Sounding Dissent
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| Author | : Stephen Millar |
| Publisher | : University of Michigan Press |
| Total Pages | : 265 |
| Release | : 2020-05-07 |
| Genre | : Music |
| ISBN | : 0472126733 |
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agreement identity narratives in a “post-conflict” era. Sounding Dissent draws on three years of sustained fieldwork within Belfast's rebel music scene, in-depth interviews with republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.The book examines the potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but also play a central role in the reproduction of conflict and exclusion in times of peace.
| Author | : Stephen Millar |
| Publisher | : University of Michigan Press |
| Total Pages | : 265 |
| Release | : 2020-05-07 |
| Genre | : Music |
| ISBN | : 047213194X |
The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public has overwhelmingly rejected a return to the violence of the Troubles (1968–1998), loyalist and republican groups have sought other outlets to continue their struggle. Music has long been used to celebrate cultural identity in the North of Ireland: from street parades to football chants, and from folk festivals to YouTube videos, music facilitates the continuation of pre-Agreement identity narratives in a “post-conflict” era. Sounding Dissent draws on original in-depth interviews with Irish republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland. The book examines the hagiographic potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but play a central role in the reproduction of conflict and exclusion in times of peace.
| Author | : Joe Mulhall |
| Publisher | : Footnote Press |
| Total Pages | : 270 |
| Release | : 2024-09-26 |
| Genre | : History |
| ISBN | : 1804441171 |
'Empathy is the currency of all music and Joe Mulhall does a great job of explaining how that quality has been used to generate solidarity for the struggle and sympathy for those who suffer injustice' Billy Bragg 'A beautiful account of how music has unified, healed and inspired humanity during some of history's darkest days. Illuminating, uplifting and important' James O'Brien While the global history of the dictatorships, oppression, racism and state violence over the last century is well known - the role that music played in people's lives during these times is less understood. This book is a collection of stories and hidden histories about how music provided light in the darkest of times over the past century. How it steeled souls and inspired resistance to oppression. Rebel Sounds will explore freedom songs in the Republic of Ireland, the Soviet Union's oppression behind the Berlin Wall, authoritarian dictatorships in Brazil and Nigeria, institutionalised racism and police violence in America and South Africa, street violence in Britain, ethnic cleansing in the Balkans and musical resistance in war-torn Ukraine. This is a social history of the twentieth century but one that takes in the human impulse to create, share and enjoy the one thing that connects cultures and spans generations: music.
| Author | : Helmi Järviluoma |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 345 |
| Release | : 2017-06-23 |
| Genre | : Music |
| ISBN | : 1443878677 |
Freedom of expression and its direct counterpart, censorship and silencing, are increasingly gaining attention in the world of art and culture. Through the growth of social media and its worldwide distribution, arts and cultural products are shared, and the increased visibility and audibility of culture is highlighted through iconic and pivotal clashes, such as the fatwa on The Satanic Verses in 1989, the recurring bans on the music of Wagner, the alleged censorship of playlists following 9/11, and the cartoon crisis in 2006. This volume takes the discussion directly to the field of music studies in a broad frame and insists on examining music censorship in a global perspective. The book addresses the important and increasingly relevant issue of scholarship on music censorship and thus contributes to a detailed understanding of the phenomenon. Often, words and semantic meaning are held to be determining to the restrictions on musicians and singers, but as this collection documents, the reasons for censorship might not always be found in verbal messages. Rather, the positioning of a more broad understanding of why and how music can convey meaning and accordingly trigger censorship and bans is at the heart of this work. The complexity of music censorship includes historical, structural as well as emotional ‘listenings’ and interpretations of sound. The topic, accordingly, is political, as well as scholarly urgent.
| Author | : Gerald Parsons |
| Publisher | : Manchester University Press |
| Total Pages | : 340 |
| Release | : 1988 |
| Genre | : Church history |
| ISBN | : 9780719025112 |
This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change.The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
| Author | : Áine Mangaoang |
| Publisher | : Routledge |
| Total Pages | : 361 |
| Release | : 2020-10-12 |
| Genre | : Music |
| ISBN | : 0429811853 |
Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.
| Author | : Stephen R. Millar |
| Publisher | : Routledge |
| Total Pages | : 176 |
| Release | : 2021-05-17 |
| Genre | : Sports & Recreation |
| ISBN | : 100039106X |
Football is ubiquitous and a permanent fixture of modern life. More than a sport, it frequently manifests in broader popular culture. This book examines the significance of football for, and in, popular culture across a wide range of forms, including music, film, and social media. Football and Popular Culture plots a new path in Football Studies, drawing on original research in countries including England, Brazil, Germany, Canada, and Yugoslavia. The book includes both historical and contemporary perspectives, exploring some of the most important themes in the study of sport and culture, including identity, nationalism, fandom, and protest. It presents diverse case studies ranging from sonic violence among Brazilian torcidas organizadas to fanled commemoration of the Munich air disaster, which together help us to better understand the intersection of sport, society, and popular culture. This is fascinating reading for any student or researcher working in sport studies, cultural studies, media studies, sociology, or contemporary history.
| Author | : Nicholas Tochka |
| Publisher | : Oxford University Press |
| Total Pages | : 281 |
| Release | : 2016-11-01 |
| Genre | : Music |
| ISBN | : 0190467835 |
During the Cold War, state-sponsored musical performances were central to the diplomatic agendas of the United States and the Soviet Union. But states on the periphery of the conflict also used state-funded performances to articulate their positions in the polarized global network. In Albania in particular, the postwar government invested heavily in public performances at home, effectively creating a new genre of popular music: the wildly popular light music. In Audible States: Socialist Politics and Popular Music in Albania, author Nicholas Tochka traces an aural history of Albania's government through a close examination of the development and reception of light music at Radio-Television Albania's Festival of Song. Drawing on a wide range of archival resources and over forty interviews with composers, lyricists, singers, and bureaucrats, Tochka describes how popular music became integral to governmental projects to improve society--and a major concern for both state-socialist and postsocialist regimes between 1945 and the present. Tochka's narrative begins in the immediate postwar period, arguing that state officials saw light music as a means to cultivate a modern population under socialism. As the Cold War ended, postsocialist officials turned again to light music, now hoping that these musicians could help shape Albania into a capitalist, "European" state. Interweaving archival research with ethnographic interviews, Audible States demonstrates that modern political orders do not simply render social life visible, but also audible. Incorporating insights from ethnomusicology, governmentality studies, and post-socialist studies, Audible States presents an original perspective on music and government that reveals the fluid, pervasive, but ultimately limited nature of state power in the modern world. A remarkably researched and engagingly written study, Audible States is a foundational text in the growing literature on popular music and culture in post-socialist Europe and will be of great interest for readers interested in popular music, sound studies, and the politics of the Cold War.
| Author | : Nalini Iyer |
| Publisher | : Taylor & Francis |
| Total Pages | : 208 |
| Release | : 2024-12-02 |
| Genre | : Social Science |
| ISBN | : 1040225403 |
This book brings together conversations about the Partition and its haunting residues in the present as represented in literary, visual, oral, and material cultures of the subcontinent and beyond. The seventy-fifth anniversary of Partition confronts scholars with significantly new subjects for reflection. The question of historical memory has now largely transformed to one of its reproductions through mass politics and mass media and, perhaps, professional academic inquiry, while the very meaning or value of Independence is in crisis. This edited volume includes chapters on representations of partition experiences and the re-drawing of the subcontinent’s political map. While the impact of the partition of the Punjab has been the focus of much scholarly studies in the past, and Bengal to a smaller extent, this collection extends the examination of the impact of this political event elsewhere in other communities in the subcontinent, and across other differentials. This book will be of interest to students, scholars and researchers of Indian history, Partition studies, literature, popular culture and performance, postcolonial studies, and South Asian studies. The chapters in this book were originally published as a special issue of South Asian Review.
| Author | : Raymond Barfield |
| Publisher | : Cambridge University Press |
| Total Pages | : 289 |
| Release | : 2011-01-31 |
| Genre | : Philosophy |
| ISBN | : 113949709X |
From its beginnings, philosophy's language, concepts and imaginative growth have been heavily influenced by poetry and poets. Drawing on the work of a wide range of thinkers throughout the history of Western philosophy, Raymond Barfield explores the pervasiveness of poetry's impact on philosophy and, conversely, how philosophy has sometimes resisted or denied poetry's influence. Although some thinkers, like Giambatista Vico and Nietzsche, praised the wisdom of poets, and saw poetry and philosophy as mutually beneficial pursuits, others resented, diminished or eliminated the importance of poetry in philosophy. Beginning with the famous passage in Plato's Republic in which Socrates exiles the poets from the city, this book traces the history of the ancient quarrel between philosophy and poetry through the works of thinkers in the Western tradition ranging from Plato to the work of the contemporary thinker Mikhail Bakhtin.
