Songs For The Young Peoples Meeting
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Author | : James Thomas |
Publisher | : Xlibris Corporation |
Total Pages | : 122 |
Release | : 2024-02-25 |
Genre | : Education |
ISBN | : |
Jim Thomas was born in Humboldt, Tennessee, in 1939. He attended Fisk University in Nashville, Tennessee, where he studied history and government and earned a BA degree. While at Fisk, Jim was invited to sing with the world-renowned Fisk Jubilee Singers. Later, he sang with Robert Shaw Chorale in Atlanta, Georgia, and the Paul Hill Chorale at the John F. Kennedy Center for the Performing Arts in Washington, DC. He founded and was the director of the Red Cross Festival Choir. They performed from 1976 to 1999. The US Slave Song Project INC., a nonprofit 501(c)(3) organization, was founded by James E. Thomas in 2005 and is dedicated to educating the public about the history and interpretation of authentic US slave songs through presentations and performances. Jim serves as president of the choir director for US Slave Song Choir and narrates events and presentations. Lorna is a retired professor in professional nursing education, premedical and gerontology, and health administration and management. She remains active with guest lectures and consulting at notable institutions of higher education and community health centers. She sits on many boards and contributes as a public speaker, lobbyist, and author and workshop designer on issues ranging from strategies we can use for reducing violence in black communities to management of health-care facilities with a special focus on adult day-care facilities in rural areas, such as on Martha’s Vineyard. Her master’s thesis, “Opening Up an Adult Day Health-Care Facility in a Rural Setting,” Cambridge College, August 1986, is used by many rural areas even today! Virginia has a master’s degree in painting from Cranbrook Academy of Arts, Bloomfield Hills, Michigan, and a bachelor’s degree in studio art from the University of North Carolina, Chapel Hill, North Carolina. She also studied figure drawing under a seminar for college teachers at New York University. In the Anthropology Department of NYU, she studied “African systems of thought” under T. Biederman. Virginia sings in Jim Thomas’s US Slave Song Project Choir with Dr. Lorna Chambers-Andrade.
Author | : Stephen V. R. Ford |
Publisher | : |
Total Pages | : 52 |
Release | : 1891 |
Genre | : Sunday school music |
ISBN | : |
Author | : David W. Music |
Publisher | : Mercer University Press |
Total Pages | : 664 |
Release | : 2008 |
Genre | : Music |
ISBN | : 9780865549487 |
Baptists have a long and rich heritage of congregational song. The hymns Baptists have sung and the books from which they have sung them have been shaping forces for Baptist theology, worship, and piety. Baptist authors and composers have provided songs that have made an impact not only among Baptists in America but also across denominational and geographic lines. Congregational singing continues to be a key component of Baptist worship in the twenty-first century. Beginning with an overview of the British background, this book is a survey of the history of Baptist hymnody in America from Baptist beginnings in the New World to the present. Its intent is to help the reader better understand the background against which current Baptist congregational song practices operate. Unlike earlier writings on the subject, this book provides both comprehensive coverage and a continuous narrative. It gives thorough attention to the major Baptist bodies in America as well as calling attention to the contributions of significant smaller groups. The British Baptist background is dealt with in an introductory section. The book also includes many texts and tunes as illustrations of the topics being discussed and focuses on some of the contributions of Baptist authors and composers to the repertory of congregational song. Book jacket.
Author | : |
Publisher | : |
Total Pages | : 2116 |
Release | : 1905 |
Genre | : Methodist Church |
ISBN | : |
Author | : Joan Shelley Rubin |
Publisher | : Harvard University Press |
Total Pages | : 487 |
Release | : 2007 |
Genre | : History |
ISBN | : 0674035127 |
Listen to a short interview with Joan Shelley RubinHost: Chris Gondek | Producer: Heron & Crane In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they experienced in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry influenced readers' lives and helped them to find meaning in a poet's words. Emphasizing the cultural circumstances that influenced the production and reception of poets and poetry in this country, Rubin recovers the experiences of ordinary people reading poems in public places. We see the recent immigrant seeking acceptance, the schoolchild eager to be integrated into the class, the mourner sharing grief at a funeral, the grandparent trying to bridge the generation gap--all instances of readers remaking texts to meet social and personal needs. Preserving the moral, romantic, and sentimental legacies of the nineteenth century, the act of reading poems offered cultural continuity, spiritual comfort, and pleasure. Songs of Ourselves is a unique history of literary texts as lived experience. By blurring the boundaries between "high" and "popular" poetry as well as between modern and traditional, it creates a fuller, more democratic way of studying our poetic language and ourselves.
Author | : Jonathan Dueck |
Publisher | : Taylor & Francis |
Total Pages | : 209 |
Release | : 2017-04-28 |
Genre | : Music |
ISBN | : 1134785984 |
Congregational Music, Conflict and Community is the first study of the music of the contemporary 'worship wars' – conflicts over church music that continue to animate and divide Protestants today – to be based on long-term in-person observation and interviews. It tells the story of the musical lives of three Canadian Mennonite congregations, who sang together despite their musical differences at the height of these debates in the late 1990s and early 2000s. Mennonites are among the most music-centered Christian groups in North America, and each congregation felt deeply about the music they chose as their own. The congregations studied span the spectrum from traditional to blended to contemporary worship styles, and from evangelical to liberal Protestant theologies. At their core, the book argues, worship wars are not fought in order to please congregants' musical tastes nor to satisfy the theological principles held by a denomination. Instead, the relationships and meanings shaped through individuals’ experiences singing in the particular ways afforded by each style of worship are most profoundly at stake in the worship wars. As such, this book will be of keen interest to scholars working across the fields of religious studies and ethnomusicology.
Author | : Thomas Corwin Horton |
Publisher | : |
Total Pages | : 192 |
Release | : 1922 |
Genre | : Evangelistic work |
ISBN | : |
Author | : Wyoming Baptist Convention |
Publisher | : |
Total Pages | : 522 |
Release | : 1924 |
Genre | : Baptists |
ISBN | : |
Author | : Nathaniel Willis |
Publisher | : |
Total Pages | : 692 |
Release | : 1907 |
Genre | : Children's periodicals |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1320 |
Release | : 1901 |
Genre | : Chicago (Ill.) |
ISBN | : |