Songs 1896 1914
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Author | : Maurice Ravel |
Publisher | : Courier Corporation |
Total Pages | : 161 |
Release | : 1990-01-01 |
Genre | : Music |
ISBN | : 0486263541 |
As a young composer in the years preceding World War I, Maurice Ravel brought to the art of the song that distinctive fusion of classicism and the modern spirt that characterized all his musical works and helped earn him a reputation as one of the most important modern French song composers. This superb collection includes many of his most admired and performed songs and song cycles, edited and introduced by Arbie Orenstein, the world's leading Ravel scholar, and eloquently displays the artistry that has made Ravel a favorite of 20th-century singers and their audiences. Many of the songs are settings of texts by such major poets as Paul Verlaine and Stephane Mallarme. Reprinted here from authoritative French editions and provided with new English translations of the original French texts, they include: Sainte; Epigrammes de Clement Marot; Manteau de fleurs; Sheherazade; Cinq Melodies populaires grecques; Noel des jouets; Histories naturelles; Vocalise-Etude en forme de Hababera; Les Grands Vents venus d'outremer; Sur l'herbe; Chants popularizes; Trois Poemes de Stephane Mallarme; and Deux Melodies hebra gues."
Author | : Maurice Ravel |
Publisher | : |
Total Pages | : 131 |
Release | : 1990 |
Genre | : Songs with piano |
ISBN | : |
Author | : Paul Rodmell |
Publisher | : Routledge |
Total Pages | : 308 |
Release | : 2016-04-29 |
Genre | : Music |
ISBN | : 1317092473 |
In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.
Author | : Waldo Selden Pratt |
Publisher | : |
Total Pages | : 1024 |
Release | : 1924 |
Genre | : Music |
ISBN | : |
Author | : Edward Harrigan |
Publisher | : |
Total Pages | : 377 |
Release | : 1997 |
Genre | : |
ISBN | : |
Author | : Oscar Thompson |
Publisher | : |
Total Pages | : 2506 |
Release | : 1975 |
Genre | : Music |
ISBN | : |
Author | : Arthur Eaglefield Hull |
Publisher | : |
Total Pages | : 572 |
Release | : 1924 |
Genre | : Music |
ISBN | : |
Author | : David Braham |
Publisher | : A-R Editions, Inc. |
Total Pages | : 394 |
Release | : 1997-01-01 |
Genre | : Music |
ISBN | : 0895793962 |
Author | : Princeton University. Library |
Publisher | : |
Total Pages | : 758 |
Release | : 1921 |
Genre | : Library catalogs |
ISBN | : |
Author | : Music Library Association |
Publisher | : |
Total Pages | : 696 |
Release | : 1997 |
Genre | : Music |
ISBN | : |
Lists 7,000 recordings and 3,000 printed scores coded for different levels of collecting.