Songbook of Absences
Author | : Miguel Hernández |
Publisher | : |
Total Pages | : 76 |
Release | : 1972 |
Genre | : Spanish poetry |
ISBN | : |
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Author | : Miguel Hernández |
Publisher | : |
Total Pages | : 76 |
Release | : 1972 |
Genre | : Spanish poetry |
ISBN | : |
Author | : Miguel Hernández |
Publisher | : University of Chicago Press |
Total Pages | : 436 |
Release | : 2001-10 |
Genre | : Poetry |
ISBN | : 0226327736 |
A collection of poems by Spanish author Miguel Hernandez which includes both the English and Spanish translations of the text.
Author | : Jennifer Rushworth |
Publisher | : University of Pennsylvania Press |
Total Pages | : 345 |
Release | : 2024-06-25 |
Genre | : Literary Criticism |
ISBN | : 1512825972 |
In Proust’s Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust’s novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust’s opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs’ significance by paying close attention to their lyrics, music, composers, and histories. Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust’s novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust’s juxtapositions of songs with meditations on the notion of “mauvaise musique” (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art. According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche—especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust’s novel as songs of farewell—noting that to sing farewell is a means to resist the very parting that is being expressed—and demonstrates how songs, in formal terms, resist the forward impetus of narrative.
Author | : Miguel Hernández |
Publisher | : Parlor Press LLC |
Total Pages | : 209 |
Release | : 2008-11-21 |
Genre | : Literary Criticism |
ISBN | : 1602350914 |
THE PRISON POEMS is the first complete translation into English of Miguel Hernández’s Cancionero y romancero de ausencias, a classic of 20th century Spanish poetry, comparable in many respects to the work of Lorca and Pablo Neruda. The poems in this book were mostly written while he was in prison after the defeat of Republican Spain.
Author | : Marisa Galvez |
Publisher | : University of Chicago Press |
Total Pages | : 298 |
Release | : 2012-05-17 |
Genre | : Art |
ISBN | : 0226280519 |
The medieval songbook as emergent genre -- Paradigms: the Carmina Burana and the Libro de Buen Amor -- Producing opaque coherence: lyric presence and names in songbooks -- Shifting mediality: visualizing lyric texts in songbooks -- Cancioneros and the art of the songbook -- Conclusion: songbook medievalisms.
Author | : Library of Congress. Copyright Office |
Publisher | : Copyright Office, Library of Congress |
Total Pages | : 1760 |
Release | : 1975 |
Genre | : Copyright |
ISBN | : |
Author | : Mark Slobin |
Publisher | : A-R Editions, Inc. |
Total Pages | : 356 |
Release | : 2011-01-01 |
Genre | : Albany (N.Y.) |
ISBN | : 9780895797063 |
URL: https://www.areditions.com/rr/rrotm/otm009.html This publication is the first-ever facsimile edition of a "binder¿s volume," a personal collection of sheet music, in this case that of a nineteenth-century young woman, Emily Esperanza McKissick of Albany, New York, who must have actively used her volume with her friends and family and who became a long-lived music teacher.Essays by leading American-music specialists illuminate the general themes of this unique volume and also provide detailed information (with copious reference to period source materials) about the McKissick family, musical life in mid-century Albany, the publication history of the forty-six songs, and an analysis of the penciled annotations made by Emily on the music itself. The complete binder's volume of Emily¿s favorite songs¿some common, some rare¿is presented, cover to cover, as a photographic facsimile.
Author | : Hal Leonard Corp. |
Publisher | : Hal Leonard Corporation |
Total Pages | : 1259 |
Release | : 1993-01-01 |
Genre | : Music |
ISBN | : 1476804222 |
(Fake Book). The latest edition of this fake book is truly the Best Ever! It contains more than 1,000 huge hits, and icludes the melody lines, lyrics and chords for: Against All Odds * Amazed * At the Hop * Autumn Leaves * The Birth of the Blues * Bohemian Rhapsody * Cabaret * California Girls * Candle in the Wind * Centerfold * Chariots of Fire * Colors of the Wind * Crazy * Dust in the Wind * Earth Angel * Eleanor Rigby * Fever * Fire and Rain * From a Distance * Hello, Dolly! * Hey Jude * I Am Woman * Imagine * Joy to the World * Kansas City * The Keeper of the Stars * La Bamba * Lady in Red * Linus and Lucy * Longer * Me and Bobby McGee * Mickey Mouse March * Misty * More * More Than Words * Oye Como Va * Peggy Sue * The Rainbow Connection * Respect * Route 66 * Shout * Spanish Eyes * Stormy Weather * Take Five * Thriller * Time in a Bottle * Unchained Melody * Wave * The Way We Were * Y.M.C.A. * You've Got a Friend * and hundreds more!