Space Place And Landscape In Ancient Greek Literature And Culture
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Author | : Kate Gilhuly |
Publisher | : Cambridge University Press |
Total Pages | : 295 |
Release | : 2014-09-22 |
Genre | : Architecture |
ISBN | : 1107042127 |
This book brings together a collection of original essays that engage with cultural geography and landscape studies to produce new ways of understanding place, space, and landscape in Greek literature from the fifth and fourth centuries BCE. The authors draw on an eclectic collection of contemporary approaches to bring the study of ancient Greek literature into dialogue with the burgeoning discussion of spatial theory in the humanities. The essays in this volume treat a variety of textual spaces, from the intimate to the expansive: the bedroom, ritual space, the law courts, theatrical space, the poetics of the city, and the landscape of war. And yet, all of the contributions are united by an interest in recuperating some of the many ways in which the ancient Greeks in the archaic and classical periods invested places with meaning and in how the representation of place links texts to social practices.
Author | : Kate Gilhuly |
Publisher | : |
Total Pages | : |
Release | : 2014 |
Genre | : Cultural geography |
ISBN | : 9781316004241 |
"Landscape and place are currently important topics in the study of classical literature. This volume examines how ancient Greeks of the archaic and classical period used geography in literary contexts, and how the representation of place in texts can be linked to contemporary social practices. The contributors explore how the Greeks related to the spaces and places around them and how they invested these places with meaning. They use examples from key texts in ancient Greek literature and treat a variety of textual places, from the intimate to the expansive, including the bedroom, ritual space, law courts, theatrical space, the city, and the landscape of war. Collectively, the essays demonstrate the important relationships--such as body and place, landscape and identity, ritual and space--that emerge from close analysis of the texts"--
Author | : Kate Gilhuly |
Publisher | : Routledge |
Total Pages | : 296 |
Release | : 2017-08-23 |
Genre | : History |
ISBN | : 1351725858 |
Erotic Geographies in Ancient Greek Literature and Culture addresses the following question: how does a place "get a reputation?" The Athenians associated sexual behaviors with particular places and their inhabitants, and this book decodes the meaning of the sexualization of place and traces the repercussions of these projections. Focusing on Corinth, Sparta, and Lesbos, each section starts from the fact that there were comic joke words that made a verb out of a place name to communicate a sexual slur. Corinth was thought of as a hotbed of prostitution; Sparta was perceived as a hyper-masculine culture that made femininity a problem; Lesbos had varying historically determined connotations, but was always associated with uninhibited and adventurous sexuality. The cultural beliefs encoded in these sexualized stereotypes are unpacked. These findings are then applied to close readings, ultimately demonstrating how sensitivity to the erotics of place enables new interpretations of well-known texts. In the process of moving from individual word to culture to text, Erotic Geographies recovers a complex mode of identity construction illuminating the workings of the Athenian imaginary as well as the role of discourse in shaping subjectivity. Gilhuly brings together a deep engagement with the robust scholarly literature on sex and gender in Classics with the growing interest in cultural geography in a way that has never been done before.
Author | : Aristoula Georgiadou |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 441 |
Release | : 2017-10-10 |
Genre | : Literary Criticism |
ISBN | : 3110538113 |
'Space and time' have been key concepts of investigation in the humanities in recent years. In the field of Classics in particular, they have led to the fresh appraisal of genres such as epic, historiography, the novel and biography, by enabling a close focus on how ancient texts invest their representations of space and time with a variety of symbolic and cultural meanings. This collection of essays by a team of international scholars seeks to make a contribution to this rich interdisciplinary field, by exploring how space and time are perceived, linguistically codified and portrayed in the biographical and philosophical work of Plutarch of Chaeronea (1st-2nd centuries CE). The volume's aim is to show how philological approaches, in conjunction with socio-cultural readings, can shed light on Plutarch's spatial terminology and clarify his conceptions of time, especially in terms of the ways in which he situates himself in his era's fascination with the past. The volume's intended readership includes Classicists, intellectual and cultural historians and scholars whose field of expertise embraces theoretical study of space and time, along with the linguistic strategies used to portray them in literary or historical texts.
Author | : Nancy Worman |
Publisher | : Cambridge University Press |
Total Pages | : 381 |
Release | : 2015-12-30 |
Genre | : Literary Collections |
ISBN | : 131639526X |
This study explores a previously uncharted area of ancient literary theory and criticism: the ancient landscapes (such as the Ilissus river in Athens and Mount Helicon) that generate metaphors for distinguishing styles, which dovetail with ancient conceptions of metaphor as itself spatial and mobile. Ancient writers most often coordinate stylistic features with country settings, where authoritative performers such as Muses, poets, and eventually critics or theorists view, appropriate, and emulate their bounties (for example springs, flowers, rivers, paths). These spaces of metaphor and their elaborations provide poets and critics with a vivid means of distinguishing among styles and an influential vocabulary. Together these figurative terrains shape critical and theoretical discussions in Greece and beyond. Since this discourse has a remarkably wide reach, the book is broad in scope, ranging from archaic Greek poetry through Roman oratory and 'Longinus' to the reception of critical imagery in Proust and Derrida.
Author | : Debbie Felton |
Publisher | : Routledge |
Total Pages | : 328 |
Release | : 2018-04-27 |
Genre | : History |
ISBN | : 135159057X |
Over the last two decades, research in cultural geography and landscape studies has influenced many humanities fields, including Classics, and has increasingly drawn our attention to the importance of spaces and their contexts, both geographical and social: how spaces are described by language, what spaces are used for by individuals and communities, and how language, use, and the passage of time invest spaces with meaning. In addition to this ‘spatial’ turn in scholarship, recent years have also seen an ‘emotive’ turn – an increased interest in the study of emotion in literature. Many works on landscape in classical antiquity focus on themes such as the sacred and the pastoral and the emotions such spaces evoke, such as (respectively) feelings of awe or tranquillity in settings both urban and rural. Far less scholarship has been generated by the locus terribilis, the space associated with negative emotions because of the bad things that happen there. In short, the recent ‘emotive’ turn in humanities studies has so far largely neglected several of the more negative emotions, including anxiety, fear, terror, and dread. The papers in this volume focus on those neglected negative emotions, especially dread – and they do so while treating many types of space, including domestic, suburban, rural and virtual, and while covering many genres and authors, including the epic poems of Homer, Greek tragedy, Roman poetry and historiography, medical writing, paradoxography and the short story.
Author | : Virginia M. Lewis |
Publisher | : Oxford University Press, USA |
Total Pages | : 305 |
Release | : 2019-09-12 |
Genre | : History |
ISBN | : 0190910313 |
Myth, Locality, and Identity argues that Pindar engages in a striking, innovative style of mythmaking that represents and shapes Sicilian identities in his epinician odes for Sicilian victors in the fifth century BCE. While Sicily has been thought to be lacking in local traditions for Pindar to celebrate, Lewis argues that the Sicilian odes offer examples of the formation of local traditions: the monster Typho whom Zeus defeated to become king of the gods, for example, now lives beneath Mt. Aitna; Persephone receives the island of Sicily as a gift from Zeus; and the Peloponnesian river Alpheos travels to Syracuse in pursuit of the local spring nymph Arethusa. By weaving regional and Panhellenic myth into the local landscape, as the book shows, Pindar infuses physical places with meaning and thereby contextualizes people, cities, and their rulers within a wider Greek framework. During this time period, Greek Sicily experienced a unique set of political circumstances: the inhabitants were continuously being displaced, cities were founded and resettled, and political leaders rose and fell from power in rapid succession. This book offers the first sustained analysis of myth in Pindar's odes for Sicilian victors across the island that accounts for their shared context. The nodes of myth and place that Pindar fuses in this poetry reinforce and develop a sense of place and community for citizens locally; at the same time, they raise the profile of physical sites and the cities attached to them for larger audiences across the Greek world. In addition to providing new readings of Pindaric odes and offering a model for the formation of Sicilian identities in the first half of the fifth century, the book contributes new insights into current debates on the relationship between myth and place in classical literature.
Author | : Alexandros Kampakoglou |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 536 |
Release | : 2018-03-05 |
Genre | : Literary Criticism |
ISBN | : 3110571285 |
Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.
Author | : William Fitzgerald |
Publisher | : Oxford University Press |
Total Pages | : 309 |
Release | : 2018-03-09 |
Genre | : Literary Collections |
ISBN | : 0191080489 |
Recent decades have seen a marked shift in approaches to cultural analysis, with the critical role of location and spatial experience in the formation of the human subject gaining increasing prominence. This volume applies the insights and concerns of the 'spatial turn' to this specifically Roman engagement with space, and explores its representation and manipulation in Latin literature. The terrain covered by the contributions is broad, both temporally (from Catullus to St Augustine) and in terms of genre, with lyric, epic, elegy, satire, epistolography, and historiography all finding their place in discussions that focus mainly on movement and the mobile subject in the experience and making of space. Offering a detailed exploration of Roman engagement with space, the ideological stakes of this engagement, and its intersections with empire, urbanism, identity, ethics, exile, and history, the volume contains a wealth of insights for readers across and beyond the discipline of classical studies: those looking equally for new approaches to ancient texts and authors or to explore the relationship between the materiality of antiquity and its literary aspects will find these discussions illuminating.
Author | : Ariadne Konstantinou |
Publisher | : Bloomsbury Publishing |
Total Pages | : 210 |
Release | : 2018-01-25 |
Genre | : History |
ISBN | : 1474256783 |
Women's mobility is central to understanding cultural constructions of gender. Regarding ancient cultures, including ancient Greece, a re-evaluation of women's mobility within the household and beyond it is currently taking place. This invites an informed analysis of female mobility in Greek myth, under the premise that myth may open a venue to social ideology and the imaginary. Female Mobility and Gendered Space in Ancient Greek Myth offers the first comprehensive analysis of this topic. It presents close readings of ancient texts, engaging with feminist thought and the 'mobility turn'. A variety of Olympian goddesses and mortal heroines are explored, and the analysis of their myths follows specific chronological considerations. Female mobility is presented in quite diverse ways in myth, reflecting cultural flexibility in imagining mobile goddesses and heroines. At the same time, the out-of-doors spaces that mortal heroines inhabit seem to lack a public or civic quality, with the heroines being contained behind 'glass walls'. In this respect, myth seems to reproduce the cultural limitations of ancient Greek social ideology on mobility, inviting us to reflect not only on the limits of mythic imagination but also on the timelessness of Greek myth.