Sonic Residue
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| Author | : Sylvia Mieszkowski |
| Publisher | : transcript Verlag |
| Total Pages | : 403 |
| Release | : 2014-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 3839422027 |
»Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-traumatic short novel by Don DeLillo are its primary objects of analysis. Each is explored within the context of its contemporary cultural debates on sound. Meanwhile, all four theory-enriched readings focus on intersecting and desire-laden processes of meaning making, knowledge production and subject formation. Focal points are aurally/audio-visually structured phenomena expressive of both collective and individual anxieties.
| Author | : |
| Publisher | : |
| Total Pages | : 598 |
| Release | : 1998 |
| Genre | : |
| ISBN | : |
| Author | : Olga Chernoburova |
| Publisher | : Elsevier |
| Total Pages | : 320 |
| Release | : 2023-08-22 |
| Genre | : Technology & Engineering |
| ISBN | : 0323951767 |
Mining and Processing Residues: Future's Source of Critical Raw Materials provides a comprehensive review of principal aspects of CRM-containing residues re-processing, including available sampling and analytical techniques, the latest available processing technologies, authorization and legal matters, and analysis of environmental, social, and economic impacts. Suitable for academic researchers, practicing engineers and students, the book is aimed at giving a complete and multilateral view of CRM recovery from the residues. - Includes the most relevant techniques for residue sampling and characterization; - Describes most recent technologies applicable for residue re-processing; - Covers authorization and legal aspects of residue storage and re-processing; - Includes extensive case studies; - Analyzes environmental, social and economic impacts of residue re-processing.
| Author | : Ronald L. Grimes |
| Publisher | : |
| Total Pages | : 433 |
| Release | : 2014 |
| Genre | : Religion |
| ISBN | : 0195301420 |
Readership: Students and scholars of ritual studies, religious studies, anthropology
| Author | : Chad Bennett |
| Publisher | : JHU Press |
| Total Pages | : 343 |
| Release | : 2018-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1421425386 |
The first study of modern and contemporary poetry’s vibrant exchange with gossip. Can the art of gossip help us to better understand modern and contemporary poetry? Gossip’s ostensible frivolity may seem at odds with common conceptions of poetry as serious, solitary expression. But in Word of Mouth, Chad Bennett explores the dynamic relationship between gossip and American poetry, uncovering the unexpected ways that the history of the modern lyric intertwines with histories of sexuality in the twentieth century. Through nuanced readings of Gertrude Stein, Langston Hughes, Frank O’Hara, and James Merrill—poets who famously absorbed and adapted the loose talk that swirled about them and their work—Bennett demonstrates how gossip became a vehicle for alternative modes of poetic practice. By attending to gossip’s key role in modern and contemporary poetry, he recognizes the unpredictable ways that conventional understandings of the modern lyric poem have been shaped by, and afforded a uniquely suitable space for, the expression of queer sensibilities. Evincing an ear for good gossip, Bennett presents new and illuminating queer contexts for the influential poetry of these four culturally diverse poets. Word of Mouth establishes poetry as a neglected archive for our thinking about gossip and contributes a crucial queer perspective to current lyric studies and its renewed scholarly debate over the status and uses of the lyric genre.
| Author | : Michael Pickering |
| Publisher | : Springer |
| Total Pages | : 312 |
| Release | : 2015-10-12 |
| Genre | : History |
| ISBN | : 1137441216 |
This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.
| Author | : Giorgio Biancorosso |
| Publisher | : Oxford University Press |
| Total Pages | : 265 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 0195374711 |
Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of music listening has remained a special occurrence. In Situated Listening: The Sound of Absorption in Classical Cinema, author Giorgio Biancorosso argues for a redefinition of the music listener as represented in film. Rather than construct the listener as a reverential concertgoer, music analyst, or gallery dweller, this book instead shows how films offer a new way of thinking about listening as distributed experience, an activity made public and shareable across vast cultural spaces rather than an insular motion. It shows how cinema functions as not only a reservoir of established modes of listening, but also an agent in the development of new listening practices. As Biancorosso argues, many films have perpetuated a long-existing paradox of music as a means of silencing. Consider an aggressive score overlaying battle scenes or a romantic scene conveying unspoken intimacy. In the place of conversational exchange exists a veil of sound in the form of music, and Situated Listening explains why this function influences both the course of interpretation and empathy experienced by film spectators. By focusing on cinematic, physical, and emotional scenery surrounding a character, viewers can recognize aspects of their own lives, developing a deeper empathy for each fictional character through real and shared listening practices.
| Author | : Lisa Jackson-Schebetta |
| Publisher | : University of Alabama Press |
| Total Pages | : 212 |
| Release | : 2024-02-20 |
| Genre | : Performing Arts |
| ISBN | : 0817371176 |
The official journal of the Mid-America Theatre Conference Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text and SIRS. Along with book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains three sections with fourteen essays total. In the general section, three essays offer an array of insights, methods, and provocations. In the special section on care, contributors capture their experience as scholars, humans, and citizens in 2022. In Part III, the 2022 Robert A. Schanke Research Award-winning paper by Heidi L. Nees asks historians to rethink Western constructions of time. Taken together, volume 42 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field. CONTRIBUTORS Cheryl Black / Shelby Brewster / Matthieu Chapman / Meredith Conti / Zach Dailey / Michael DeWhatley / Whit Emerson / Katherine Gillen / Miles P. Grier / Patricia Herrera / Lisa Jackson-Schebetta / Nancy Jones / Joshua Kelly / Felicia Hardison Londré / Bret McCandless / Marci R. McMahon/ Tom Mitchell / Sherrice Mojgani / John Murillo III / Heidi L. Nees / Jessica N. Pabón-Colón / Kara Raphaeli / Leticia L. Ridley / Cynthia Running-Johnson / Alexandra Swanson / Catherine Peckinpaugh Vrtis / Shane Wood / Christine Woodworth / Robert O. Yates
| Author | : Alan Moore |
| Publisher | : Top Shelf Productions |
| Total Pages | : 232 |
| Release | : 2020-01-08 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1684067898 |
After an epic twenty-year journey through the entirety of human culture—the biggest cross-continuity “universe” that is conceivable—Alan Moore and Kevin O’Neill conclude both their legendary LEAGUE OF EXTRAORDINARY GENTLEMEN and their equally legendary comic book careers with the series’ spectacular fourth and final volume, THE TEMPEST. Tying up the slenderest of plot threads and allusions from the three preceding volumes, THE BLACK DOSSIER, and the NEMO trilogy into a dazzling and ingenious bow, the world’s most accomplished and bad-tempered artist-writer team use their most stylistically adventurous outing yet to display the glories of the medium they are leaving; to demonstrate the excitement that attracted them to the field in the first place; and to analyze, critically and entertainingly, the reasons for their departure. Opening simultaneously in the panic-stricken headquarters of British Military Intelligence, the fabled Ayesha’s lost African city of Kor, and the domed citadel of “We” on the devastated Earth of the year 2996, the dense and yet furiously paced narrative hurtles like an express locomotive across the fictional globe from Lincoln Island to modern America to the Blazing World; from the Jacobean antiquity of Prospero’s Men to the superhero-inundated pastures of the present to the unimaginable reaches of a shimmering science-fiction future. With a cast list that includes many of the most iconic figures from literature and pop culture, and a tempo that conveys the terrible momentum of inevitable events, this is literally and literarily the story to end all stories. Originally published as a six-issue run of unfashionable, outmoded and flimsy children’s comics that would make you appear emotionally backward if you read them on the bus, this climactic magnum opus also reprints classic English super-team publication The Seven Stars from the murky black-and-white reachers of 1964. A magnificent celebration of everything comics were, are, and could be, any appreciator or student of the medium would be unwise to miss THE LEAGUE OF EXTRAORDINARY GENTLEMEN, VOLUME IV: THE TEMPEST.
| Author | : Sian Nicholas |
| Publisher | : Routledge |
| Total Pages | : 271 |
| Release | : 2013-09-13 |
| Genre | : Social Science |
| ISBN | : 1317996836 |
Bringing together a team of history and media researchers from across Britain and Europe, this volume provides readers with a themed discussion of the range and variety of the media’s engagement with history, and a close study of the relationship between media, history and national identity.
