South Georgia Blues
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Author | : Don Brooklyn |
Publisher | : Kissbooks, LLC |
Total Pages | : 519 |
Release | : |
Genre | : Fiction |
ISBN | : 097462005X |
Stanford Rome and Shelley Lester were boyhood best friends growing up in Twofer County, South Georgia. As men, they went their separate ways but stayed in touch. Now, both live in Atlanta. Stanford Rome is managing partner of his top-notch Certified Public Accounting firm of Rome, Kelsey, and Lang, CPAs. Shelley Lester is a decorated war hero, who refused to accept the Medal of Honor for “killing colored people for my country.” Now, he’s a strong-arm working exclusively for the governor. He also patrols the mean streets of Atlanta, where it’s rumored that Shelley has disappeared just as many killers and murderers during the peace in Atlanta as he killed enemy soldiers during the war in Vietnam. Four months earlier, Stanford’s wife and son were murdered in Twofer County. Despite enormous pressure from the governor and other political elites, the many investigations have stalled and wound down to one skeleton crew. But Shelley keeps doggedly hunting clues into the murders of Stanford’s wife and son—his godson. Stanford, guilt-ridden with numbing sadness, takes a leave of absence from his CPA firm to do his own investigation, if only to keep the peace with himself. Meanwhile, two women roll out battle plans to wage war on Stanford and his peace. Her name is Candice Bergens, and she’s a sniper for hire. She owns a “Styles by Candy” beauty salon in each of the eleven cities where she’s killed a man. Now she has a contract on Stanford and will kill him with her bullets and her gun. Her name is Jocelyn Slade, and she’s a WTNT-TV News evening anchor; the “darling of Atlanta’s airwaves”. She has a crush on Stanford and wants to seduce him with her sex and her charm. Jocelyn’s intelligence is matched only by her ruthlessness—and her beauty. She’s as great a danger to Stanford as the sniper. And then there’s the larger-than-life QueenBee, watching patiently, allowing law enforcement to do its thing. The law failed. Now she will do her thing. QueenBee is South Georgia royalty, the matriarch of Twofer County, and Stanford’s grandmother. QueenBee knows something about the murders no one else knows. She will find the mastermind of the murders and fetch him to Twofer County to face her kangaroo court and her brand of South Georgia payback disguised as justice. Her vengeful search starts in Chicago 800 miles away, and her search ends in the deep backwoods of Twofer County where a small plane crashed and burned--35 years ago. The characters are up to their necks in this story of unrequited love and unrequited hate, of self-deception and deceit, of bald-faced lies and half-truths, and most of all, of blind loyalty and misplaced trust. And lurking in the shadows is Frank, tiptoeing along that thin line between Jazz and South Georgia Blues.
Author | : D. B. Cap |
Publisher | : |
Total Pages | : 424 |
Release | : 2005 |
Genre | : African American abolitionists |
ISBN | : 9780974620008 |
The Rome Double-murder remains unsolved after four months. The local police, the state police and the FBI have quit the case. But Stanford Rome the husband and father of the murdered pair, takes the hunt a second time. Meanwhile he's stalked by two women--One wants to love him ; one wants to kill him. That's one story. However there is a story behind the story. The charcters are up to their necks in mystery, and lurking in the shadows is Frank.
Author | : Jasmine Elizabeth Smith |
Publisher | : University of Georgia Press |
Total Pages | : 101 |
Release | : 2022-02-15 |
Genre | : Poetry |
ISBN | : 0820360910 |
In her debut poetry collection, Jasmine Elizabeth Smith takes inspiration from Oklahoma Black history. In the wake of the Tulsa Race Massacre of 1921, Jim Waters makes the difficult decision to leave behind his lover, Beatrice Vernadene Chapel, who as a Black woman must navigate the dangerous climate that produced the Jim Crow South and Red Summer. As Beatrice and Jim write letters to one another and hold imagined conversations with blues musicians Ida B. Cox, Robert Johnson, Charlie Patton, Ethel Waters, and the ghosts of Greenwood, the couple interrogates themes of blues epistemology, Black feminism, fraught attachments, and the way in which Black Americans have often changed their geographical regions with the hope of improving their conditions. The poetry collection South Flight is a eulogy, a blues, an unabashed love letter, and ragtime to the history of resistance, migration, and community in Black Oklahoma.
Author | : Tim Carr |
Publisher | : W W Norton & Company Incorporated |
Total Pages | : 256 |
Release | : 1998 |
Genre | : Photography |
ISBN | : 9780393046052 |
The Carrs share their exploration of the Antarctic region and South Georgian coast aboard their yacht as they document and photograph polar wildlife and landscape
Author | : Jim Auchmutey |
Publisher | : PublicAffairs |
Total Pages | : 273 |
Release | : 2015-03-31 |
Genre | : Social Science |
ISBN | : 1610393554 |
In the midst of racial strife, one young man showed courage and empathy. It took forty years for the others to join him Being a student at Americus High School was the worst experience of Greg Wittkamper's life. Greg came from a nearby Christian commune, Koinonia, whose members devoutly and publicly supported racial equality. When he refused to insult and attack his school's first black students in 1964, Greg was mistreated as badly as they were: harassed and bullied and beaten. In the summer after his senior year, as racial strife in Americus -- and the nation -- reached its peak, Greg left Georgia. Forty-one years later, a dozen former classmates wrote letters to Greg, asking his forgiveness and inviting him to return for a class reunion. Their words opened a vein of painful memory and unresolved emotion, and set him on a journey that would prove healing and saddening. The Class of '65 is more than a heartbreaking story from the segregated South. It is also about four of Greg's classmates -- David Morgan, Joseph Logan, Deanie Dudley, and Celia Harvey -- who came to reconsider the attitudes they grew up with. How did they change? Why, half a lifetime later, did reaching out to the most despised boy in school matter to them? This noble book reminds us that while ordinary people may acquiesce to oppression, we all have the capacity to alter our outlook and redeem ourselves.
Author | : Bruce Bastin |
Publisher | : University of Illinois Press |
Total Pages | : 436 |
Release | : 1995 |
Genre | : Music |
ISBN | : 9780252065217 |
This story of the origins and evolution of the American blues tradition draws on oral history interviews and research into neglected primary sources. Book jacket.
Author | : James C. Giesen |
Publisher | : University of Chicago Press |
Total Pages | : 238 |
Release | : 2012-08-01 |
Genre | : History |
ISBN | : 0226292851 |
Between the 1890s and the early 1920s, the boll weevil slowly ate its way across the Cotton South from Texas to the Atlantic Ocean. At the turn of the century, some Texas counties were reporting crop losses of over 70 percent, as were areas of Louisiana, Arkansas, and Mississippi. By the time the boll weevil reached the limits of the cotton belt, it had destroyed much of the region’s chief cash crop—tens of billions of pounds of cotton, worth nearly a trillion dollars. As staggering as these numbers may seem, James C. Giesen demonstrates that it was the very idea of the boll weevil and the struggle over its meanings that most profoundly changed the South—as different groups, from policymakers to blues singers, projected onto this natural disaster the consequences they feared and the outcomes they sought. Giesen asks how the myth of the boll weevil’s lasting impact helped obscure the real problems of the region—those caused not by insects, but by landowning patterns, antiquated credit systems, white supremacist ideology, and declining soil fertility. Boll Weevil Blues brings together these cultural, environmental, and agricultural narratives in a novel and important way that allows us to reconsider the making of the modern American South.
Author | : Robert Headland |
Publisher | : CUP Archive |
Total Pages | : 316 |
Release | : 1984 |
Genre | : History |
ISBN | : 9780521424745 |
This extensively illustrated book is the only comprehensive account of the island of South Georgia.
Author | : Kathryn Newfont |
Publisher | : University of Georgia Press |
Total Pages | : 416 |
Release | : 2012 |
Genre | : Nature |
ISBN | : 0820341258 |
"In the late twentieth century, residents of the Blue Ridge mountains in western North Carolina fiercely resisted certain environmental efforts, even while launching aggressive initiatives of their own. Kathryn Newfont provides context for those events by examining the environmental history of this region over the course of three hundred years, identifying what she calls commons environmentalism--a cultural strain of conservation in American history that has gone largely unexplored. Efforts in the 1970s to expand federal wilderness areas in the Pisgah and Nantahala national forests generated strong opposition. For many mountain residents the idea of unspoiled wilderness seemed economically unsound, historically dishonest, and elitist. Newfont shows that local people's sense of commons environmentalism required access to the forests that they viewed as semipublic places for hunting, fishing, and working. Policies that removed large tracts from use were perceived as 'enclosure' and resisted. Incorporating deep archival work and years of interviews and conversations with Appalachian residents, Blue Ridge Commons reveals a tradition of people building robust forest protection movements on their own terms."--p. [4] of cover.
Author | : Bruce Jackson |
Publisher | : University of Georgia Press |
Total Pages | : 388 |
Release | : 1999 |
Genre | : Music |
ISBN | : 9780820321585 |
Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.