Soviet Self Hatred
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Author | : Eliot Borenstein |
Publisher | : Cornell University Press |
Total Pages | : 262 |
Release | : 2023-06-15 |
Genre | : History |
ISBN | : 1501769898 |
Soviet Self-Hatred examines the imaginary Russian identities that emerged following the collapse of the Soviet Union. Eliot Borenstein shows how these identities are best understood as balanced on a simple axis between pride and shame, shifting in response to Russia's standing in the global community, its anxieties about internal dissension and foreign threats, and its stark socioeconomic inequalities. Through close readings of Russian fiction, films, jokes, songs, fan culture, and Internet memes, Borenstein identifies and analyzes four distinct types with which Russians identify or project onto others. They are the sovok (the Soviet yokel); the New Russian (the despised, ridiculous nouveau riche), the vatnik (the belligerent, jingoistic patriot), and the Orc (the ultraviolent savage derived from a deliberate misreading of Tolkien's epic). Through these contested identities, Soviet Self-Hatred shows how stories people tell about themselves can, tragically, become the stories that others are forced to live.
Author | : Eliot Borenstein |
Publisher | : Cornell University Press |
Total Pages | : 367 |
Release | : 2019-04-15 |
Genre | : Literary Criticism |
ISBN | : 1501716352 |
In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through Russian life. Plots against Russia reveals through dramatic and exciting storytelling that conspiracy and melodrama are entirely equal-opportunity in modern Russia, manifesting themselves among both pro-Putin elites and his political opposition. As Borenstein shows, this paranoid fantasy until recently characterized only the marginal and the irrelevant. Now, through its embodiment in pop culture, the expressions of a conspiratorial worldview are seen everywhere. Plots against Russia is an important contribution to the fields of Russian literary and cultural studies from one of its preeminent voices.
Author | : Eliot Borenstein |
Publisher | : Cornell University Press |
Total Pages | : 292 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : 9780801445835 |
Borenstein argues that the popular cultural products consumed in the post-perestroika era were more than just diversions; they allowed Russians to indulge their despair over economic woes and everyday threats.
Author | : Paul Reitter |
Publisher | : Princeton University Press |
Total Pages | : 175 |
Release | : 2012-04-29 |
Genre | : History |
ISBN | : 1400841887 |
A new intellectual history that looks at "Jewish self-hatred" Today, the term "Jewish self-hatred" often denotes a treasonous brand of Jewish self-loathing, and is frequently used as a smear, such as when it is applied to politically moderate Jews who are critical of Israel. In On the Origins of Jewish Self-Hatred, Paul Reitter demonstrates that the concept of Jewish self-hatred once had decidedly positive connotations. He traces the genesis of the term to Anton Kuh, a Viennese-Jewish journalist who coined it in the aftermath of World War I, and shows how the German-Jewish philosopher Theodor Lessing came, in 1930, to write a book that popularized "Jewish self-hatred." Reitter contends that, as Kuh and Lessing used it, the concept of Jewish self-hatred described a complex and possibly redemptive way of being Jewish. Paradoxically, Jews could show the world how to get past the blight of self-hatred only by embracing their own, singularly advanced self-critical tendencies—their "Jewish self-hatred." Provocative and elegantly argued, On the Origins of Jewish Self-Hatred challenges widely held notions about the history and meaning of this idea, and explains why its history is so badly misrepresented today.
Author | : Eliot Borenstein |
Publisher | : Cornell University Press |
Total Pages | : 205 |
Release | : 2023-06-15 |
Genre | : History |
ISBN | : 1501769901 |
Soviet Self-Hatred examines the imaginary Russian identities that emerged following the collapse of the Soviet Union. Eliot Borenstein shows how these identities are best understood as balanced on a simple axis between pride and shame, shifting in response to Russia's standing in the global community, its anxieties about internal dissension and foreign threats, and its stark socioeconomic inequalities. Through close readings of Russian fiction, films, jokes, songs, fan culture, and Internet memes, Borenstein identifies and analyzes four distinct types with which Russians identify or project onto others. They are the sovok (the Soviet yokel); the New Russian (the despised, ridiculous nouveau riche), the vatnik (the belligerent, jingoistic patriot), and the Orc (the ultraviolent savage derived from a deliberate misreading of Tolkien's epic). Through these contested identities, Soviet Self-Hatred shows how stories people tell about themselves can, tragically, become the stories that others are forced to live.
Author | : Eliot Borenstein |
Publisher | : Bloomsbury Publishing |
Total Pages | : 135 |
Release | : 2020-11-12 |
Genre | : Political Science |
ISBN | : 1350113565 |
Both more and less than a band, Pussy Riot is continually misunderstood by the Western media. This book sets the record straight. After their scandalous performance of an anti-Putin protest song in Moscow's Cathedral of Christ the Savior and the imprisonment of two of its members, the punk feminist art collective known as Pussy Riot became an international phenomenon. But, what, exactly, is Pussy Riot, and what are they trying to achieve? The award-winning author Eliot Borenstein explores the movement's explosive history and takes you beyond the hype.
Author | : Eliot Borenstein |
Publisher | : Bloomsbury Publishing |
Total Pages | : 161 |
Release | : 2022-03-24 |
Genre | : Computers |
ISBN | : 1350181528 |
The Russian internet is a hotbed for memes and viral videos: the political, satirical and simply absurd compete for attention in Russia while the West turns to it for an endless reserve of humorous content. But how did this powerful cyber community grow out of the repressive media environment of the Soviet Union? What does this viral content reveal about the country, its politics and its culture? And why are the memes and videos of today's Russia so popular, spreading so rapidly across the globe? Award-winning author Eliot Borenstein explores the explosive online movement and unpicks, for the first time, the role of mimetic content and digital activism in modern Russian history up to the present day.
Author | : Eliot Borenstein |
Publisher | : Duke University Press |
Total Pages | : 372 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780822325925 |
An analysis of the construction of masculinity in early Soviet culture that finds in the novels of Babel and others an utopian society composed exclusively of men.
Author | : Masha Gessen |
Publisher | : Penguin |
Total Pages | : 530 |
Release | : 2017-10-03 |
Genre | : History |
ISBN | : 159463453X |
WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTION FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.
Author | : Alex Halberstadt |
Publisher | : |
Total Pages | : 322 |
Release | : 2020 |
Genre | : Biography & Autobiography |
ISBN | : 1400067065 |
Can trauma be inherited? In this luminous memoir of identity, exile, ancestry, and reckoning, an American writer returns to Russia to face a family history that still haunts him. It is this question that sets Alex Halberstadt off on a quest to name and acknowledge a legacy of family trauma, and to end a cycle of estrangement that had endured for nearly a century. His search takes him across the troubled, enigmatic land of his birth. In Ukraine he tracks down his paternal grandfather--most likely the last living bodyguard of Joseph Stalin--to reckon with the ways in which decades of Soviet totalitarianism shaped and fractured three generations of his family. He returns to Lithuania, his Jewish mother's home, to revisit the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for, learning that the boundary between history and biography is often fragile and indistinct. And he visits his birthplace, Moscow, where his glamorous grandmother designed homespun couture for Soviet ministers' wives, his mother dosed dissidents at a psychiatric hospital, and his father made a living by selling black-market jazz and rock records. Finally, Halberstadt explores his own story: that of a fatherless immigrant who arrived in America, to a housing project in Queens, New York, as a ten-year-old boy struggling with identity, feelings of rootlessness, and a yearning for home. He comes to learn that he was merely the latest in a lineage of sons who grew up alone, separated from their fathers by the tides of politics and history. As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suspicion, melancholy, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.