Songs Of Henry Clay Work
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| Author | : Bertram G. Work |
| Publisher | : Legare Street Press |
| Total Pages | : 0 |
| Release | : 2022-10-27 |
| Genre | : History |
| ISBN | : 9781015661370 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Henry Clay Work |
| Publisher | : |
| Total Pages | : 6 |
| Release | : 1863 |
| Genre | : Popular music |
| ISBN | : |
| Author | : Norman Cazden |
| Publisher | : SUNY Press |
| Total Pages | : 694 |
| Release | : 1982-01-01 |
| Genre | : Music |
| ISBN | : 9780873955805 |
Traditional songs from the Catskill area of New York State are accompanied by detailed discusssions of their roots, development, musical structure, and subject matter
| Author | : Ethel Lynn Beers |
| Publisher | : |
| Total Pages | : 364 |
| Release | : 1879 |
| Genre | : |
| ISBN | : |
| Author | : Henry Clay Work |
| Publisher | : |
| Total Pages | : 196 |
| Release | : 1864 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : A&C Black |
| Total Pages | : 833 |
| Release | : 2003-01-30 |
| Genre | : Music |
| ISBN | : 0826463215 |
‘This is an extraordinary achievement and it will become an absolutely vital and trusted resource for everyone working in the field of popular music studies. Even more broadly, anyone interested in popular music or popular music culture more generally will enjoy - and find many uses for - the wealth of information and insight captured in this volume.' Lawrence Grossberg, Morris Davis Professor of Communication Studies and Cultural Studies, University of North Carolina at Chapel Hill The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies. Popular music has been a major force in the world since the nineteenth century. With the advent of electronic and advanced technology it has become ubiquitous. This is the first volume in a series of encyclopedic works covering popular music of the world. Consisting of some 500 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and is arranged in two Parts: Part 1: Social and Cultural Dimensions, covering the social phenomena of relevance to the practice of popular music. Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided. For more information visit the website at: www.continuumpopmusic.com
| Author | : Jon W. Finson |
| Publisher | : Oxford University Press |
| Total Pages | : 367 |
| Release | : 1997-07-03 |
| Genre | : Music |
| ISBN | : 019535432X |
In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.
| Author | : Tom Paxton |
| Publisher | : Harper Collins |
| Total Pages | : 48 |
| Release | : 1996-04-26 |
| Genre | : Juvenile Fiction |
| ISBN | : 0688138004 |
Daddy's taking us to the zoo tomorrow, zoo tomorrow, zoo tomorrow. Daddy's taking us to the zoo tomorrow. We can stay all day. Now you can go along too, as Tom Paxton's classic song comes to life in this boisterous picture book. Rhythmic verse leads you through a wild kingdom where animals burst from every page. Monkeys are scritch, scritch, scratchin', and kangaroos are hop, hop, hoppin', making every moment an adventure. Karen Lee Schmidt's lively, irresistible illustrations show the animals up to all sorts of mischief. And with the easily played melodies included, this musical menagerie is every bit as fun as a trip to the zoo. Youngsters will want to "stay all day" -- and come back again and again!
| Author | : S. Baring-Gould |
| Publisher | : DigiCat |
| Total Pages | : 466 |
| Release | : 2022-09-04 |
| Genre | : Fiction |
| ISBN | : |
DigiCat Publishing presents to you this special edition of "Songs of the West" (Folk Songs of Devon & Cornwall Collected from the Mouths of the People) by S. Baring-Gould, H. Fleetwood Sheppard, F. W. Bussell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
| Author | : Lee Bidgood |
| Publisher | : University of Illinois Press |
| Total Pages | : 274 |
| Release | : 2017-09-11 |
| Genre | : Music |
| ISBN | : 0252050053 |
Bluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities. Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bidgood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.
