South Central Los Angeles
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| Author | : Abigail Rosas |
| Publisher | : Stanford Studies in Comparativ |
| Total Pages | : 272 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 9780804799812 |
South Central Los Angeles is often characterized as an African American community beset by poverty and economic neglect. But this depiction obscures the significant Latina/o population that has called South Central home since the 1970s. More significantly, it conceals the efforts African American and Latina/o residents have made together in shaping their community. As residents have faced increasing challenges from diminished government social services, economic disinvestment, immigration enforcement, and police surveillance, they have come together in their struggle for belonging and justice. South Central Is Home investigates the development of relational community formation and highlights how communities of color like South Central experience racism and discrimination--and how in the best of situations, they are energized to improve their conditions together. Tracking the demographic shifts in South Central from 1945 to the present, Abigail Rosas shows how financial institutions, War on Poverty programs like Headstart for school children, and community health centers emerged as crucial sites where neighbors engaged one another over what was best for their community. Through this work, Rosas illuminates the promise of community building, offering findings indispensable to our understandings of race, community, and place in U.S. society.
| Author | : Pierrette Hondagneu-Sotelo |
| Publisher | : NYU Press |
| Total Pages | : 368 |
| Release | : 2021-07-13 |
| Genre | : Social Science |
| ISBN | : 1479807974 |
Race, place, and identity in a changing urban America Over the last five decades, South Los Angeles has undergone a remarkable demographic transition. In South Central Dreams, eminent scholars Pierrette Hondagneu-Sotelo and Manuel Pastor follow its transformation from a historically Black neighborhood into a predominantly Latino one, providing a fresh, inside look at the fascinating—and constantly changing—relationships between these two racial and ethnic groups in California. Drawing on almost two hundred interviews and statistical data, Hondagneu-Sotelo and Pastor explore the experiences of first- and second-generation Latino residents, their long-time Black neighbors, and local civic leaders seeking to build coalitions. Acknowledging early tensions between Black and Brown communities. they show how Latino immigrants settled into a new country and a new neighborhood, finding various ways to co-exist, cooperate, and, most recently, demonstrate Black-Brown solidarity at a time when both racial and ethnic communities have come under threat. Hondagneu-Sotelo and Pastor show how Latino and Black residents have practiced, and adapted innovative strategies of belonging in a historically Black context, ultimately crafting a new route to place-based identity and political representation. South Central Dreams illuminates how racial and ethnic demographic shifts—as well as the search for identity and belonging—are dramatically shaping American cities and neighborhoods around the country.
| Author | : João Helion Costa Vargas |
| Publisher | : Choice Publishing Co., Ltd. |
| Total Pages | : 324 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 9780816641697 |
Since the 1980s, Los Angeles has become the most racially and economically divided city in the United States. In the poorest parts of South Central Los Angeles, buildings in disrepair--the legacy of racial unrest. Moving beyond stereotypes of South Central's predominantly African American residents, João H. Costa Vargas recounts his almost two years living in the district. Personal, critical, and disquieting, Catching Hell in the City of Angels examines the ways in which economic and social changes in the twentieth century have affected the black community, and powerfully conveys the experiences that bind and divide its people. Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups. He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case he describes the worldviews and the definitions of "blackness" these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism. Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the racialized power that makes "blackness" a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, Catching Hell in the City of Angels tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities. João H. Costa Vargas is assistant professor in the Center for African and African American Studies and the department of anthropology at the University of Texas, Austin. Robin D. G. Kelley is the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. He is the author of numerous books, including Yo Mama's Disfunktional: Fighting the Culture Wars in Urban America.
| Author | : Brian S. Bentley |
| Publisher | : Cool Jack Publishing |
| Total Pages | : 252 |
| Release | : 2016-06-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781890632038 |
A hardcore look into the mind of a patrol officer working in South Central Los Angeles. The author uses personal testimony to illustrate how "Da Hood" changed him from a "community base" police officer into an aggressive predator of gang members. The LAPD recruitment posters forgot to mention that he would be shot at, called an "Uncle Tom," and treated like an outsiders by his partners because he grew up and lived in the neighborhood he patrolled. The employment pamphlets failed to describe the helplessness he would feel while handling rape investigations or the sadness he would have to block out at homicide scenes. Nothing prepared him for what he would experience. His Bachelors degree did not prepare him for a career with the LAPD. Growing up with gang members did not prepare him for the streets as a cop. The only adequate preparation he had was his religious beliefs. He was prepared to die.
| Author | : Clora Bryant |
| Publisher | : Univ of California Press |
| Total Pages | : 502 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9780520220980 |
Here too are recollections of Hollywood's effects on local culture, the precedent-setting merger of the black and white musicians' unions, and the repercussions from the racism in the Los Angeles Police Department in the late 1940s and early 1950s.
| Author | : Cid Martinez |
| Publisher | : NYU Press |
| Total Pages | : 263 |
| Release | : 2016-07-19 |
| Genre | : Political Science |
| ISBN | : 0814762840 |
South Los Angeles is often seen as ground zero for inter-racial conflict and violence in the United States. Since the 1940s, South LA has been predominantly a low-income African American neighborhood, and yet since the early 1990s Latino immigrants—mostly from Mexico and many undocumented—have moved in record numbers to the area. Given that more than a quarter million people live in South LA and that poverty rates exceed 30 percent, inter-racial conflict and violence surprises no one. The real question is: why hasn't there been more? Through vivid stories and interviews, The Neighborhood Has Its Own Rules provides an answer to this question. Based on in-depth ethnographic field work collected when the author, Cid Martinez, lived and worked in schools in South Central, this study reveals the day-to-day ways in which vibrant social institutions in South LA— its churches, its local politicians, and even its gangs—have reduced conflict and kept violence to a level that is manageable for its residents. Martinez argues that inter-racial conflict has not been managed through any coalition between different groups, but rather that these institutions have allowed established African Americans and newcomer Latinos to co-exist through avoidance—an under-appreciated strategy for managing conflict that plays a crucial role in America's low-income communities. Ultimately, this book proposes a different understanding of how neighborhood institutions are able to mitigate conflict and violence through several community dimensions of informal social controls.
| Author | : Andrea Gibbons |
| Publisher | : Verso Books |
| Total Pages | : 257 |
| Release | : 2018-09-18 |
| Genre | : Social Science |
| ISBN | : 1786632705 |
A majestic one-hundred-year study of segregation in Los Angeles City of Segregation documents one hundred years of struggle against the enforced separation of racial groups through property markets, constructions of community, and the growth of neoliberalism. This movement history covers the decades of work to end legal support for segregation in 1948; the 1960s Civil Rights movement and CORE’s efforts to integrate LA’s white suburbs; and the 2006 victory preserving 10,000 downtown residential hotel units from gentrification enfolded within ongoing resistance to the criminalization and displacement of the homeless. Andrea Gibbons reveals the shape and nature of the racist ideology that must be fought, in Los Angeles and across the United States, if we hope to found just cities.
| Author | : Mark Steinmetz |
| Publisher | : Nazraeli Press |
| Total Pages | : 80 |
| Release | : 2006 |
| Genre | : Photography |
| ISBN | : |
| Author | : Jooyoung Lee |
| Publisher | : University of Chicago Press |
| Total Pages | : 291 |
| Release | : 2016-03-22 |
| Genre | : Music |
| ISBN | : 022634889X |
What many readers have wished for is now reality: a richly descriptive ethnography of street rappers. Blowing up refers to rappers dream of becoming rich and famous, or, at the least, successful as recording artists. Jooyoung Lee adds a shape to his story of Flawliis, VerBS, E. Crimsin, Psychosiz, and Tick-a-Lott: how do young black men from the inner city navigate their twenties? Blowin Up is a vibrant look at the young-adult stage of people who grow up in the shadow of gangs, dead-end jobs, and a glittering entertainment industry (the setting is Los Angeles). No other account of ghetto youth affords us this particular angle of vision. Lee discovers that in South Central L.A., rap can create bridges that bring young men together with peers from different neighborhoods (underscoring the importance of a healthy alternative to gangs). A rapper s underground artistic career is rooted in battle skills and crowd appeal, and, to boot, is meritocratic (whereas mainstream career success is based on branding, timing, funding, networks, and gimmicks). Rapping is an embodied artit takes much practice to learn, and requires body skills in dance, stance, and voice. Lee homes in on the skills and personalities of individual rappers, but he also illuminates the complex hip-hop scene around which these young men orbit, giving us detailed understandings of how young men navigate the intricate, tightly-wound world of tragedy and opportunity in the city. Lee balances the prospect of risk and existential uncertainty for youth entering a young adult life-stage with the hope for a big break in forging an entertainment career. In the end, Lee shows us how the arts can shape the lives of at-risk youth."
| Author | : Bud Goldstone |
| Publisher | : Getty Publications |
| Total Pages | : 124 |
| Release | : 1997 |
| Genre | : Los Angeles (Calif.) |
| ISBN | : 9780892364916 |
"The Watts Towers of Simon Rodia are one of the unique treasures of Los Angeles and the product of one man's obsession. Rodia, a poor Italian immigrant, settled in a sleepy railway junction south of downtown in 1921 and spent the next thirty-four years single-handedly assembling a frenzy of shapes and color. Rising to one hundred feet, the towers were built without machine equipment, scaffolding, bolts, rivets, welds - or plans!" "Bud Goldstone, who knew Rodia personally, and Arloa Paquin Goldstone have worked to preserve the towers since 1959. They tell the exciting story of how the towers were first rescued from demolition by the City of Los Angeles itself and then saved from natural and man-made disasters. They present new biographical information about Rodia and his innovative techniques and discuss the towers as art, as architecture, and as a singular expression of urban culture in Southern California."--Page 4 of cover.
