eleonora's place in her society and reveal a very complex,
| Author | : Erin J. Campbell |
| Publisher | : Routledge |
| Total Pages | : 368 |
| Release | : 2016-03-23 |
| Genre | : Art |
| ISBN | : 1317034899 |
Emphasizing on the one hand the reconstruction of the material culture of specific residences, and on the other, the way in which particular domestic objects reflect, shape, and mediate family values and relationships within the home, this volume offers a distinct contribution to research on the early modern Italian domestic interior. Though the essays mainly take an art historical approach, the book is interdisciplinary in that it considers the social implications of domestic objects for family members of different genders, age, and rank, as well as for visitors to the home. By adopting a broad chronological framework that encompasses both Renaissance and Baroque Italy, and by expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers genuinely new perspectives on the home in early modern Italy.
| Author | : Joanna Jurewicz |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 236 |
| Release | : 2020-05-04 |
| Genre | : History |
| ISBN | : 1527550095 |
This volume gathers together a broad spectrum of evaluations of the soul from different perspectives, including artistic (from literature and the arts), mystic and theological reflections on spirituality from the Christian religion, as well as from the Orient and Ancient Egypt. The contributions in this book will afford the reader a wider perspective on the concept of the soul in its ethical, emotional and theological dimensions, in both European and Non-European cultures and languages, and in artistic, philosophical and religious texts.
