Song of the Open Road
Author | : Walt Whitman |
Publisher | : American Roots |
Total Pages | : |
Release | : 2022-06-21 |
Genre | : Nature |
ISBN | : 9781429096386 |
Walt Whitman's poem was first published in the 1856 collection Leaves of Grass.
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Author | : Walt Whitman |
Publisher | : American Roots |
Total Pages | : |
Release | : 2022-06-21 |
Genre | : Nature |
ISBN | : 9781429096386 |
Walt Whitman's poem was first published in the 1856 collection Leaves of Grass.
Author | : Walt Whitman |
Publisher | : Four Corners Books |
Total Pages | : 136 |
Release | : 1996 |
Genre | : Family & Relationships |
ISBN | : |
Author | : The American Poetry & Literacy Project |
Publisher | : Courier Corporation |
Total Pages | : 81 |
Release | : 2012-02-29 |
Genre | : Poetry |
ISBN | : 048611029X |
More than 80 poems by 50 American and British masters celebrate real and metaphorical journeys. Poems by Whitman, Byron, Millay, Sandburg, Langston Hughes, Emily Dickinson, Robert Frost, Shelley, Tennyson, Yeats, many others.
Author | : Louis J. McQuilland |
Publisher | : Good Press |
Total Pages | : 58 |
Release | : 2021-11-05 |
Genre | : Poetry |
ISBN | : |
This collection of poetry was written by the Irish poet Louis J. McQuilland, whose poems were previously published in magazines such as the Vanity Fair. His works revolve around topics such as medieval royals, bloody revolutions, and the Irish identity.
Author | : Walt Whitman |
Publisher | : Routledge |
Total Pages | : 232 |
Release | : 2013-10-18 |
Genre | : Literary Criticism |
ISBN | : 1134476809 |
Since 1855, Walt Whitman's Song of Myself has been enjoyed, debated, parodied and imitated by readers, critics and artists crossing national and linguistic boundaries. Many argue that it is the most influential poem ever written by an American. This sourcebook and critical edition provides easy access to: * information on the contexts of Whitman's work, including biographical details and a chronology * an overview of the critical reception of the poem and extracts from important criticism, reprinted with clear introductory headnotes * key passages from the original 1855 edition, with commentary and annotation * the full 'final' 1881 edition of the poem. Cross-references link the critical, contextual and textual sections of the volume, encouraging an integrated understanding of this creative and controversial text. Complementing a wealth of material with suggestions for further reading, this volume is ideal for readers with no knowledge of the poem, or for those returning anew to a favourite text.
Author | : William Gray |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 160 |
Release | : 2011-05-25 |
Genre | : Literary Criticism |
ISBN | : 144383050X |
In part a sequel to his earlier Death and Fantasy, William Gray’s Fantasy, Art and Life: Essays on George MacDonald, Robert Louis Stevenson and Other Fantasy Writers examines the ways in which “Life” in its various senses is affirmed, explored and enhanced through the work of the creative imagination, especially in fantasy literature. The discussion includes a range of fantasy writers, but focuses chiefly on two writers of the Victorian period, George MacDonald and Robert Louis Stevenson, whose Scottish (and particularly Calvinist) backgrounds deeply affected their engagement with what MacDonald called “The Fantastic Imagination.”
Author | : D. J. Moores |
Publisher | : Peeters Publishers |
Total Pages | : 260 |
Release | : 2006 |
Genre | : Literary Criticism |
ISBN | : 9789042918092 |
In Mystical Discourse D.J. Moores builds on the work of current transatlantic scholarship in a lucid analysis of the connections between William Wordsworth and Walt Whitman. As he demonstrates, the "transatlantic bridge" between both poets lies in their privileging of a type of mystical language he calls "cosmic" rhetoric, which served the function of ideological resistance, as it enabled them to rebel against Enlightenment modes of thinking and being. In a thorough engagement with the work of Wordsworth and Whitman, Moores shows that the cosmic rhetoric of both writers involves a subversive reorientation towards self and society, nature and God, and knowledge and religion, as well as a radical revisioning of language and poetics.
Author | : Stephen John Mack |
Publisher | : University of Iowa Press |
Total Pages | : 207 |
Release | : 2005-04 |
Genre | : Literary Criticism |
ISBN | : 1587294249 |
In this surprisingly timely book, Stephen Mack examines Whitman’s particular and fascinating brand of patriotism: his far-reaching vision of democracy. For Whitman, loyalty to America was loyalty to democracy. Since the idea that democracy is not just a political process but a social and cultural process as well is associated with American pragmatism, Mack relies on the pragmatic tradition of Emerson, James, Dewey, Mead, and Rorty to demonstrate the ways in which Whitman resides in this tradition. Mack analyzes Whitman's democratic vision both in its parts and as a whole; he also describes the ways in which Whitman's vision evolved throughout his career. He argues that Whitman initially viewed democratic values such as individual liberty and democratic processes such as collective decision-making as fundamental, organic principles, free and unregulated. But throughout the 1860s and 1870s Whitman came to realize that democracy entailed processes of human agency that are more deliberate and less natural—that human destiny is largely the product of human effort, and a truly humane society can be shaped only by intelligent human efforts to govern the forces that would otherwise govern us. Mack describes the foundation of Whitman’s democracy as found in the 1855 and 1856 editions of Leaves of Grass, examines the ways in which Whitman’s 1859 sexual crisis and the Civil War transformed his democratic poetics in “Sea-Drift,” “Calamus,” Drum-Taps,and Sequel to Drum-Taps, and explores Whitman’s mature vision in Democratic Vistas, concluding with observations on its moral and political implications today. Throughout, he illuminates Whitman's great achievement—learning that a full appreciation for the complexities of human life meant understanding that liberty can take many different and conflicting forms—and allows us to contemplate the relevance of that achievement at the beginning of the twenty-first century.
Author | : Agnieszka Salska |
Publisher | : University of Pennsylvania Press |
Total Pages | : 232 |
Release | : 2016-11-11 |
Genre | : Literary Criticism |
ISBN | : 1512806145 |
Agnieszka Salska 's illuminating study of the patterns of consciousness in the poetry of two major nineteenth-century American poets borrows from Northrop Frye's phrase "the structure of the poet's imagination." Walt Whitman and Emily Dickinson, the first extensive book comparing the two poets, builds on the shorter works by Karl Keller and Albert Gelpi and is further augmented by Salska's "outside" viewpoint from her native Poland. Her extensive research in the United States in 1984 ensures the timeliness of the work and makes the study truly valuable. That Dickinson and Whitman shared a common ground of aspiration for existential wholeness is made clearer to twentieth-century readers by Salska's argument, which traces the poets' heritage from Ralph Waldo Emerson. Although both poets begin with the same vision—that the artist's mind is solely responsible for the organization of the universe—their realizations of that image diverge radically. Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general.