Songs Before Sunrise And Songs Of Two Nations
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Songs of Two Nations
Author | : Algernon Charles Swinburne |
Publisher | : |
Total Pages | : 128 |
Release | : 1893 |
Genre | : English poetry |
ISBN | : |
The Poems of Algernon Charles Swinburne: Songs before sunrise, and Songs of two nations
Author | : Algernon Charles Swinburne |
Publisher | : |
Total Pages | : 336 |
Release | : 1904 |
Genre | : English poetry |
ISBN | : |
Academy; a Weekly Review of Literature, Learning, Science and Art
Author | : |
Publisher | : |
Total Pages | : 690 |
Release | : 1904 |
Genre | : |
ISBN | : |
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
Academy and Literature
Author | : Charles Edward Cutts Birch Appleton |
Publisher | : |
Total Pages | : 688 |
Release | : 1904 |
Genre | : Literature |
ISBN | : |
Fear and Nature
Author | : Christy Tidwell |
Publisher | : Penn State Press |
Total Pages | : 301 |
Release | : 2021-05-10 |
Genre | : Literary Criticism |
ISBN | : 027109043X |
Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene. Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.” A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism. In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.