Songs In Sepia And Black White
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| Author | : Norbert Krapf |
| Publisher | : Indiana University Press |
| Total Pages | : 235 |
| Release | : 2012-08-13 |
| Genre | : Poetry |
| ISBN | : 0253006325 |
A collaboration born of a shared love of music, photography, poetry, and Indiana, this book celebrates the history, literature, and art that informs the present and shapes our identity. Richard Fields's black and white photos are evocative imaginings of Norbert Krapf's poems, visual metaphors that extend and deepen their vision. Krapf's poems pay tribute to poets from Homer and Virgil to Walt Whitman, Emily Dickinson, and Wendell Berry, and to singer-songwriters such as Woody Guthrie and John Lennon. They also explore the poet's German heritage, question ethnic prejudice and social conflict, and praise the natural world. The book includes a cycle of 15 poems about Bob Dylan; a public poem written in response to 9/11, "Prayer to Walt Whitman at Ground Zero"; "Back Home," a poem reproduced in a stained glass panel at the Indianapolis airport; and ruminations on the 20th anniversary of the fall of the Berlin Wall, "Questions on a Wall."
| Author | : Helen Abbott |
| Publisher | : Oxford University Press |
| Total Pages | : 205 |
| Release | : 2017-11-03 |
| Genre | : Poetry |
| ISBN | : 0192513656 |
Why do we find it hard to explain what happens when words are set to music? This study looks at the kind of language we use to describe word/music relations, both in the academic literature and in manuals for singers or programme notes prepared by professional musicians. Helen Abbott's critique of word/music relations interrogates overlaps emerging from a range of academic disciplines including translation theory, adaptation theory, word/music theory, as well as critical musicology, métricométrie, and cognitive neuroscience. It also draws on other resources-whether adhesion science or financial modelling-to inform a new approach to analysing song in a model proposed here as the assemblage model. The assemblage model has two key stages of analysis. The first stage examines the bonds formed between the multiple layers that make up a song setting (including metre/prosody, form/structure, sound repetition, semantics, and live performance options). The second stage considers the overall outcome of each song in terms of the intensity or stability of the words and music present in a song (accretion/dilution). Taking the work of the major nineteenth-century French poet Charles Baudelaire (1821-67) as its main impetus, the volume examines how Baudelaire's poetry has inspired composers of all genres across the globe, from the 1860s to the present day. The case studies focus on Baudelaire song sets by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, it tests out the assemblage model to uncover what happens to Baudelaire's poetry when it is set to music. It factors in the realities of song as a live performance genre, and reveals which parameters of song emerge as standard for French text-setting, and where composers diverge in their approach.
| Author | : |
| Publisher | : |
| Total Pages | : 496 |
| Release | : 1979 |
| Genre | : African Americans |
| ISBN | : |
| Author | : Lewis C. Mainzer |
| Publisher | : Xlibris Corporation |
| Total Pages | : 108 |
| Release | : 2012-11 |
| Genre | : Poetry |
| ISBN | : 1479735116 |
This collection, written since Two Wives Ago: Selected Poems, includes poems on Isaac and strong-willed Abraham, King Lear and his troublesome daughters, the mysteries of choir practice, the historical prominence of male decapitation, a boy shot by the cops, searching the lake for a missing boy, a hippo in the bed (with the poet's wife?), old age and decay, death-timely, too soon, too late, sweet love in youth and in old age, lilac blossoms in an outhouse, a gardener's hopes and joys and failures, elephant dung, a skunk, a quite day at the frog pond, the history and esthetics of tattooing, a Japanese woodblock print moon, a Robert Frost tool, an E.M. Forster story, and a message which may have gone astray. Cover engraving by J.G. Posada
| Author | : Ortiz Walton |
| Publisher | : Quill |
| Total Pages | : 196 |
| Release | : 1980 |
| Genre | : Music |
| ISBN | : 9780688050252 |
| Author | : Steven Dillon |
| Publisher | : State University of New York Press |
| Total Pages | : 334 |
| Release | : 2015-03-16 |
| Genre | : Literary Criticism |
| ISBN | : 143845581X |
Provides encyclopedic coverage of female sexuality in 1940s popular culture. 2015 CHOICE Outstanding Academic Title Popular culture in the 1940s is organized as patriarchal theater. Men gaze upon, evaluate, and coerce women, who are obliged in their turn to put themselves on sexual display. In such a thoroughly patriarchal society, what happens to female sexual desire? Wolf-Women and Phantom Ladies unearths this female desire by conducting a panoramic survey of 1940s culture that analyzes popular novels, daytime radio serials, magazines and magazine fiction, marital textbooks, Hollywood and educational films, jungle comics, and popular music. In addition to popular works, Steven Dillon discusses many lesser-known texts and artists, including Ella Mae Morse, a key figure in the founding of Capitol Records, and Lisa Ben, creator of the first lesbian magazine in the United States. Steven Dillon is Professor of English at Bates College and the author of Derek Jarman and Lyric Film: The Mirror and the Sea and The Solaris Effect: Art and Artifice in Contemporary American Film.
| Author | : Ferdinand Schuyler Mathews |
| Publisher | : |
| Total Pages | : 424 |
| Release | : 1906 |
| Genre | : Birds |
| ISBN | : |
| Author | : P.D. Magnus |
| Publisher | : Open Book Publishers |
| Total Pages | : 203 |
| Release | : 2022-04-28 |
| Genre | : Science |
| ISBN | : 1800644256 |
Cover songs are a familiar feature of contemporary popular music. Musicians describe their own performances as covers, and audiences use the category to organize their listening and appreciation. However, until now philosophers have not had much to say about them. In A Philosophy of Cover Songs, P.D. Magnus demonstrates that philosophy provides a valuable toolbox for thinking about covers; in turn, the philosophy of cover songs illustrates some general points about philosophical method. Lucidly written, the book is divided into three parts: how to think about covers, appreciating covers, and the metaphysics of covers and songs. Along the way, it explores a range of issues raised by covers, from the question of what precisely constitutes a cover, to the history and taxonomy of the category, the various relationships that hold between songs, performances, and tracks, and the appreciation and evaluation of covers. This unique and engaging book will be of interest to those working in philosophy of art, philosophy of music, popular music studies, music history, and musicology, as well as to readers with a general interest in popular music, covers, and how we think about them.
| Author | : David Pogue |
| Publisher | : "O'Reilly Media, Inc." |
| Total Pages | : 744 |
| Release | : 2005-08-24 |
| Genre | : Computers |
| ISBN | : 0596100361 |
The incomparable iLife '05 is the must-have multimedia suite for everyone who owns a Mac--and the envy of everyone who doesn't. iLife '05: The Missing Manual is the definitive iLife '05 book--and what should have come with the suite. There's no better guide to your iLife experience than the #1 bestselling Macintosh author and expert--and Missing Manual series creator--David Pogue. Totally objective and utterly in-the-know, Pogue highlights the newest features, changes, and improvements of iLife '05, covers the capabilities and limitations of each program within the suite, and delivers countless goodies that you won't find anywhere else: undocumented tips, tricks, and secrets for getting the best performance out of every iLife application. Pogue examines all five programs in iLife '05, including: iTunes 4.7. The digital jukebox software for Mac (and Windows) rips songs from music CDs onto your hard drive, organizes and plays your music collection, lets you buy songs from the iTunes Music Store, and syncs all your music with your iPod. iPhoto 5. With iPhoto 5, you can pull photos from digital cameras and then organize and present them as a slideshow, desktop picture, screen saver, email attachment, web page, DVD, printout, or hardbound photo book. iMovie HD. Now you can easily import and edit video from the newest High Definition camcorders and even little flash media video cams in all the latest formats. You can turn those seemingly endless home movies into short, fun, tightly edited, top-quality highlight reels that friends and family actually beg to watch. iDVD 5. Transform your iMovie productions and digital slideshows into Hollywood-style DVDs that play on everyday DVD players. GarageBand 2. This critically acclaimed program turns a Mac into a digital music-recording studio. With your authoritative, witty, full color, all-inclusive iLife '05: The Missing Manual at the ready, there's nothing standing between you and professional-caliber music, photos, movies, and more.
| Author | : Mark Kurlansky |
| Publisher | : Penguin |
| Total Pages | : 339 |
| Release | : 2014-07-01 |
| Genre | : History |
| ISBN | : 1594632731 |
Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.
