Songs for Socialists

Songs for Socialists
Author: Fabian Society (Great Britain)
Publisher:
Total Pages: 100
Release: 1912
Genre: Political ballads and songs
ISBN:

Chants for Socialists (1885)

Chants for Socialists (1885)
Author: William Morris
Publisher: Read Books Ltd
Total Pages: 26
Release: 2016-04-03
Genre: Political Science
ISBN: 1473367034

This early work by William Morris was originally published in 1899 and we are now republishing it with a brand new introductory biography. William Morris was born in London, England in 1834. Arguably best known as a textile designer, he founded a design partnership which deeply influenced the decoration of churches and homes during the early 20th century. However, he is also considered an important Romantic writer and pioneer of the modern fantasy genre, being a direct influence on authors such as J. R. R. Tolkien. As well as fiction, Morris penned poetry and essays. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

British Socialists and the Politics of Popular Culture, 1884-1914

British Socialists and the Politics of Popular Culture, 1884-1914
Author: Chris Waters
Publisher: Manchester University Press
Total Pages: 288
Release: 1990
Genre: Political Science
ISBN: 9780719029189

The British social movement emerged at the same time that working-class culture was being transformed by new forms of commercial entertainment. This work explores the relationship between the socialist movemement and late Victorian working-class culture.

Cheap Print and Popular Song in the Nineteenth Century

Cheap Print and Popular Song in the Nineteenth Century
Author: Paul Watt
Publisher: Cambridge University Press
Total Pages: 265
Release: 2017-03-23
Genre: Music
ISBN: 110816174X

This book is a cultural history of the nineteenth-century songster: pocket-sized anthologies of song texts, usually without musical notation. It examines the musical, social, commercial and aesthetic functions songsters served and the processes by which they were produced and disseminated, the repertory they included, and the singers, printers and entrepreneurs that both inspired their manufacture and facilitated their consumption. Taking an international perspective, chapters focus on songsters from Ireland, North America, Australia and Britain and the varied public and private contexts in which they were used and exploited in oral and print cultures.