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| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1998 |
| Genre | : Architecture, Italian |
| ISBN | : 9780859643443 |
The database is a collection of treatises on art and architecture from the period 1470 to 1775. It is structured around the two Italian editions of Giorgio Vasari's Lives of the artists.
| Author | : Shannan Clark |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 609 |
| Release | : 2020-12-16 |
| Genre | : Cultural industries |
| ISBN | : 0199731624 |
The Making of the American Creative Class narrates the history of workers in New York's publishing, advertising, design, and broadcasting industries and their efforts to improve their working conditions, set against the backdrop of the economic dislocations of twentieth-century capitalism.
| Author | : Barbara Braun |
| Publisher | : Abradale Press |
| Total Pages | : 356 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : |
Offers an in-depth look at pre-Columbian sources of modern art.
| Author | : Herschel Browning Chipp |
| Publisher | : Univ of California Press |
| Total Pages | : 692 |
| Release | : 1968 |
| Genre | : Art |
| ISBN | : 9780520014503 |
| Author | : Pamela Sachant |
| Publisher | : Good Press |
| Total Pages | : 614 |
| Release | : 2023-11-27 |
| Genre | : Art |
| ISBN | : |
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
| Author | : Michael Crane |
| Publisher | : |
| Total Pages | : 548 |
| Release | : 1984 |
| Genre | : Art |
| ISBN | : |
This long out-of-print anthology, edited by Mary Stofflet and Michael Crane and published in 1984, is the authoritative work on correspondence art. This anthology was compiled during the peak of correspondence art activity, with contributions from many of the medium's major players. Contributors: Ken Friedman, Dick Higgins, Ulises Carrion, Judith A. Hoffberg, Marily Ekdahl Ravicz, Jean-Marc Poinsot, Thomas Cassidy, Milan Knizak, Klaus Groh, Kenneth Coutts-Smith, Richard Craven, A.M. Fine, Tomas Schmit, Thomas Albright, Anna Banana, Andrzej Partum, Stephan Kukowski, Robert Reehfeldt, Steve Hitchcock, Edgardo-Antonio Vigo, Geoffrey Cook, Gaglione 1940-2040, C.E. Loeffler, Ken Friedman, Georg M. Gugelberger, James Warren Felter, and Peter Frank.
| Author | : Grant D. Taylor |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 353 |
| Release | : 2014-04-10 |
| Genre | : Social Science |
| ISBN | : 1623565618 |
Considering how culturally indispensable digital technology is today, it is ironic that computer-generated art was attacked when it burst onto the scene in the early 1960s. In fact, no other twentieth-century art form has elicited such a negative and hostile response. When the Machine Made Art examines the cultural and critical response to computer art, or what we refer to today as digital art. Tracing the heated debates between art and science, the societal anxiety over nascent computer technology, and the myths and philosophies surrounding digital computation, Taylor is able to identify the destabilizing forces that shape and eventually fragment the computer art movement.
| Author | : |
| Publisher | : Walther Konig Verlag |
| Total Pages | : 288 |
| Release | : 2021-06 |
| Genre | : |
| ISBN | : 9783960989172 |
An anthology of essays on art's relation to the public realm since 1989 This critical anthology explores the myriad histories and worlds through which art is produced and experienced. It is guided by the following questions: How are the "global" and the "located" shaped and understood in disparate contexts and times? How have artists experimented with modes of exhibition-making and public presentation? Key essays previously published by Afterall are included alongside new image-led presentations, translated material and commissioned texts. The anthology addresses the topic in both theoretical terms and through case studies. Contributors include: Silvia Rivera Cusicanqui, Miguel A. López, Eddie Chambers, Francesca Recchia, Pablo Lafuente, Philippe Pirotte, Ntone Edjabe, Clémentine Deliss, Khwezi Gule, Charles Gaines, David Teh, Ekaterina Degot, Ana Teixeira Pinto, María Berríos, Mujeres Creando, Comunitario del Valle de Xico, Tonika Sealy Thompson and Stefano Harney.
| Author | : Laura J. Hoptman |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 49 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 0870708317 |
In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate landscape featuring a woman lying in a field, that he called "Christina's World." The woman in the painting, Christina Olson, lived in Cushing, Maine, where Wyeth and his wife kept a summer house. She suffered from polio, and was paralyzed from the waist down; Wyeth was moved to portray her when he saw her one day crawling through the field towards her house. "Christina's World" was to become one of the most well-loved and most scorned works of the twentieth century, igniting heated arguments about parochialism, sentimentality, kitsch and elitism that have continued to dog the art world and Wyeth's own reputation, even after the artist's death in 2009. An essay by MoMA curator Laura Hoptman revisits the genesis of the painting, discussing Wyeth's curious focus, over the course of his career, on a deliberately delimited range of subjects and exploring the mystery that continues to surround the enigmatic painting.
