Sounding The Virtual
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Author | : Dr Nick Nesbitt |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 310 |
Release | : 2013-01-28 |
Genre | : Music |
ISBN | : 1409494101 |
It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility.
Author | : Nick Nesbitt |
Publisher | : Routledge |
Total Pages | : 344 |
Release | : 2016-04-01 |
Genre | : Music |
ISBN | : 1317052447 |
It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility.
Author | : William Duckworth |
Publisher | : Routledge |
Total Pages | : 224 |
Release | : 2013-01-11 |
Genre | : Music |
ISBN | : 1136087389 |
Virtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web composing. Also includes a 4-page color insert.
Author | : Durand R. Begault |
Publisher | : |
Total Pages | : 248 |
Release | : 2000 |
Genre | : Computer sound processing |
ISBN | : |
Author | : Jamie Sexton |
Publisher | : Edinburgh University Press |
Total Pages | : 224 |
Release | : 2007-11-14 |
Genre | : Music |
ISBN | : 0748630902 |
This new series aims to explore the area of "e;screen music"e;. Volume topics will include multimedia music, music and television, Hollywood film music, and the music of Bollywood cinema.Music and other sound effects have been central to a whole host of media forms throughout the twentieth century, either as background, accompaniment, or main driving force. Such interactions will continue to mutate in new directions, with the widespread growth of digital technologies. Despite the expansion of research into the use of music and sound in film, the investigation of sonic interactions with other media forms has been a largely under-researched area. Music, Sound and Multimedia provides a unique study of how music and other sounds play a central part in our understandings and uses of a variety of communications media. It focuses on four areas of sound and music within broader multimedia forms - music videos, video game music, performance and presentation, and production and consumption - and addresses the centrality of such aural concerns within our everyday experiences. Charting historical developments, mapping contemporary patterns, and speculating on future possibilities, this book is essential for courses on sound and media within media and communications studies, cultural studies and popular music studies.Key features* Charts a number of key developments in music and multimedia interactions* Provides both historical overviews and theoretical analyses* Features a number of in-depth case studies of important issues.
Author | : Xiaojun Qiu |
Publisher | : CRC Press |
Total Pages | : 155 |
Release | : 2019-07-09 |
Genre | : Technology & Engineering |
ISBN | : 1351168037 |
A virtual sound barrier is an active noise control system that uses arrays of loudspeakers and microphones to create a useful size of quiet zone and can be used to reduce sound propagation, radiation, or transmission from noise sources or to reduce noise level around people in a noisy environment. This book introduces the history, principle, and design methods of virtual sound barriers first, and then describes recent progress in research on the systems. Two virtual sound barrier systems, i.e., planar virtual sound barrier system and three-dimensional virtual sound barrier system, are discussed including applications, limitations and future direction discussions.
Author | : Tom A. Garner |
Publisher | : Springer |
Total Pages | : 384 |
Release | : 2017-09-01 |
Genre | : Social Science |
ISBN | : 3319657089 |
This book explores the nature and importance of sound in virtual reality (VR). Approaching the subject from a holistic perspective, the book delivers an emergent framework of VR sound. This framework brings together numerous elements that collectively determine the nature of sound in VR; from various aspects of VR technology, to the physiological and psychological complexities of the user, to the wider technological, historical and sociocultural issues. Garner asks, amongst other things: what is the meaning of sound? How have fictional visions of VR shaped our expectations for present technology? How can VR sound hope to evoke the desired responses for such an infinitely heterogeneous user base? This book if for those with an interest in sound and VR, who wish to learn more about the great complexities of the subject and discover the contemporary issues from which future VR will surely advance.
Author | : Robert S. Hatten |
Publisher | : Indiana University Press |
Total Pages | : 251 |
Release | : 2018-09-06 |
Genre | : Music |
ISBN | : 0253038014 |
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
Author | : Brian Clarence Hulse |
Publisher | : |
Total Pages | : |
Release | : 2010 |
Genre | : Music |
ISBN | : 9781315609966 |
It is the contention of the editors and contributors to this collection, that Gilles Deleuze has made interesting and important contributions to the understanding of music. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them. This book does just that. It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility.
Author | : William Duckworth |
Publisher | : |
Total Pages | : 209 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9780415966757 |
"With the explosive growth of the World Wide Web has come a new world of cyber music, and with it, seemingly unlimited artistic possibilities. [The book] chronicles the development of interactive sound and music, from its beginnings in the early twentieth century to cell phones and iTunes. This history includes composer and musician William Duckworth's own story - the creation of "Cathedral", one of the first interactive works of music and art on the Web. From file sharing and nanotechnology to Brian Eno and Moby, Duckworth examines the complex, and at times controversial, new musical world presently developing online." -Back cover.