Southern Black Utterances Today
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| Author | : David Bowman |
| Publisher | : The Institute for Southern Studies |
| Total Pages | : 115 |
| Release | : |
| Genre | : History |
| ISBN | : |
Throughout the country, and even this region, people view the South through myth and stereotype. It's not surprising. If they turn to newspapers, to television and radio, to popular films and literature, to most history books and folklore, they encounter these distortions. They find insulting portraits of Southerners, whitewashed presentations of southern economics and politics, selective visions of history, misunderstandings of relationships between people, and between people and their land and work. Many trivial qualities are romanticized; other important ones are totally ignored. Blacks are presented only as victims of racism, and labor struggles are completely forgotten. This view is inevitable when people simply treat the South as an aberration of mainstream America, or a remnant of some past culture. We at Southern Exposure look at the South from another perspective. This is our home, we are of it and examine it that we may know more of ourselves and our neighbors. These are the politics and culture that surround us and affect us daily, that we must analyze, praise and attack so our lives can grow and prosper. And this is the ground from which we must view the larger world. By listening to local tobacco farmers discuss the pressures on them to expand or die, we can better understand Earl Butz's plan for US agribusiness. By hearing a bluesman's story, we come to appreciate how a particular culture evolves from material hardship and inspires immense creativity.
| Author | : Linda Janet Holmes |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 252 |
| Release | : 2014-05-12 |
| Genre | : Literary Criticism |
| ISBN | : 0313050775 |
At long last—a book-length biography celebrates Toni Cade Bambara, a seminal literary, cultural, and political figure who was among the most widely read and frequently reviewed of the well-regarded black women writers to emerge in the 1970s. A Joyous Revolt: Toni Cade Bambara, Writer and Activist is the first-ever, full-length biography of a trailblazing artist who championed black women in her fiction as well as in her life. This incisive study provides a comprehensive treatment of Bambara's published and unpublished works, and it also documents her emerging vision of her role as an agent of change. The biography allows readers into the personal life of Bambara, offering personal insights into a woman with a strong public persona and friendships with other celebrated artists of her era. Perhaps most important for those seeking to understand and appreciate Bambara's legacy, it connects her oeuvre to the context of her experience and places all of her wide-ranging creative work in the context of her singular vision.
| Author | : Jan Collins Stucker |
| Publisher | : The Institute for Southern Studies |
| Total Pages | : 116 |
| Release | : |
| Genre | : History |
| ISBN | : |
Who exactly — them or me — first came up with the idea, I'm not certain. No matter. The Institute for Southern Studies staff asked if I would take out six months to travel the South as a reporter for the Institute's then-new syndicated weekly column, Facing South. Captive to Southern fondness for poking about the region and to that larger American myth about freedom deriving from travel, I claimed the job before any list of applicants could be gotten up. A new van was purchased and fitted out with a bed, typing stand, CB and regular AM-FM radio, specially cut mosquito netting, and a fan. The Institute's charge dictated that I'd see the rural South, not too much of the Interstate/urbanized South. Places like Ville Platte, Louisiana; Ink, Arkansas; Ripley, Mississippi; Pickens, South Carolina; and Fincastle, Virginia. The blessings of this constraint came vividly to mind when my path intersected an Interstate cloverleaf in Georgia — typically crammed with service stations, motels and fast food franchises. Over the door of one eatery hung a banner proclaiming "Join the Fun — Eat and Run." All told, I logged nearly 28,000 miles between May and October, 7977. I kept an eye out for the little things. Graffiti, for example. In the rest room of a Charlottesville, Virginia, vegetarian restaurant I found: "Mother made me a homosexual." Below, in another's writing, "Fantastic! If I bought her the yarn, would she make me one?" Or signs, like one on a New Orleans building: Straight Business College. And listened for larger themes, not at all certain I could hear them — but knowing that these, too, were a Southern tradition going back at least to the days of Fannie Kemble's Journal of a Residence on a Georgia Plantation in 1838-1839, the powerful attack on slavery, and William Byrd 's History of the Dividing Line Betwixt Virginia and North Carolina, the travel log some assert first described "the good ol' boy."
| Author | : Rich Kirby |
| Publisher | : The Institute for Southern Studies |
| Total Pages | : 124 |
| Release | : |
| Genre | : History |
| ISBN | : |
Trying to describe the religious folk music of the Southern mountains is a little like trying to organize the church itself — songs, like people, just will not line up quietly in neat rows. Still, there are patterns in this varied and vital tradition, and searching for them reveals, as well as anything can, the intensity of religious feeling that has always been part of mountain life. Religious singing in the mountains flourished with the wave of revivals that has swept the region in the last two hundred years. The emotional intensity of these movements combined with the strong musical traditions of the area to produce some of America's most powerful music. It is true folk music — home-made music that people use in their everyday lives to express their deepest feelings.
| Author | : Nancy Faires Conklin |
| Publisher | : |
| Total Pages | : 194 |
| Release | : 1983 |
| Genre | : African American women |
| ISBN | : |
| Author | : Sarah Gordon |
| Publisher | : The Institute for Southern Studies |
| Total Pages | : 239 |
| Release | : |
| Genre | : History |
| ISBN | : |
When Judge Ernest N. "Dutch" Modal was elected "the first black mayor" of this South Coast city November 13,1977, political observers all around the country sat up to take notice. New Orleans is the nation's fourth blackest city (relative to percent of total population), and the largest and most powerful city in the third blackest state in the country. When he took over the reins of the nation's second largest port — the Southern terminus of the mid continent grain export/oil import traffic carried by the Mississippi River — Dutch Morial became perhaps the country's most powerful elected black official. The true significance of Morial's November victory can really be understood only in the context of the history of Afro-American involvement in the city's political and cultural life. African slaves were first imported into the state of Louisiana, then a French colony, after Indian slavery was abolished in 1719. By 1724, colonial administrators had finished compiling the Code Noir, a document outlining the mutual rights and obligations of Louisiana's masters and slaves. By Bill Rushton's first book, on the French speaking Cajuns of South Louisiana, will be issued this fall by Farrar, Straus and Giroux. comparison to conditions in Anglo- American colonial areas, the results of the Code Noir were relatively progressive. All slaves were required to be baptized in the Catholic Church, establishing common cultural ties between blacks and whites in Louisiana that were closer than those anywhere else in the South — ties that were preserved through the Civil War until separate, black Catholic parishes began to be formed with the consent of the Archbishop of New Orleans in 1897. Colonial-era slaves were permitted to retain a good many of their own cultural traditions as well, and in New Orleans they were allowed Sunday afternoons off to gather in what was then called Congo Square to dance the bamboula to their own music, forming a unique milieu which helps explain why jazz originated here rather than in, say, Savannah or Charleston.
| Author | : Bernard A. Drew |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 373 |
| Release | : 2006-11-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0313090440 |
Here's a one stop resource, containing 100 profiles of your favorite contemporary African American writers, along with complete lists of their works. Focusing on writers who have made their mark in the past 25 years, this guide stresses African American writers of popular and genre literature-from Rochelle Alers and Octavia Butler, and Samuel Delaney to Walter Mosley, and Omar Tyree, with a few classic literary giants also included. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Where can you find information about popular, contemporary African American authors? Web sites can be difficult to locate and unreliable, particularly for some of the newer authors, and their contents are inconsistent and often inaccurate. Although there are a number of reference works on African American writers, the emphasis tends to be on historical and literary authors. Here's a single volume containing 100 profiles of your favorite contemporary African American writers, along with lists of their works. Short profiles provide an overview of the author's life and summarize his or her writing accomplishments. Many are accompanied by black-and-white photos of the author. The biographies are followed by a complete list of the author's published works. Focusing on writers who have made their mark in the past 25 years, this guide covers African American writers of popular and genre literature—from Rochelle Alers, Octavia Butler, and Samuel Delaney to Walter Mosley, Omar Tyree, and Zane. A few classic literary giants who are popular with today's readers are also included—e.g., Maya Angelou, Toni Morrison, and Richard Wright. Readers who want to know more about their favorite African American authors or find other books written by those authors, students researching AA authors for reports and papers, and educators seeking background information for classes in African American literature will find this guide invaluable. (High school and up.)
| Author | : Groesbeck Parham |
| Publisher | : The Institute for Southern Studies |
| Total Pages | : 228 |
| Release | : |
| Genre | : History |
| ISBN | : |
Toward the end of 1931, the black dust was settling in the Harlan County, Kentucky, coal fields after one of the most bitterly fought labor struggles in our nation's history. The miners were beaten, their rank-and-file organization crushed. The epithet "Bloody Harlan" survived the day and remained a symbol for that battle and those that periodically erupted for the next half century. But the proper legacy of the Harlan wars, as the veteran Hobart Grills tells us, is not the chaotic violence but the spirit of steady resistance that smolders until the changing times fan the sparks into a new flame. During the long Depression era, the winds of change blew all across the South — from the coal fields of Appalachia to the tenant farms of Arkansas, from the cotton mills of Gastonia to the automobile factories of Atlanta. It was a period rich in the South's peculiar blend of semi-organized rebellion, individual courage, and rank-and-file militancy; but its lessons were omitted from the history books. To rectify that insult, Southern Exposure published a special book-length issue on the Depression, based largely on the oral testimonies of those who were the sparks for that era's struggles. Entitled "No More Moanin'," the collection — now near the end of its second printing — has been a popular source book in union halls, university classrooms, and informal study groups.
| Author | : Sue Thrasher |
| Publisher | : The Institute for Southern Studies |
| Total Pages | : 227 |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Joy Elvey Lamm |
| Publisher | : The Institute for Southern Studies |
| Total Pages | : 124 |
| Release | : |
| Genre | : Biography & Autobiography |
| ISBN | : |
The time has come, Lillian Smith wrote in 1962, for women to risk the "great and daring creative act" of discovering and articulating their own identity. Three years later, Southern women of a younger generation, fortified by the skills and self-respect earned in the black civil-rights movement, issued the first manifesto of a new feminism. Their words landed with explosive force, setting off cultural reverberations which have shaken the lives of men and women alike. A little more than a decade after that, this issue of Southern Exposure began to take form. Its creation has taken us back into history and deep into the meaning of our own lives. As we set out to understand the situation of Southern women, we found ourselves "in search of our mothers' gardens." We found ourselves naming an experience we share across the generations. "So many of the stories that I write," Alice Walker discovered, "are my mother's stories." To speak in our own voices, we had first to give expression to a "promise song" that has been there all along.
