Sorry You've Been Troubled

Sorry You've Been Troubled
Author: Peter Cheyney
Publisher: Murder Room
Total Pages: 259
Release: 2014-01-21
Genre: Fiction
ISBN: 1471901661

No one asked Slim Callaghan to investigate - he just did it - and they had to like it. A £40,000 insurance claim, two beautiful women and possibly a fake suicide were at stake. Slim Callaghan, private detective, reckoned the situation looked very interesting indeed, but he didn't have a client. Callaghan's motto was, 'We get there somehow and who the hell cares how'. He got there and got himself a client, eventually - an exquisitely beautiful client ...

The History of British Film (Volume 7)

The History of British Film (Volume 7)
Author: Rachael Low
Publisher: Routledge
Total Pages: 468
Release: 2020-03-26
Genre: Performing Arts
ISBN: 1136206892

This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.

For Times of Trouble

For Times of Trouble
Author: Jeffrey R. Holland
Publisher:
Total Pages: 242
Release: 2012
Genre: Bible
ISBN: 9781609072711

The author explores dozens of scriptural passages from the psalms, offering personal ideas and insights and sharing his testimony that "no matter what the trouble and trial of the day may be, we start and finish with the eternal truth that God is for us."--

The Collected Novels Volume Three

The Collected Novels Volume Three
Author: Graham Greene
Publisher: Open Road Media
Total Pages: 601
Release: 2018-11-06
Genre: Fiction
ISBN: 1504056698

Three compelling novels from the British author who has been hailed as “one of the finest writers of any language” (The Washington Post). In these novels of international intrigue and domestic drama, political injustice and crime, and the possibility of redemption, Graham Greene once again emerges as “the ultimate chronicler of twentieth-century man’s consciousness and anxiety” (William Golding, Nobel Prize–winning author of Lord of the Flies). Orient Express: The Orient Express has embarked on a three-day journey from Ostend to Cologne, Vienna, and Constantinople. The passenger list includes a Jewish trader from London with business interests in Turkey—and a score to settle; a vulnerable chorus girl on her last legs; a boozy and spiteful journalist who’s found an unrequited love in her paid companion, and her latest scoop in second class: a Serbian dissident in disguise on his way to lead a revolution; and a murderer on the run looking for a getaway. As the train hurtles across Europe, the fates of everyone on board will collide long before the Orient Express rushes headlong to its final destination. “Interesting and entertaining.” —The New York Times It’s a Battlefield: In pre–World War II London, during a demonstration in Hyde Park, Communist bus driver Jim Drover acts on instinct to protect his wife by stabbing to death the policeman set to strike her down. Sentenced to hang—whether as a martyr, tool, or murderer—Drover accepts his lot, unaware that the ramifications of the crime, and the battle for his reprieve, are inflaming political unrest. But Drover’s single, impulsive act is also upending the lives of the people he loves and trusts. Caught in a quicksand of desperation, sexual betrayal, and guilt, they will not only play a part in Drover’s fate, they’ll become agents—both unwitting and calculated—of their own fates as well. “Adventurous . . . intelligent . . . ingenious.” —V. S. Pritchett A Gun for Sale: Born out of a brutal childhood, Raven is an assassin for hire whose latest hit—a government minister—is calculated to ignite a war. When the most wanted man in England is paid off in marked bills, he also becomes the easiest to track—and police detective Jimmy Mather has the lead. But Raven’s got an advantage. Crossing paths with a sympathetic dancer named Anne Crowder, the emotionally scarred Raven has found someone in the wreckage of his life he can trust, maybe his only hope for salvation. Or at least, escape—because Anne is also Mather’s fiancée. Now the fate of two men will depend on her. And either way, it’s betrayal. “[Greene is] a pioneer of the modern mood we now think of as noir.” —LA Weekly