Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music

Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music
Author: Dr Nick Nesbitt
Publisher: Ashgate Publishing, Ltd.
Total Pages: 310
Release: 2013-01-28
Genre: Music
ISBN: 1409494101

It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility.

Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music

Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music
Author: Nick Nesbitt
Publisher: Routledge
Total Pages: 344
Release: 2016-04-01
Genre: Music
ISBN: 1317052447

It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility.

Virtual Music

Virtual Music
Author: William Duckworth
Publisher: Routledge
Total Pages: 224
Release: 2013-01-11
Genre: Music
ISBN: 1136087389

Virtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web composing. Also includes a 4-page color insert.

Music, Sound and Multimedia

Music, Sound and Multimedia
Author: Jamie Sexton
Publisher: Edinburgh University Press
Total Pages: 224
Release: 2007-11-14
Genre: Music
ISBN: 0748630902

This new series aims to explore the area of "e;screen music"e;. Volume topics will include multimedia music, music and television, Hollywood film music, and the music of Bollywood cinema.Music and other sound effects have been central to a whole host of media forms throughout the twentieth century, either as background, accompaniment, or main driving force. Such interactions will continue to mutate in new directions, with the widespread growth of digital technologies. Despite the expansion of research into the use of music and sound in film, the investigation of sonic interactions with other media forms has been a largely under-researched area. Music, Sound and Multimedia provides a unique study of how music and other sounds play a central part in our understandings and uses of a variety of communications media. It focuses on four areas of sound and music within broader multimedia forms - music videos, video game music, performance and presentation, and production and consumption - and addresses the centrality of such aural concerns within our everyday experiences. Charting historical developments, mapping contemporary patterns, and speculating on future possibilities, this book is essential for courses on sound and media within media and communications studies, cultural studies and popular music studies.Key features* Charts a number of key developments in music and multimedia interactions* Provides both historical overviews and theoretical analyses* Features a number of in-depth case studies of important issues.

An Introduction to Virtual Sound Barriers

An Introduction to Virtual Sound Barriers
Author: Xiaojun Qiu
Publisher: CRC Press
Total Pages: 155
Release: 2019-07-09
Genre: Technology & Engineering
ISBN: 1351168037

A virtual sound barrier is an active noise control system that uses arrays of loudspeakers and microphones to create a useful size of quiet zone and can be used to reduce sound propagation, radiation, or transmission from noise sources or to reduce noise level around people in a noisy environment. This book introduces the history, principle, and design methods of virtual sound barriers first, and then describes recent progress in research on the systems. Two virtual sound barrier systems, i.e., planar virtual sound barrier system and three-dimensional virtual sound barrier system, are discussed including applications, limitations and future direction discussions.

Echoes of Other Worlds: Sound in Virtual Reality

Echoes of Other Worlds: Sound in Virtual Reality
Author: Tom A. Garner
Publisher: Springer
Total Pages: 384
Release: 2017-09-01
Genre: Social Science
ISBN: 3319657089

This book explores the nature and importance of sound in virtual reality (VR). Approaching the subject from a holistic perspective, the book delivers an emergent framework of VR sound. This framework brings together numerous elements that collectively determine the nature of sound in VR; from various aspects of VR technology, to the physiological and psychological complexities of the user, to the wider technological, historical and sociocultural issues. Garner asks, amongst other things: what is the meaning of sound? How have fictional visions of VR shaped our expectations for present technology? How can VR sound hope to evoke the desired responses for such an infinitely heterogeneous user base? This book if for those with an interest in sound and VR, who wish to learn more about the great complexities of the subject and discover the contemporary issues from which future VR will surely advance.

A Theory of Virtual Agency for Western Art Music

A Theory of Virtual Agency for Western Art Music
Author: Robert S. Hatten
Publisher: Indiana University Press
Total Pages: 251
Release: 2018-09-06
Genre: Music
ISBN: 0253038014

In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.

Sounding the Virtual

Sounding the Virtual
Author: Brian Clarence Hulse
Publisher:
Total Pages:
Release: 2010
Genre: Music
ISBN: 9781315609966

It is the contention of the editors and contributors to this collection, that Gilles Deleuze has made interesting and important contributions to the understanding of music. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them. This book does just that. It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility.

Virtual Music

Virtual Music
Author: William Duckworth
Publisher:
Total Pages: 209
Release: 2005
Genre: Music
ISBN: 9780415966757

"With the explosive growth of the World Wide Web has come a new world of cyber music, and with it, seemingly unlimited artistic possibilities. [The book] chronicles the development of interactive sound and music, from its beginnings in the early twentieth century to cell phones and iTunes. This history includes composer and musician William Duckworth's own story - the creation of "Cathedral", one of the first interactive works of music and art on the Web. From file sharing and nanotechnology to Brian Eno and Moby, Duckworth examines the complex, and at times controversial, new musical world presently developing online." -Back cover.